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Ryan's Daughter (1970)

7.5
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Ratings: 7.5/10 from 5,070 users  
Reviews: 92 user | 29 critic

Set in the wake of the 1916 Easter Rising, a married woman in a small Irish village has an affair with a troubled British officer.

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(original screenplay)
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Title: Ryan's Daughter (1970)

Ryan's Daughter (1970) on IMDb 7.5/10

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Won 2 Oscars. Another 9 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Christopher Jones ...
...
...
...
Barry Foster ...
Marie Kean ...
Mrs. McCardle
Arthur O'Sullivan ...
Mr. McCardle
Evin Crowley ...
Douglas Sheldon ...
Driver
Gerald Sim ...
Captain
Barry Jackson ...
Corporal
Des Keogh ...
Lanky private
...
O'Keefe
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Storyline

World War I seems far away from Ireland's Dingle peninsula when Rosy Ryan Shaughnessy goes horseback riding on the beach with the young English officer. There was a magnetic attraction between them the day he was the only customer in her father's pub and Rosy was tending bar for the first time since her marriage to the village schoolmaster. Then one stormy night some Irish revolutionaries expecting a shipment of guns arrive at Ryan's pub. Is it Rosy who betrays them to the British? Will Shaugnessy take Father Collin's advice? Is the pivotal role that of the village idiot who is mute? Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Plot Keywords:

village | officer | pub | beach | ireland | See more »

Taglines:

A story of love. Filmed by David Lean. See more »

Genres:

Drama | History | Romance

Motion Picture Rating (MPAA)

Rated R for a sex scene | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 December 1970 (West Germany)  »

Also Known As:

Ryan's Daughter  »

Box Office

Budget:

$15,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(general release) | (roadshow/DVD)

Sound Mix:

(70 mm prints)| (35 mm optical prints)| (35 mm magnetic prints)

Color:

(Metrocolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

John Mills was the first actor cast in the film; he happened to be vacationing in Rome when Lean and Bolt began developing the project. Lean (who lived in Venice at the time) met Mills in Rome and offered him the role of the village idiot; Mills accepted, though he remarked that he felt the role was "typecasting". See more »

Goofs

Father Collins wears a traditional black garment with white "dog collar" but apparently in the period this film was set, the law forbad a catholic priest to dress this way. See more »

Quotes

[first lines]
Rosy Ryan: Give it over, Michael. Thanks.
See more »

Connections

Referenced in Oscar's Greatest Moments (1992) See more »

Soundtracks

Guinea Willie
(uncredited)
Traditional
Arranged by Maurice Jarre
See more »

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User Reviews

Human longing for life, bare and simple on the screen
16 December 1999 | by (Melbourne, Australia) – See all my reviews

I love this movie. Saw it again last night on the big, wide screen at the Astor, from a beautiful new print. There is much to deserve love: the artistry of the film making; unspeakably fine cinematography; superb use of music and sound (hearing nothing but the wind in the trees during the forest scene is breathlessly sensual); and major and minor characters who each in their own way reflect the eternal enigma of human longing for life and transcendence. The film's evocation of human lives caught up in the inexorable forces of nature and history at this particular moment and place is profoundly arresting. There's a timelessness about this movie which makes the criticisms I've heard - about miscasting, stiff acting and the like - melt away into irrelevance, or even shows them to be virtues. I love the way the film maintains narrative integrity but has a foreordained, mythical quality as well: the overwhelming, all-penetrating power of nature and fate seems to make the human doings at once piercingly real and immediate, yet disconnected, almost surreal. But the touches of humour and sharp, immediate visual detail (often wittily drawn from the visual history of paintings and caricatures of village life) save us from any kind of authorial portent or angst: the greatest wonder of this artful work is that there is nothing between us and the story, except perhaps the icy whip of the ocean wind gainst our faces. The range of characters both in kind and in how we experience them is enlivening - from the formidably down to earth Father Collins, to the captivatingly tragic and symbolic figure of Doryan. And Michael the retarded angel is the ultimate figure of grace.


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