| Dinah Sheridan | ... | Mrs. Waterbury (as Miss Dinah Sheridan) | |
| Bernard Cribbins | ... | Albert Perks (as Mr. Bernard Cribbins) | |
| William Mervyn | ... | Old Gentleman (as Mr. William Mervyn) | |
| Iain Cuthbertson | ... | Charles Waterbury (as Mr. Iain Cuthbertson) | |
| Jenny Agutter | ... | Roberta 'Bobbie' Waterbury (as Miss Jenny Agutter) | |
| Sally Thomsett | ... | Phyllis Waterbury (as Miss Sally Thomsett) | |
| Gary Warren | ... | Peter Waterbury (as Master Gary Warren) | |
| Peter Bromilow | ... | Doctor | |
| Ann Lancaster | ... | Ruth | |
| Gordon Whiting | ... | Russian | |
| Beatrix Mackey | ... | Aunt Emma | |
| Deddie Davies | ... | Mrs. Perks | |
| David Lodge | ... | Bandmaster | |
| Christopher Witty | ... | Jim | |
| Brenda Cowling | ... | Mrs. Viney | |
| Paddy Ward | ... | Cart Man | |
| Erik Chitty | ... | Photographer | |
| Sally James | ... | Maid | |
| Dominic Allan | ... | C.I.D. Man (as Dominic Allen) | |
| rest of cast listed alphabetically: | |||
| Richard Leech | ... | Doctor (voice) | |
| Amelia Bayntun | ... | Cook (uncredited) | |
| Paul Luty | ... | Malcolm (uncredited) | |
| Peter Russell | ... | Policeman (uncredited) | |
Directed by | |||
| Lionel Jeffries | |||
Writing credits | ||
| E. Nesbit | (celebrated novel) | |
| Lionel Jeffries | (screenplay) | |
Produced by | |||
| Robert Lynn | .... | producer | |
Original Music by | |||
| Johnny Douglas | |||
Cinematography by | |||
| Arthur Ibbetson | (director of photography) | ||
Film Editing by | |||
| Teddy Darvas | |||
Casting by | |||
| G.B. Walker | (as G. B. Walker) | ||
Art Direction by | |||
| John Clark | |||
Makeup Department | |||
| Jock Alexander | .... | makeup artist | |
| Helen Lennox | .... | hairdresser | |
Production Management | |||
| David Griffith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Richard F. Dalton | .... | assistant director (as Richard Dalton) | |
| Terry Hodgkinson | .... | second assistant director (uncredited) | |
Art Department | |||
| Geoffrey Leggett | .... | set dresser | |
| Bryn Siddall | .... | property buyer (uncredited) | |
Sound Department | |||
| Len Abbott | .... | sound recordist | |
| Bill Creed | .... | sound editor | |
| Peter Handford | .... | sound recordist | |
| Denis Porter | .... | sound recordist | |
| David.Stephenson | .... | boom operator (uncredited) | |
Special Effects by | |||
| Pat Moore | .... | special effects | |
| John Richardson | .... | special effects | |
Camera and Electrical Department | |||
| Ronnie Pilgrim | .... | stills cameraman | |
| Paul Wilson | .... | camera operator | |
Costume and Wardrobe Department | |||
| Elsa Fennell | .... | wardrobe supervisor | |
Music Department | |||
| Johnny Douglas | .... | conductor | |
Other crew | |||
| Joy Bayley | .... | production secretary | |
| Robert Cryer | .... | railway technical adviser | |
| Richard Gill | .... | location manager | |
| Angela Martelli | .... | continuity | |
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| Atonement | Gone with the Wind | Random Harvest | Greed | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Family section | IMDb UK section |
Back in 1970 at the tender age of 23, I fell hopelessly in love with Jenny Agutter - and remain so to this day. For it is this film for which she will always be associated - and for the very best reasons. It in no way typecast Miss Agutter, but clearly marked her as an actress of outstanding ability.
Nesbit's characters are brought to life by Lionel Jeffries production in what must be one of literature's most heart rending stories. It has everything - pathos, compassion, empathy, humour, loyalty and love, attributes once common in Great Britain, but sadly no longer.
Who can suppress those tears at Bobby's discovery of her Father at the station. "My Daddy... my Daddy...!" as she runs towards him?
This film should be available on prescription - it is indeed a tonic for whatever ails you.
As for my love of Miss Agutter - it remains undiminished, and when I see her today, I still see that porcelain complexion, those bewitching eyes and that come hither smile.