2 out of 2 people found the following review useful:
Give us a clue, Maurice...
Chris Bright from London, England
7 April 2001
This is the only film I've seen where at the end I was seriously tempted
turn to the rest of the audience and ask if anyone could tell me what it
about. While Godard is clearly the major influence, it's never clear
the film is intended as a p**stake or an homage. Perhaps
The oddness of this movie is reinforced by the unintentional irony that
Thaw, who plays the revolutionary marxist protaganist, later became
immensely famous playing policemen in two British TV series. The film has
curiosity value for that reason alone, in any event it's worth seeing once
by anyone interested in political cinema.
Some of the scenes here are frankly ludicrous and appear to have been
conceived as such - John Thaw and Carl Davis together in a room writing
title song for example, or lines such as "you bourgeois women feel my
hands upon you and you know that the day of the revolution is approaching"
(misquoted from memory). The quixotic nature of Dom's struggle is
sent up. On the other hand, later in the film the narrator reels out
shocking statistics about poverty in Britain at the time which anyone with
conscience would have to take seriously, and the points about May 68 and
impact on the left appear genuine.
Furthermore, Dom's sexual politics are antediluvean. Just part of the 1970
zeitgeist or a conscious critique by the director?
In a way the film captures the spirit of intelligent left-wing politics
well, the combination of irony and serious passion that you need to
cultivate just in order to keep going. So maybe that's what it's about.
not sure. Maurice Hatton, if you're reading, give us a clue please
Add another review