Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by... See full summary »
The setting is Vienna. A young American woman is brought to a hospital after overdosing on pills, apparently in a suicide attempt. A police detective suspects foul play on the part of her ... See full summary »
Thomas Jerome Newton is a humanoid alien who comes to Earth to get water for his dying planet. He starts a high technology company to get the billions of dollars he needs to build a return ... See full summary »
Arctic prospector Jack McCann, after fifteen years of solitary searching, becomes one of the world's wealthiest men when he literally falls into a mountain of gold in 1925. Years later, in ... See full summary »
A doctor's wife tires of his obsession with model trains, and spends her days wondering about the son she gave up for adoption at birth. While eating at a roadside cafe, she encounters a ... See full summary »
Powerful supernatural forces are unleashed when a young architect (Kelly Reilly) becomes pregnant after moving to an isolated and mysterious valley to build a house. And when the ... See full summary »
Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by the mysterious Mr. Turner, a one-time rock superstar, who is looking for the right spark to rekindle his faded talent. Written by
Tuesday Weld was supposed to play Pherber and Mia Farrow was up for the part of Lucy, but they were both injured before filming started and had to be replaced. See more »
I don't recognize your voice.
Well, I've been away, haven't I?
And I don't recognize your face.
You should see my motor.
[looks at Chas quizzically]
My motor. Had an argument with a cement wall on the way over. Goodbye the Ferrari.
See more »
PERFORMANCE captured the perverse sub-culture of organized "working class" gangsters with an unromanticized authenticity not matched until THE SOPRANOS came along three decades later. But it's not just a gangster movie; it's a heady brew overflowing with subtle and insightful intuitions about the power and dangers of the ego, the male-female equation, power structures, sex, drugs and rock'n'roll. Mainstream viewers might be put off by the radical "rococo" editing, which was well ahead of its time -- as were the "rock video" sequences which feature some of Mick Jagger's finest musical moments (playing blues guitar; and singing and dancing at the peak of his prime in the scene where he regains his "demon.") The soundtrack also features stellar cuts from Randy Newman and Merry Clayton, a great score by Jack Nitszche, and what may be the very first "rap" song ever recorded on film, by the Last Poets. Wall-to-wall intercuts bounce us around among story points connected on the quantum level; they may seem arbitrary and confusing, but rather than trying to "get" the story as it unfolds, the first time viewer is advised to just go with the flow and absorb as much as possible, enjoying the beautifully choreographed violence, the awesome soundtrack, the quirky characters and intriguing storyline. If you get into the mystical and psychological subtext, you'll probably end watching this movie more than once, and you'll get more out of it each time. But even on a superficial level, this film has plenty to enjoy. All the performances are excellent; James Fox and Jagger are outstanding. Movies don't get any better than this. P.S. -- Although Nick Roeg is a fine director, much of the credit for this masterpiece goes to Donald Cammell.
30 of 38 people found this review helpful.
Was this review helpful to you?