During a high profile Mafia testimony case in California's Riverside County, a hired killer checks-in a hotel room near the courthouse while his next door depressed neighbor wants to commit suicide due to marital problems.
Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery? Written by
Joel Preuninger <Jhpreunin@aol.com>
The original script ran for 165 pages. The final screenplay ran to a portly 260. See more »
In the grave-digging scene, the lantern appears to have an electric light rather than a flame. See more »
And this is my brother Sherlock, ma'am.
Ah, yes! Sherlock Holmes. We have been following your exploits with great interest.
Thank you, ma'am.
Are you engaged in one of your fascinating cases at the moment?
In a manner of speaking, ma'am.
When can we expect to read Dr Watson's account of the case?
I hope never, ma'am. It has not been one of my more successful endeavours.
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A surprisingly melancholy celebration of Conan Doyle's most famous creation
Billy Wilder's excellent 1970 film handles the whole subject of Sherlock Holmes from a refreshingly different angle. As the title suggests, the film is rather more concerned with characterisation than plot, which although entertaining and original, is hardly an adequate stage to show off Holmes' exceptional talents.
Instead, Wilder and Diamond start with the premise that "Watson's" stories for Strand Magazine were a little more lurid than the "reality" and use it to develop a more subtle characterisation than the "thinking machine" of the literary Holmes. Admittedly, the film probably concentrates on Holmes' celebrated cocaine habit more than it should, but all references are lifted straight from the book and in any case, Stephens does not dwell on it.
Stephens himself is quite simply excellent, giving Holmes' a depth of character not seen again until Jeremy Brett on the small screen. Stephens' performance leaves us with a slightly melancholy Holmes', a man who perhaps regrets that, unlike Watson, he has dedicated his life to pure reason and while the screenplay hints at Holmes' sexuality, Stephens deflects it masterfully, remaining ambivalent and gentile where a less accomplished actor would have been simply camp, and so uses the suggestion to wrap another layer of ambiguity about the character.
All in all, Wilder and Stephens combine to make a refreshingly accessible Holmes and the entertainment comes from the interplay of characters rather than pace of plot.
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