IMDb > Ryan's Daughter (1970)
Ryan's Daughter
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Ryan's Daughter (1970) More at IMDbPro »

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Ryan's Daughter -- Trailer two
Ryan's Daughter -- Trailer one

Overview

User Rating:
7.5/10   5,490 votes »
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Down 8% in popularity this week. See why on IMDbPro.
Director:
Writer:
Robert Bolt (original screenplay)
Contact:
View company contact information for Ryan's Daughter on IMDbPro.
Release Date:
17 December 1970 (West Germany) See more »
Genre:
Tagline:
A story of love...set against the violence of rebellion See more »
Plot:
Set in the wake of the 1916 Easter Rising, a married woman in a small Irish village has an affair with a troubled British officer. Full summary » | Full synopsis »
Plot Keywords:
Awards:
Won 2 Oscars. Another 9 wins & 19 nominations See more »
User Reviews:
Human longing for life, bare and simple on the screen See more (96 total) »

Cast

  (in credits order) (verified as complete)

Robert Mitchum ... Charles Shaughnessy

Trevor Howard ... Father Collins
Christopher Jones ... Randolph Doryan

John Mills ... Michael

Leo McKern ... Thomas Ryan

Sarah Miles ... Rosy Ryan

Barry Foster ... Tim O'Leary
Marie Kean ... Mrs. McCardle
Arthur O'Sullivan ... Mr. McCardle
Evin Crowley ... Maureen
Douglas Sheldon ... Driver
Gerald Sim ... Captain
Barry Jackson ... Corporal
Des Keogh ... Lanky private

Niall Toibin ... O'Keefe
Philip O'Flynn ... Paddy
Donal Neligan ... Maureen's boyfriend
Brian O'Higgins ... Const. O'Connor
Niall O'Brien ... Bernard
Owen Sullivan ... Joseph
rest of cast listed alphabetically:
Emmet Bergin ... Sean (uncredited)
May Cluskey ... Storekeeper (uncredited)
Annie D'Alton ... Old woman (uncredited)
Pat Layde ... Policeman (uncredited)
Ed O'Callaghan ... Bernard (uncredited)

Directed by
David Lean 
 
Writing credits
Robert Bolt (original screenplay)

Produced by
Anthony Havelock-Allan .... producer
Roy Stevens .... associate producer
 
Original Music by
Maurice Jarre 
 
Cinematography by
Freddie Young 
 
Film Editing by
Norman Savage 
 
Production Design by
Stephen B. Grimes  (as Stephen Grimes)
 
Art Direction by
Roy Walker 
 
Set Decoration by
Josie MacAvin 
 
Costume Design by
Jocelyn Rickards 
 
Makeup Department
Charles E. Parker .... makeup artist (as Charles Parker)
A.G. Scott .... hair stylist
Eric Allwright .... makeup artist (uncredited)
 
Production Management
Douglas Twiddy .... production manager
 
Second Unit Director or Assistant Director
Charles Frend .... second unit director
Roy Stevens .... second unit director: storm
Michael Stevenson .... assistant director
Pedro Vidal .... assistant director
Jonathan Burrows .... third assistant director (uncredited)
David Tringham .... assistant director (uncredited)
 
Art Department
Peter Dukelow .... constructor
Eddie Fowlie .... property master
Derek Irvine .... assistant art director
Brian Doyle .... plasterer (uncredited)
Mickey O'Toole .... stand-by props (uncredited)
 
Sound Department
John Bramall .... sound recordist
Ernie Grimsdale .... sound editor
Gordon K. McCallum .... sound mixer
Winston Ryder .... sound editor
John Hayward .... sound re-recording mixer (uncredited)
Michael Hickey .... sound (uncredited)
 
Special Effects by
Robert MacDonald .... special effects
 
Stunts
Vic Armstrong .... stunts (uncredited)
Jack Cooper .... stunts (uncredited)
 
Camera and Electrical Department
Denys N. Coop .... camera operator: second unit (as Denys Coop)
Ernest Day .... camera operator
Robert Huke .... camera operator: second unit (as Bob Huke)
Bernie Prentice .... chief electrician
Roy Rodhouse .... chief electrician
Doug Byers .... electrician (uncredited)
Jim Dawes .... grip (uncredited)
Chris Holden .... focus puller (uncredited)
Robert Willoughby .... special still photographer (uncredited)
 
Costume and Wardrobe Department
Evangeline Harrison .... assistant costume designer (uncredited)
 
Editorial Department
Tony Lawson .... assistant editor
 
Music Department
Maurice Jarre .... conductor
Eric Tomlinson .... music recordist
 
Other crew
Phyllis Crocker .... continuity
Eddie Fowlie .... location manager
William O'Kelly .... production liaison
Ron Bareham .... assistant accountant (uncredited)
Al Burgess .... location manager (uncredited)
Julian Holloway .... voice dubbing: Christopher Jones (uncredited)
John Trehy .... production accountant (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
MPAA:
Rated R for a sex scene (re-rating) (1996)
Runtime:
195 min (general release version) | 206 min (roadshow/DVD version)
Country:
Language:
Color:
Color (Metrocolor)
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
70 mm 6-Track (70 mm prints) | Mono (35 mm optical prints) | 4-Track Stereo (35 mm magnetic prints)
Certification:
Argentina:16 | Australia:PG | Australia:M (TV rating) | Finland:K-16 | Iceland:16 | Netherlands:14 (orginal rating) | New Zealand:M (special edition) | Peru:14 | Portugal:M/12 | Singapore:M18 | Sweden:11 | UK:AA (original rating) | UK:15 (video rating) | USA:GP (original rating) | USA:R (re-rating) (1996) | West Germany:16 (f)

Did You Know?

Trivia:
The shoot lasted approximately a year.See more »
Goofs:
Anachronisms: Father Collins wears a traditional black garment with white "dog collar" but apparently in the period this film was set, the law forbad a catholic priest to dress this way.See more »
Quotes:
[first lines]
Rosy Ryan:Give it over, Michael. Thanks.
See more »
Movie Connections:
Referenced in Emerald City (1988)See more »
Soundtrack:
Saddle the PonySee more »

FAQ

This FAQ is empty. Add the first question.
36 out of 38 people found the following review useful.
Human longing for life, bare and simple on the screen, 16 December 1999
Author: lfsutherland from Melbourne, Australia

I love this movie. Saw it again last night on the big, wide screen at the Astor, from a beautiful new print. There is much to deserve love: the artistry of the film making; unspeakably fine cinematography; superb use of music and sound (hearing nothing but the wind in the trees during the forest scene is breathlessly sensual); and major and minor characters who each in their own way reflect the eternal enigma of human longing for life and transcendence. The film's evocation of human lives caught up in the inexorable forces of nature and history at this particular moment and place is profoundly arresting. There's a timelessness about this movie which makes the criticisms I've heard - about miscasting, stiff acting and the like - melt away into irrelevance, or even shows them to be virtues. I love the way the film maintains narrative integrity but has a foreordained, mythical quality as well: the overwhelming, all-penetrating power of nature and fate seems to make the human doings at once piercingly real and immediate, yet disconnected, almost surreal. But the touches of humour and sharp, immediate visual detail (often wittily drawn from the visual history of paintings and caricatures of village life) save us from any kind of authorial portent or angst: the greatest wonder of this artful work is that there is nothing between us and the story, except perhaps the icy whip of the ocean wind gainst our faces. The range of characters both in kind and in how we experience them is enlivening - from the formidably down to earth Father Collins, to the captivatingly tragic and symbolic figure of Doryan. And Michael the retarded angel is the ultimate figure of grace.

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Jones's Acting? arrasjoseph
All Ages Agree (not?) keith-lofstrom
Anyone else get sick of that mute? the sphynx
Irish Culture dxara8
Featurette narrator? yabbadabbadu2
90th Anniversary of 1916 Easter Rising rmoore66-1
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