Claude Massoulier is murdered while hunting at the same place than Julien Vercel, an estate agent that knew him and whose fingerprints are found on Massoulier's car. As the police discovers... See full summary »
Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery? Written by
Joel Preuninger <Jhpreunin@aol.com>
Christopher Lee comes the role of Mycroft with considerable experience in the Sherlock Holmes universe: he previously played Sherlock Holmes and Sir Henry Baskerville. It's been said that Lee is the only, or at least one of few actors, to portray onscreen both Mycroft Holmes and Sherlock Holmes. See more »
The events start in August 1887 and apparently take place in the following weeks or, at most, months. However, Mycroft Holmes tells Queen Victoria that Kaiser Wilhelm II had Count Zeppelin working on dirigibles that could drop bombs on Buckingham Palace. Wilhelm II did not become Kaiser until 15 June 1888, and Zeppelin did not start constructing rigid airships until the 1890s. See more »
Holmes, let me ask you a question. I hope I'm not being presumptuous, but... there 'have' been women in your life, haven't there?
The answer is yes...
[Watson breathes a sigh of relief]
...You're being presumptuous. Good night.
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A surprisingly melancholy celebration of Conan Doyle's most famous creation
Billy Wilder's excellent 1970 film handles the whole subject of Sherlock Holmes from a refreshingly different angle. As the title suggests, the film is rather more concerned with characterisation than plot, which although entertaining and original, is hardly an adequate stage to show off Holmes' exceptional talents.
Instead, Wilder and Diamond start with the premise that "Watson's" stories for Strand Magazine were a little more lurid than the "reality" and use it to develop a more subtle characterisation than the "thinking machine" of the literary Holmes. Admittedly, the film probably concentrates on Holmes' celebrated cocaine habit more than it should, but all references are lifted straight from the book and in any case, Stephens does not dwell on it.
Stephens himself is quite simply excellent, giving Holmes' a depth of character not seen again until Jeremy Brett on the small screen. Stephens' performance leaves us with a slightly melancholy Holmes', a man who perhaps regrets that, unlike Watson, he has dedicated his life to pure reason and while the screenplay hints at Holmes' sexuality, Stephens deflects it masterfully, remaining ambivalent and gentile where a less accomplished actor would have been simply camp, and so uses the suggestion to wrap another layer of ambiguity about the character.
All in all, Wilder and Stephens combine to make a refreshingly accessible Holmes and the entertainment comes from the interplay of characters rather than pace of plot.
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