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Performance (1970)

7.1
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Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by... See full summary »

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Title: Performance (1970)

Performance (1970) on IMDb 7.1/10

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Nominated for 1 BAFTA Film Award. See more awards »

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Cast

Complete credited cast:
...
...
...
Pherber
Michèle Breton ...
Lucy (as Michele Breton)
Ann Sidney ...
Dana
...
Moody
Stanley Meadows ...
Rosebloom
Allan Cuthbertson ...
The Lawyer
Anthony Morton ...
Dennis (as Antony Morton)
Johnny Shannon ...
Harry Flowers
...
Joey Maddocks
Kenneth Colley ...
Tony Farrell (as Ken Colley)
John Sterland ...
The Chauffeur
Laraine Wickens ...
Lorraine
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Storyline

Chas, a violent and psychotic East London gangster needs a place to lie low after a hit that should never have been carried out. He finds the perfect cover in the form of guest house run by the mysterious Mr. Turner, a one-time rock superstar, who is looking for the right spark to rekindle his faded talent. Written by Brad Jackson

Plot Summary | Plot Synopsis

Taglines:

This film is about madness. And sanity. Fantasy. And reality. Death. And life. Vice. And versa. See more »

Genres:

Crime | Drama | Music

Motion Picture Rating (MPAA)

Rated R for sexual content, nudity, drug material and some violence | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

4 September 1970 (Finland)  »

Also Known As:

Az előadás  »

Box Office

Budget:

£750,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

| (Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Most of the audience walked out of the first preview screening. The release was delayed for two years while it was re-edited three times. Editor Frank Mazzola used montage of images and time jumps which later became his trademark style. See more »

Quotes

[Chas flicks his cigarette ash onto a rug]
Turner: That rug's over two hundred years old.
Chas: Yeah, it looks it.
See more »

Connections

Referenced in Sex at 24 Frames Per Second (2003) See more »

Soundtracks

Memo From T
(Turner's song)
Written by Mick Jagger
Performed by Mick Jagger
See more »

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User Reviews

 
Sex and violence in swinging London!
3 April 2000 | by (London, England) – See all my reviews

Visually compelling and disturbing look at two diverse sides of 1960s London; the criminal underworld and hippie culture, respectively symbolised by Fox's Chas, the wayward gangster, and Jagger's Turner, a semi-retired bisexual rock musician.

It's Chas' world we are first introduced to during a highly charged furiously paced scene of gangland violence. It soon becomes clear to us that he is not only an outcast to society but also dangerously individual within his own mob circle. On the run from both the law and the mob he takes refuge in a Notting Hill home which he finds is occupied by Turner, his junkie girlfriend, Pherber, and her French lover, Lucy. Tunrer becomes infatuated with Chas' violent charisma and his "vital energy" he himself feels he has lost.

As the title suggests the film is all about performances. Chas is initiated into Turner's underground world of drug experimentation and gender bending. Turner's name in itself is symbolic of the way he tries to play with and turn Chas' psyche around. It is ultimately the "performance" of Turner which brings the two worlds together, as he poses as Chas' mobster boss, Harry Flowers, in a scene shot similarly to a modern day music video.

Some critics had felt the film lost its way once Chas entered Turner's world. Yet surely such disorientation is indicative of how the film successfully explores Chas' own uneasiness in confronting his own subconscious in an alien atmosphere. The film is full of visual flourishes as one might expect from Roeg, who had been cinemaphotographer on films such as 'Fahrenheit 451'. Fox is mesmerising playing out the evolving identities of Chas, whilst Jagger's persona is exhibited to its full potential. Roeg was again to explore the theme of alienation using a rock star (this time David Bowie) in a more literal sense in his landmark science fiction film 'The Man Who Fell To Earth'.


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