Two outlaws compete with each other over a treasure map that will lead them to buried gold while one of them is in league with a sadistic priest-turned-crime lord, while a young Native ...
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Two outlaws compete with each other over a treasure map that will lead them to buried gold while one of them is in league with a sadistic priest-turned-crime lord, while a young Native American girl helps both outlaws and plays both sides against each other. Written by
Tongue lodged firmly in cheek, this western farce holds its own...
If this film is judged only on its own merits, without reference to other entirely unrelated entries in the Mario Bava lexicon, it holds its own as light-hearted entertainment. Unlike most Italian comic westerns, this one holds the interest largely due to its three central players' well rendered characters and exploits. The cinematography is also far better than many others in the genre.
Charles Southwood is perfect as the scruffy, irrepressible Jack, in contrast to the stolid, lachrymose-faced Roy (Halsey)and both of them can be relied upon to out-cheat the other when they aren't busy beating the tar out of each other to show their mutual affection. Southwood is really quite outstanding and should have been in a lot more films.
Marilu Tolo is very effective here (much more than she is in most of her roles) as the feisty and very resourceful Indian prostitute who is determined to coerce someone into marrying her, preferably Jack or Roy. Don't miss the sequence when she hooks up with Southwood and forces him at gunpoint to take a bath before becoming a "client." Under protest, Southwood descends to the cellar and has to break the ice on the water before stripping off his smelly long-johns to take the plunge. By the shrunken state of his retracted genitals, the water is cold indeed. The shotgun pointed at him by the comely Tolo probably helped, too. Now there's a touch you would never have seen in an American-made western.
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