The McCandles ranch is run over by a gang of cutthroats led by the evil John Fain. They kidnap little Jacob McCandles and hold him for a million dollar ransom. There is only one man who is ... See full summary »
J.D. Cahill is the toughest U.S. Marshal they've got, just the sound of his name makes bad guys stop in their tracks, so when his two young boy's want to get his attention they decide to ... See full summary »
Texas Ranger Jake Cutter arrests gambler Paul Regret, but soon finds himself teamed with his prisoner in an undercover effort to defeat a band of renegade arms merchants and thieves known ... See full summary »
Taw Jackson returns from prison having survived being shot, to the ranch and gold that Frank Pierce stole from him. Jackson makes a deal with Lomax, the man who shot him 5 years ago to join... See full summary »
A Union Cavalry outfit is sent behind confederate lines in strength to destroy a rail/supply centre. Along with them is sent a doctor who causes instant antipathy between him and the ... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
Col. Cord McNally an ex union officer teams up with a couple of ex Johnny Rebs to search for the traitor who sold information to the South during the Civil War. Their quest brings them to the town of Rio Lobo where they help recover this little Texas town from ruthless outlaws who are led by the traitor they were looking for. Written by
Christopher D. Ryan <email@example.com>
Writer and reporter George Plimpton was cast in a minor role in this film (4th Gunman) while collecting research on the film industry. In a TV documentary shown during this time he commented that John Wayne kept calling him "Pimpleton" as a joke. See more »
When Mr. Phillips is showing Ketchum that he has the triggers tied back on his shotgun right after they capture him, the long shot shows Ketchum buckling his belt, when they go to a close up, his hands are gone and the belt is buckled. When the camera angle changes back to a longer shot, he is still buckling his belt. See more »
Do you think you could sneak up on the fella at the gate?
I could sneak up on a *coyote* if I've a mind to!
Did you get that fella at the gate?
He's at *another* gate now, lookin' fer *Saint Peter*!
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As you might have noticed in some of my other reviews of John Wayne films, I am not exactly a huge fan of his later films (during the last 10 years of his life)--though there are exceptions, such as THE SHOOTIST. It's because the films look like they were just churned out--with occasionally silly scripts and Wayne playing more a caricature of himself than acting like he did in earlier films. Plus, in many of these films the supporting cast just seemed second-rate. This movie is a prime example of a second-rate cast. While Wayne is fine, there just isn't a lot of real support from anyone--no ensemble cast of Harry Carey (Junior OR Senior), Ward Bond, James Arness or even John Agar! Now considering some of these people were dead when the film was made, I could certainly understand the decision NOT to put them in the film. But, couldn't they have gotten some better actors instead? The only one worth watching was Jack Elam (who was GREAT) but he was only in the last half of the film and could have used a lot more screen time as the crazy old man. Although I've seen this movie 3 or 4 times, I can't even remember WHO the two supporting Confederate soldiers were or even what they looked like--and that's very unusual for me. The three ladies, though pretty, were also equally bland.
So, overall this is a decent time passer for the average viewer (you can take it or leave it) and important for fans of John Wayne.
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