Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by... See full summary »
Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return ... See full summary »
Arctic prospector Jack McCann, after fifteen years of solitary searching, becomes one of the world's wealthiest men when he literally falls into a mountain of gold in 1925. Years later, in ... See full summary »
The setting is Vienna. A young American woman is brought to a hospital after overdosing on pills, apparently in a suicide attempt. A police detective suspects foul play on the part of her ... See full summary »
A doctor's wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside cafe, she encounters a ... See full summary »
Powerful supernatural forces are unleashed when a young architect (Kelly Reilly) becomes pregnant after moving to an isolated and mysterious valley to build a house. And when the ... See full summary »
Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by the mysterious Mr. Turner, a one-time rock superstar, who is looking for the right spark to rekindle his faded talent. Written by
When trying to psych Chas out, Turner pretends he has seen his show, and asks Pherber when this was: "'67? '68? '69?" The film was initially due for release in 1968 but held up until 1970, rendering this bit of dialogue slightly pointless. See more »
I don't recognize your voice.
Well, I've been away, haven't I?
And I don't recognize your face.
You should see my motor.
[looks at Chas quizzically]
My motor. Had an argument with a cement wall on the way over. Goodbye the Ferrari.
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Just recently released on DVD, this film is, no doubt, about to have a whole new group of fans.
Here, questions of gender and sexuality are marred by the influence of drugs in the hippie enclave of Powis Square in '60s London. After a rapid fall from power within local crime syndicate, James Fox flees the mafia and finds refuge in the eclectic house of Mick Jagger. Jagger is living the life of the failed superstar with a small entourage of women; a recluse, whose appetite for sex and drugs is fueled by his royalty cheques. When this young gangster stumbles into his house, Jagger involves him into his kinky games, transforming him into one of his own. There is plenty of subtext here, if anyone is interested in digging deeper.
Perhaps the biggest letdown of the recent DVD release is that it was released in mono Dolby. Seeing as the soundtrack was released on stereo CD, why couldn't the audio, at least during the music sequences, have been similarly remastered?
The Stones rarely played "Memo From Turner" due to their "women troubles" that stemmed from the film. Jagger was sleeping with Richard's girlfriend on the set, or something to that effect. Anyway, "Memo From Turner" was released on the album "Metamorphasis" in 1976. The intro on the 1976 version is great, but the 1970 version on this album is one of the hottest tracks the Stones ever recorded without Mic Taylor. This song proves to be one of the first music videos ever made, as it appears in its entirety in Roeg's film.
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