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The Private Life of Sherlock Holmes (1970)

When a bored Holmes eagerly takes the case of Gabrielle Valladon after an attempt on her life, the search for her missing husband leads to Loch Ness and the legendary monster.

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Writers:

(characters) (as Sir Arthur Conan Doyle), | 1 more credit »
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Cast

Cast overview, first billed only:
...
Sherlock Holmes
...
...
Gabrielle Valladon (as Genevieve Page)
...
...
...
...
Mollie Maureen ...
...
Catherine Lacey ...
Woman in Wheelchair
Peter Madden ...
Michael Balfour ...
Cabby
James Copeland ...
Guide
John Garrie ...
First Carter
Godfrey James ...
Second Carter
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Storyline

Director Billy Wilder adds a new and intriguing twist to the personality of intrepid detective Sherlock Holmes. One thing hasn't changed however: Holmes' crime-solving talents. Holmes and Dr. Watson take on the case of a beautiful woman whose husband has vanished. The investigation proves strange indeed, involving six missing midgets, villainous monks, a Scottish castle, the Loch Ness monster, and covert naval experiments. Can the sleuths make sense of all this and solve the mystery? Written by Joel Preuninger <Jhpreunin@aol.com>

Plot Summary | Plot Synopsis

Taglines:

The Private Life of Sherlock Holmes. Anything But Elementary. [USA Theatrical] See more »


Certificate:

PG-13 | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| | |

Release Date:

29 October 1970 (USA)  »

Also Known As:

A Vida Íntima de Sherlock Holmes  »

Box Office

Budget:

$10,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (TV)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The following have commented on the film's original intended long length and massive editing cut down --- Virgin Film Guide: "The Film was cut by more than thirty minutes by United Artists"; Leonard Maltin: The film was "intended as a 3½ hour film"; Allmovie: "Heavily re-edited and rearranged both before and after its release"; Halliwells: "What started as four stories is reduced to two"; Empire: "Originally a three-hour epic, this 1970 movie was taken from its creator and mutilated by the wholesale lopping of entire episodes". See more »

Goofs

There are references to HMS Jonah undergoing sea trials in the Moray Firth from her base in Loch Ness. The only link between Loch Ness and the sea is the River Ness which is broad and shallow and would not allow the passage of a submarine. See more »

Quotes

[Holmes is about to inject cocaine]
Watson: Where's your self-control?
Holmes: Fair question.
Watson: Aren't you ashamed of yourself?
Holmes: Thoroughly. This will take care of it.
See more »


Soundtracks

Concerto for Violin and Orchestra Opus 24
by Miklós Rózsa
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A surprisingly melancholy celebration of Conan Doyle's most famous creation
19 February 1999 | by (Oxford, England) – See all my reviews

Billy Wilder's excellent 1970 film handles the whole subject of Sherlock Holmes from a refreshingly different angle. As the title suggests, the film is rather more concerned with characterisation than plot, which although entertaining and original, is hardly an adequate stage to show off Holmes' exceptional talents.

Instead, Wilder and Diamond start with the premise that "Watson's" stories for Strand Magazine were a little more lurid than the "reality" and use it to develop a more subtle characterisation than the "thinking machine" of the literary Holmes. Admittedly, the film probably concentrates on Holmes' celebrated cocaine habit more than it should, but all references are lifted straight from the book and in any case, Stephens does not dwell on it.

Stephens himself is quite simply excellent, giving Holmes' a depth of character not seen again until Jeremy Brett on the small screen. Stephens' performance leaves us with a slightly melancholy Holmes', a man who perhaps regrets that, unlike Watson, he has dedicated his life to pure reason and while the screenplay hints at Holmes' sexuality, Stephens deflects it masterfully, remaining ambivalent and gentile where a less accomplished actor would have been simply camp, and so uses the suggestion to wrap another layer of ambiguity about the character.

All in all, Wilder and Stephens combine to make a refreshingly accessible Holmes and the entertainment comes from the interplay of characters rather than pace of plot.


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