4.8/10
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4 user 5 critic

Pussycat, Pussycat, I Love You (1970)

An American playwright living in Rome consults a quack psychiatrist to combat his fears of balding and save his failing marriage.

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Nominated for 1 Golden Globe. See more awards »

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Cast

Cast overview, first billed only:
...
...
Millie Dobbs
...
Charlie Harrison (Grant Granite)
Severn Darden ...
Dr Fahrquardt
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Anna
...
Ornella
Leopoldo Trieste ...
Desk Clerk
Katia Christine ...
Angelica (as Katia Christina)
...
Flavia
Marino Masé ...
Franco
Ian Trigger ...
Dr. Ponti
...
Liz
Daniël Sola ...
Fernando
Dari Lallou ...
Hesther
...
Moira
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Storyline

An American playwright living in Rome consults a quack psychiatrist to combat his fears of balding and save his failing marriage.

Plot Summary | Add Synopsis

Taglines:

A simple story about a man and a woman, and a woman and a woman and a woman and a woman and a woman and a woman and a woman and a woman? See more »

Genres:

Comedy

Motion Picture Rating (MPAA)

Rated R for some nudity/sexual content | See all certifications »
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Details

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Release Date:

8 July 1970 (West Germany)  »

Also Known As:

Kotku, kotku, kocham cie  »

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Did You Know?

Trivia

Although breasts of Katia Christine are blurred in print shown on OTA broadcast, those of the Indian maidens are not. See more »

Connections

Remake of What's New Pussycat (1965) See more »

Soundtracks

Groove Into It
Music by Lalo Schifrin
Lyrics by Gene Lees
Sung by Henry Shed
See more »

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User Reviews

 
Oh, no, I don't!
16 July 2003 | by (Oakland CA) – See all my reviews

This dreadful sequel to the drecky 1965 hit What's New, Pussycat? is even more formless than the original film and is missing Tom Jones rendition of the title tune, making it unbearably hard going. Ian McShane is miscast miserably in a comic role and even reliable Severn Darden fails to elevate the substandard and plotless material, which revolves around his hair piece, a talking gorilla that loves McShane, and a wild assortment of fab late '60s fashions on the female cast members. This is one of those 'hip' period comedies that think linear narrative is unnecessary when you have a series of hilarious unrelated scenes patched together. Sadly, the only scenes here that remotely approach amusing are the ones of McShane getting mixed up in the shooting of a spaghetti western, a mere tenth of Pussycat Pussycat's interminable 100 minutes. Lalo Schifrin's intrusive score is one of his worst efforts. This is a film that deserves its obscurity.


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