Following the close of World War II, General George S. Patton is seriously injured in a car accident and not expected to survive. "The Last Days of Patton" tells the story of these last few... See full summary »
George C. Scott,
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Aurora and Emma are mother and daughter who march to different drummers. Beginning with Emma's marriage, Aurora shows how difficult and loving she can be. The movie covers several years of ... See full summary »
James L. Brooks
"Patton" tells the tale of General George S. Patton, famous tank commander of World War II. The film begins with Patton's career in North Africa and progresses through the invasion of Europe and the fall of the Third Reich. Side plots also speak of Patton's numerous faults such his temper and tendency toward insubordination, faults that would prevent him from becoming the lead American general in the Normandy Invasion as well as to his being relieved as Occupation Commander of Germany. Written by
Anthony Hughes <email@example.com>
Paul Frees dubbed the voice of the Morrocan Minister, and can also be heard at least three other times: As the voice of one of Patton's staff members, once during the press interview soon after the soldier slapping scene, and again near the end of the film, when a reporter interviewing General George S. Patton (who is riding his horse around an indoor track) leads him on by asking the General about similarities between the Nazi party in Germany and the Republican and Democrat parties in the United States. See more »
In one scene, there is a map of Normandy. This map is completely inaccurate. Rather than five beaches (Utah, Omaha, Juno, Sword and Gold), it only shows three, and only has two flags over those three beaches. There is an American flag over Omaha and Utah, a blank space over Juno, and a Union Jack over Gold and Sword. See more »
Now I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country.
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One of the very, very few Twentieth Century-Fox films in which that company's logo is not shown at all, beginning or end. The film simply begins with the opening speech, and the opening Fox logo is replaced with an in-credit text-only notice after the speech. However, recent television showings have added the logo (not on DVD prints), and the addition is obviously spliced in from another piece of film. See more »
PATTON was truly a shock to the system when it was released. The United States was still in the thick of the Vietnam war, and the country was extremely polarized between the hawks and the doves. Then along comes Patton, with a portrayal of a rebellious General who was always being put in his place by the establishment - even though he was, of course, a major establishment figure (generals aren't usually the most liberal or progressive types). Eisenhower (unseen) and the media are portrayed as unsympathetic to the maverick Patton, who is so single-minded in his determination to defeat the Germans you have to root for him, despite his boorish behavior.
And that is why Patton works - you have an unambiguous war against and unambiguous evil - Nazi Germany. Whereas Vietnam might have been a tough conflict for even its supporters to explain, World War Two was quite simple
we were the good guys, and they WERE the bad guys. And so you COULD root
for the US Army and Patton without feeling a tinge of guilt.
Also superb in the film is everyman Karl Malden as General Omar Bradley, providing the stable and workmanlike leader (and one who rises quicker in the ranks due to it) to Patton's egomaniac.
And Yes, George C. Scott delivers a career-defining performance that is one for the books. Could Brando or Telly Savalas have pulled off the role as well? I don't think so - it was just tailor made for Scott.
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