When a bored Holmes eagerly takes the case of Gabrielle Valladon after an attempt on her life, the search for her missing husband leads to Loch Ness and the legendary monster.
Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery?
Written by Joel Preuninger <Jhpreunin@aol.com>
At the request of director Billy Wilder, 'Miklós Rózsa (I)' adapted music from his Violin Concerto as the basis for the film score, supplementing this with further original music.
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Goofs
Continuity:
The film's prologue depicts two contemporary men opening Dr. Watson's case and handling the various contents archived inside. We see one close-up shot of a man handling a single pair of old handcuffs and putting them down on the table. A short time later, the filmmakers repeat the very same footage of the man handling the handcuffs and putting them down on the table.
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Quotes
[about Madame Petrova]
Watson:
They say twelve men have died for her. Holmes:
Really? Watson:
Six commited suicide, four were killed in duels and one fell out of the gallery of the Vienna Opera House. Holmes:
That's only eleven. Watson:
The man who fell from the gallery landed on top of another man in the orchestra. Holmes:
That makes an even dozen... in a messy sort of way. See more »