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Pussycat, Pussycat, I Love You (1970)
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Overview
User Rating:
Release Date:
8 July 1970 (West Germany) moreTagline:
A simple story about a man and a woman, and a woman and a woman and a woman and a woman and a woman and a woman and a woman and a woman? morePlot:
An American playwright living in Rome consults a quack psychiatrist to combat his fears of balding and save his failing marriage. | add synopsisAwards:
Nominated for Golden Globe. moreUser Comments:
Oh, no, I don't! moreCast
(Cast overview, first billed only)| Ian McShane | ... | Fred C. Dobbs | |
| Anna Calder-Marshall | ... | Millie Dobbs | |
| John Gavin | ... | Grant Granite | |
| Severn Darden | ... | Dr Fahrquardt | |
| Joyce Van Patten | ... | Anna Fahrquardt | |
| Beba Loncar | ... | Ornella | |
| Leopoldo Trieste | ... | Desk Clerk | |
| Katia Christine | ... | Angelica (as Katia Christina) | |
| Gaby André | ... | Flavia | |
| Marino Masé | ... | Franco | |
| Ian Trigger | ... | Dr. Ponti | |
| Veronica Carlson | ... | Liz | |
| Daniël Sola | ... | Fernando | |
| Dari Lallou | ... | Hesther | |
| Linda Morand | ... | Moira |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
Germany:100 min | USA:99 minCountry:
USALanguage:
EnglishColor:
ColorSound Mix:
MonoFilming Locations:
Rome, Lazio, ItalyFun Stuff
Trivia:
This film was the defunct sequel to the successful "What's new Pussycat?" Woody Allen disowns both movies, though, as well does most of the cast. moreSoundtrack:
Groove Into It moreFAQ
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This dreadful sequel to the drecky 1965 hit What's New, Pussycat? is even more formless than the original film and is missing Tom Jones rendition of the title tune, making it unbearably hard going. Ian McShane is miscast miserably in a comic role and even reliable Severn Darden fails to elevate the substandard and plotless material, which revolves around his hair piece, a talking gorilla that loves McShane, and a wild assortment of fab late '60s fashions on the female cast members. This is one of those 'hip' period comedies that think linear narrative is unnecessary when you have a series of hilarious unrelated scenes patched together. Sadly, the only scenes here that remotely approach amusing are the ones of McShane getting mixed up in the shooting of a spaghetti western, a mere tenth of Pussycat Pussycat's interminable 100 minutes. Lalo Schifrin's intrusive score is one of his worst efforts. This is a film that deserves its obscurity.