The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during the First World War and then the October Revolution.
World War I seems far away from Ireland's Dingle peninsula when Rosy Ryan Shaughnessy goes horseback riding on the beach with the young English officer. There was a magnetic attraction between them the day he was the only customer in her father's pub and Rosy was tending bar for the first time since her marriage to the village schoolmaster. Then one stormy night some Irish revolutionaries expecting a shipment of guns arrive at Ryan's pub. Is it Rosy who betrays them to the British? Will Shaugnessy take Father Collin's advice? Is the pivotal role that of the village idiot who is mute? Written by
Dale O'Connor <firstname.lastname@example.org>
When Michael, the village idiot, catches a lobster, the creature is still alive when he tears off one of it's claws. This repulses Rosie who cringes. Father Hugh berates Michael stating that they are living creatures. A short time later Father Hugh tells Rosie that if she's nice to Michael she would end up with one of the lobster's claws for her supper. What was the point of Father Hugh being outraged at Michael tearing off a live lobster's claw as opposed to later killing it and removing the same claw for dinner. See more »
Long, sweeping and underrated - but easy to see why many don't like it.
In 1918 Ireland a school teacher's wife and an army captain have an illicit affair that has far reaching consequences.
The film that cast Robert Mitchum so against type as to be untrue (a cuckold husband!) and whose critical response drove a great director to near two decades of silence has to be viewed; if only as cinema history.
This is a small film blown up to try and be an epic, which it is not and that is the first of its faults. Nevertheless I think it is an important and enjoyable product that I have seen twice, once for the film and once to re-live the unbelievable cinematography and action scenes. The lifeboat scene is one of the greatest pieces of cinema ever, it should feature in film schools.
The problem with adultery is that directors always try and limit blame because they fear alienating the audience. Here we have no reason for it other than lust and selfishness, one person's happiness (if only brief) is only achieved by taking someone else's.
I have long held the view that Mitchum was underrated as an actor and has a wonderful speaking voice. I am glad he has this on his C.V, not that he will be need it anymore. Miles is equally good, although it is not as hard as hard a part to play. John Mills - as the village idiot - won an Oscar for his over-the-top performance that he reports upon faithfully on his autobiography. "They sat me down and gave me the worst haircut they could think of..."
It has been said so many before, but there is no real need for a film with modest intentions to be so long. I actually don't mind because I have a lot of patience with quality material and know there will be some great scenes in any David Lean film. I am just sorry that the main man had such a fragile ego; especially when the industry had rewarded him with so much silverware.
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