Michelle De Winter lives the good life, wining and dining with only the richest men who are fortunate to cross her path. Her daughter Yvette, whom Michelle insists on introducing as her '... See full summary »
Susanna travels to Paris with her small group of actors. There she saves Emperor Napoleon from rather painful predicaments, uncovers a number of nasty court intrigues and finds, with much skill and ability, the man of her choice.
Edwige Fenech plays the girlfriend of beatnik-hippy artist Archie (Willi Colombini). Throughout the film Edwige is either having her body painted during a hippy party, posing naked for ... See full summary »
Not your typical Italian western. Outlaw makes good by rescuing raped and beaten dancehall girl who eventually falls for him. Sexually deviated murdering bankers widow "Sybil" adds some ... See full summary »
Five short comic sketches, all unrelated to each other, except that they are all expressions of Italian sexual humor. In one sketch, Marty Feldman plays a bodyguard, hired by her father to ... See full summary »
A new judge closes a cheese factory for pollution; its owner, La Noce, bribes a monsignor who points him toward an official who might fix it. La Noce needs leverage and discovers the ... See full summary »
An Earl and a Colonel both claim ownership of the same castle (including one manservant) by dividing it up with a red line. They bet each other that the first man to bed a local virgin of his choice gets to keep the castle.
Franchi and Ingrassia play themselves as usual, off to wait tables at a Fellini's Satyricon themed party. Before you can say "don't drop that jug of wine", they 'wake up' way back B.C., still dressed in their little slave outfits. The real mystery here is why they didn't start the film in Roman times in the first place as the pop culture references are not just limited to the supposed time travelers. Still, some of the wittiest jokes involve street signs and sight gags: the first thing we see is a license plate on a cart and wagon. All roads lead to Rome (via footage borrowed from a much more expensive movie) and they immediately save Emperor Nero from food poisoning. Forced to join a spy origination that uses a secret slap in the face instead of a secret handshake, they are dressed as barbarians by their new boss, whom we shall refer to as 'M', and sent off to a tavern for more time misplacement jokes.
Enter seventies sex-ploitation babes Edwige Fenech and Karin Shubert (in untypically unrevealing roles), who are looking for a couple of Normen to get rid of their husbands. Edwige is married to the emperor and Karin to 'M', I think. You don't normally have to use your brain this much during these Franco and Ciccio flicks. Everybody is double- and triple crossing each other and hatching murder plots. After Edwige bathes in milk, F & C add some coffee to it to make cappuccino. Hahaha. Set on performing at a Festivalius, Claudio Nero has had all the other contestants murdered beforehand. To our surprise the real barbarian cutthroats arrive, but luckily there are enough Centurion uniforms lying around for our bumbling fools to save their mighty ruler once more.
By now the Romans are revolting, Karin is swimming in champagne and Nero's heroes have to make sure Rome is burning. Yes, every epic cliché is accounted for in just under 90 minutes (did the writers use a stack of Asterix comic books for reference?). After a mock trial at the Roman High Court, it's time to throw our protagonists to the lions. Having managed to restrain himself for over an hour of film, Franco finally lets loose with his usual Jerry Lewis face hugging during the Gladiatorial combat. He and Ciccio take turns fighting familiar 'Sword and Sandal' film actors in this sequence, that unfortunately turned out neither as funny or exciting as intended. But they might still be accidentally spared by a thumb in order to escape into to a predictable coda back in present times.
6 out of 10
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