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The Private Life of Sherlock Holmes (1970)

When a bored Holmes eagerly takes the case of Gabrielle Valladon after an attempt on her life, the search for her missing husband leads to Loch Ness and the legendary monster.

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Writers:

(characters) (as Sir Arthur Conan Doyle), | 1 more credit »
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3 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Sherlock Holmes
...
...
Gabrielle Valladon (as Genevieve Page)
...
...
...
...
Mollie Maureen ...
...
Catherine Lacey ...
Woman in Wheelchair
...
Michael Balfour ...
Cabby
James Copeland ...
Guide
...
First Carter
Godfrey James ...
Second Carter
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Storyline

Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery? Written by Joel Preuninger <Jhpreunin@aol.com>

Plot Summary | Plot Synopsis

Taglines:

What you don't know about Sherlock Holmes has made a great motion picture. [USA Theatrical] See more »


Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

|

Language:

| | |

Release Date:

29 October 1970 (USA)  »

Also Known As:

A Vida Íntima de Sherlock Holmes  »

Box Office

Budget:

$10,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Originally, the scenes featuring the Loch Ness Monster were intended to be filmed in the actual Loch. A life-size prop was built which had several Nessie-like humps used to disguise flotation devices. The humps were removed, however, at Billy Wilder's request. Unfortunately, during a test run in Loch Ness, the Monster-prop sank and was never recovered. A second prop, a miniature with just the head and neck, was built, but was only filmed inside a studio tank. Actress Geneviève Page said of this in the biography "Nobody's Perfect: Billy Wilder" by Charlotte Chandler): "When we lost our Loch Ness monster, he [Wilder] wasn't too concerned, even though he was also the producer. He was more concerned about how the man who made it felt when all his work sank to the bottom of the Loch Ness. He went over and comforted him". The original monster prop was located on the bottom of Loch Ness in April 2016 during a survey of the loch by an underwater robot. See more »

Goofs

When Holmes, Watson and Gabrielle get off the train at Inverness, the train goes forward to another destination. The railway station at Inverness is a terminus. See more »

Quotes

Holmes: From the sound of your footsteps, I gathered that you were not in a particularly amiable mood.
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Soundtracks

Concerto for Violin and Orchestra Opus 24
by Miklós Rózsa
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Frequently Asked Questions

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User Reviews

 
A surprisingly melancholy celebration of Conan Doyle's most famous creation
19 February 1999 | by (Oxford, England) – See all my reviews

Billy Wilder's excellent 1970 film handles the whole subject of Sherlock Holmes from a refreshingly different angle. As the title suggests, the film is rather more concerned with characterisation than plot, which although entertaining and original, is hardly an adequate stage to show off Holmes' exceptional talents.

Instead, Wilder and Diamond start with the premise that "Watson's" stories for Strand Magazine were a little more lurid than the "reality" and use it to develop a more subtle characterisation than the "thinking machine" of the literary Holmes. Admittedly, the film probably concentrates on Holmes' celebrated cocaine habit more than it should, but all references are lifted straight from the book and in any case, Stephens does not dwell on it.

Stephens himself is quite simply excellent, giving Holmes' a depth of character not seen again until Jeremy Brett on the small screen. Stephens' performance leaves us with a slightly melancholy Holmes', a man who perhaps regrets that, unlike Watson, he has dedicated his life to pure reason and while the screenplay hints at Holmes' sexuality, Stephens deflects it masterfully, remaining ambivalent and gentile where a less accomplished actor would have been simply camp, and so uses the suggestion to wrap another layer of ambiguity about the character.

All in all, Wilder and Stephens combine to make a refreshingly accessible Holmes and the entertainment comes from the interplay of characters rather than pace of plot.


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