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Performance (1970)

7.1
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Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by... See full summary »

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Title: Performance (1970)

Performance (1970) on IMDb 7.1/10

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Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Complete credited cast:
...
...
...
Pherber
Michèle Breton ...
Lucy (as Michele Breton)
Ann Sidney ...
Dana
...
Moody
Stanley Meadows ...
Rosebloom
Allan Cuthbertson ...
The Lawyer
Anthony Morton ...
Dennis (as Antony Morton)
Johnny Shannon ...
Harry Flowers
...
Joey Maddocks
Kenneth Colley ...
Tony Farrell (as Ken Colley)
John Sterland ...
The Chauffeur
Laraine Wickens ...
Lorraine
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Storyline

Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by the mysterious Mr. Turner, a one-time rock superstar, who is looking for the right spark to rekindle his faded talent. Written by Brad Jackson

Plot Summary | Plot Synopsis

Taglines:

This film is about madness. And sanity. Fantasy. And reality. Death. And life. Vice. And versa. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for sexual content, nudity, drug material and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 September 1970 (Finland)  »

Also Known As:

Az előadás  »

Box Office

Budget:

£750,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Tuesday Weld was supposed to play Pherber and Mia Farrow was up for the part of Lucy, but they were both injured before filming started and had to be replaced. See more »

Quotes

Pherber: I don't recognize your voice.
Chas: Well, I've been away, haven't I?
Pherber: And I don't recognize your face.
Chas: You should see my motor.
Pherber: [looks at Chas quizzically]
Chas: My motor. Had an argument with a cement wall on the way over. Goodbye the Ferrari.
See more »

Connections

Featured in The Story of Film: An Odyssey: Episode #1.10 (2011) See more »

Soundtracks

Dyed, Dead, Red
Written by Jack Nitzsche
Mouth Bow Solo and Vocal by Buffy Sainte-Marie
See more »

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User Reviews

 
One of the greatest films ever made, period.
17 September 2002 | by (Persephone, Nova 4, Galaxy 7) – See all my reviews



PERFORMANCE captured the perverse sub-culture of organized "working class" gangsters with an unromanticized authenticity not matched until THE SOPRANOS came along three decades later. But it's not just a gangster movie; it's a heady brew overflowing with subtle and insightful intuitions about the power and dangers of the ego, the male-female equation, power structures, sex, drugs and rock'n'roll. Mainstream viewers might be put off by the radical "rococo" editing, which was well ahead of its time -- as were the "rock video" sequences which feature some of Mick Jagger's finest musical moments (playing blues guitar; and singing and dancing at the peak of his prime in the scene where he regains his "demon.") The soundtrack also features stellar cuts from Randy Newman and Merry Clayton, a great score by Jack Nitszche, and what may be the very first "rap" song ever recorded on film, by the Last Poets. Wall-to-wall intercuts bounce us around among story points connected on the quantum level; they may seem arbitrary and confusing, but rather than trying to "get" the story as it unfolds, the first time viewer is advised to just go with the flow and absorb as much as possible, enjoying the beautifully choreographed violence, the awesome soundtrack, the quirky characters and intriguing storyline. If you get into the mystical and psychological subtext, you'll probably end watching this movie more than once, and you'll get more out of it each time. But even on a superficial level, this film has plenty to enjoy. All the performances are excellent; James Fox and Jagger are outstanding. Movies don't get any better than this. P.S. -- Although Nick Roeg is a fine director, much of the credit for this masterpiece goes to Donald Cammell.


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