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Patton (1970)

GP | | Biography, Drama, War | 2 April 1970 (USA)
The World War II phase of the career of the controversial American general, George S. Patton.

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(screen story and screenplay), (screen story and screenplay) | 2 more credits »
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Won 7 Oscars. Another 17 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Gen. Bradley's Driver (as Cary Loftin)
Albert Dumortier ...
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1st Lt. Alexander Stiller (as Patrick J. Zurica)
James Edwards ...
Lawrence Dobkin ...
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Storyline

"Patton" tells the tale of General George S. Patton, famous tank commander of World War II. The film begins with Patton's career in North Africa and progresses through the invasion of Europe and the fall of the Third Reich. Side plots also speak of Patton's numerous faults such his temper and tendency toward insubordination, faults that would prevent him from becoming the lead American general in the Normandy Invasion as well as to his being relieved as Occupation Commander of Germany. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Direct from its sensational reserved seat engagement.

Genres:

Biography | Drama | War

Certificate:

GP | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | | |

Release Date:

2 April 1970 (USA)  »

Also Known As:

A Salute to a Rebel  »

Box Office

Budget:

$12,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints) (Westrex Recording System)| (35 mm prints)| (70 mm re-release)

Color:

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Believing that a "soldier should be buried where he falls" and wanting to be buried "with his men" (those in the Third Army who had been killed in action), Patton is buried at the Luxembourg American Cemetery and Memorial located in Hamm, Luxembourg. See more »

Goofs

When Patton reads the letter from Eisenhower reprimanding him for slapping the soldier, he orders Patton to apologize to the Third Army as a whole. In actuality, it was Patton's idea to do this. See more »

Quotes

[first lines]
Patton: Now I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country.
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Crazy Credits

Opening credits prologue: KASSERINE PASS TUNISIA, 1943 See more »

Connections

Referenced in All About Steve (2009) See more »

Soundtracks

To the Color
(uncredited)
Traditional trumpet call
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Frequently Asked Questions

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User Reviews

Favorite war film . . .
2 December 2003 | by (USA) – See all my reviews

. . . and it's not even about the war. There's no wall to wall action. In fact, World War II is merely the setting – a backdrop so to speak – and the battles are all downplayed in favor of giving the audience a glimpse into the brilliance (or insanity) of the historically significant character, Patton. From the script on up, everything plays out wonderfully to bring the famous general to life on screen, and after watching George C. Scott deliver his Oscar-worthy performance, I find it hard to believe there were a number of actors on the list above his name.

George C. Scott's performance of Patton is one I consider the greatest given of any war film. Patton is a champion for freedom while sometimes equally as much of a tyrant as the ones he's trying to put down, he's a monster and a hero, and neither he nor the filmmakers give a damn about political correctness. I found the character to be an overly harsh prick, myself, but in some strange way, very likeable and sympathetic, and when watching the movie again I don't look at the screen and say, `Hey, there's George C. Scott.' Instead it's, `Hey, there's Patton.' Not very many film characters have a personality strong enough to overtake the actor playing them. I appreciate that depth and that degree of realism, this attention to detail on the parts of Scott and Schaffner.

Schaffner surprised me by somehow managing to capture my interest on a subject matter I'd ordinarily write off as too silly (Planet of the Apes); two years later, he applied that same technical know how, craft, and intelligent storytelling towards a film whose subject appeals to me from the get go, and once again I'm impressed. There are some great war films out today; however, Schaffner's take pursued the most unique perspective in all realms, and captured my imagination with such ease . . . I can't help but come back to it over other war films.

And I have to comment on the score, which is not only one of my favorite Goldsmith scores but also one of my favorite war-film scores. Jerry Goldsmith matched point for point the brilliance of Franklin Schaffner's vision, the depth of George C. Scott's performance, and somehow managed to captured the essence of both musically. A good music score is one that tells the story of the film in its own unique voice. Goldsmith's score has such a prominent voice in the experience of Patton, that to remove it would be the equivalent of removing Schaffner's direction or George C. Scott.

Lastly, how accurate is the film? Not a clue, and even if it is completely false, I don't care. I've never been about writing history papers based on cinema experiences. All I know for certain is that Patton is a very entertaining and well balanced movie that holds up very well thirty years later, and it's a film that can be admired for its craft.


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