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The Private Life of Sherlock Holmes (1970)

When a bored Holmes eagerly takes the case of Gabrielle Valladon after an attempt on her life, the search for her missing husband leads to Loch Ness and the legendary monster.

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(characters) (as Sir Arthur Conan Doyle), | 1 more credit »
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Cast

Cast overview, first billed only:
...
Sherlock Holmes
Colin Blakely ...
...
Gabrielle Valladon (as Genevieve Page)
...
...
...
Irene Handl ...
Mollie Maureen ...
...
Catherine Lacey ...
Woman in Wheelchair
Peter Madden ...
Michael Balfour ...
Cabby
James Copeland ...
Guide
John Garrie ...
First Carter
Godfrey James ...
Second Carter
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Storyline

Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery? Written by Joel Preuninger <Jhpreunin@aol.com>

Plot Summary | Plot Synopsis

Taglines:

The Private Life of Sherlock Holmes. Anything But Elementary. [USA Theatrical] See more »


Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

29 October 1970 (USA)  »

Also Known As:

A Vida Íntima de Sherlock Holmes  »

Box Office

Budget:

$10,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

One of the picture's main movie posters featured a long text preamble that read: "What you don't know about Sherlock Holmes has made a great motion picture. Everyone knows about the lightning-quick mind, the dazzling wit, the magnifying glass. But what about the little glass vials he so cunningly kept hidden. And what about the security blunder that almost cost the British Empire its navy. And what about the woman who spent the night with him". See more »

Goofs

There are references to HMS Jonah undergoing sea trials in the Moray Firth from her base in Loch Ness. The only link between Loch Ness and the sea is the River Ness which is broad and shallow and would not allow the passage of a submarine. See more »

Quotes

Watson: You call yourself logical? You're the least logical man I know.
Holmes: Am I?
Watson: How can you say it's a figment of my imagination when for years you've been saying I have no imagination whatsoever?
See more »

Connections

Referenced in Christopher Lee: Mr. Holmes, Mr. Wilder (2003) See more »

Soundtracks

Concerto for Violin and Orchestra Opus 24
by Miklós Rózsa
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Thoroughly civilised, delightful entertainment
30 March 2003 | by (Lisbon) – See all my reviews

Billy Wilder's take on the world's most famous detective is both painstakingly faithful and sardonically subversive to Sir Arthur Conan Doyle's idiossyncratic creation. Presented as a case that loyal companion John Watson duly recorded but requested remain secret until long after his death, in which Holmes aids a Belgian woman find her missing husband, a mining engineer hired by an apparently non-existant English company, it makes clever use of the rulebook Conan Doyle set down while at the same time undermining it from within. The title and the plot may seem misleading at first - the first half hour especially seems at odds with what comes afterwards - but in fact if you're a Holmes fan you'll quickly realise that this is as close to romance as the detective would ever allow, and Wilder tells it through a masterful accumulation of small touches that only someone as meticulous as the man himself would notice. Script-wise, it's a cracking mystery in the best Doyle tradition, with all the time-honoured twists and turns present and correct. The acting is also up to Wilder's usual standards; Stephens and Blakely are an engaging duo as a bored Holmes and a bumbling Watson, and there's a hysterically funny supporting turn by the always underrated Revill as a Russian ballet impresario. Wilder's trademark pointed cynicism fits the English witticism particularly well, even if at times it all seems a bit too modern for the peaceful Victorian surroundings, but it is quite ironic to see him chiding Britain's stiff-upper-lip, old-fashioned morality when the film seems to be an "old timers' movie" entirely out of sync with its own time. Still, it's hard to find fault in such a thoroughly civilised and delightful entertainment.


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