5.4/10
193
4 user 8 critic

The Revolutionary (1970)

A radical student feels that he has been betrayed by the college association to which he belongs, and thinks more violent actions must be taken in order to alter the existing system.

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(novel), (screenplay)
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Cast

Cast overview, first billed only:
...
A
...
Leonard II
...
Despard
...
Ann (as Collin Wilcox-Horne)
...
Helen
Elliott Sullivan
Alexandra Berlin ...
Nurse
...
'A's Father
Peter Carlisle
George Margo
...
Speaker
Julie Garfield ...
Girl
Alan Tilvern ...
Sid
Lionel Murton ...
The Professor
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Storyline

A radical student feels that he has been betrayed by the college association to which he belongs, and thinks more violent actions must be taken in order to alter the existing system.

Plot Summary | Add Synopsis

Genres:

Action | Drama

Motion Picture Rating (MPAA)

Rated R for brief sexuality/nudity | See all certifications »
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Details

Country:

Language:

Release Date:

7 January 1971 (Netherlands)  »

Also Known As:

O Revolucionário  »

Filming Locations:


Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.66 : 1
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Did You Know?

Trivia

Jeffrey Jones' movie debut. See more »

Connections

Referenced in Die Tote aus der Themse (1971) See more »

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User Reviews

 
Low budget drama has it's moments
16 January 2002 | by (Oakland CA) – See all my reviews

It's too low key to arouse much passion, but The Revolutionary is a reasonably interesting look at radical left wing activity in the late 60s. Jon Voight mumbles his way through his role as a college student wrestling with his conscience (and getting expelled for listening to it). Robert Duvall is on hand as a more experienced organiser and Seymour Cassel is his usual fun self as Leonard, the token hippie. There are some very good moments,including a scene where Voight is caught painting anti-capitalist manifestos on a wall. There's also a wonderful pawn shop sequence that gets to the heart and soul of the film's thesis, but too much screen time is spent on Voight's struggling relationships with women. All in all, a period piece that will be of interest to anyone interested in the hard left aspects of political life in the turbulent Vietnam years.


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