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Patton (1970)

GP  -  Biography | Drama | War  -  2 April 1970 (USA)
8.0
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Ratings: 8.0/10 from 67,452 users   Metascore: 91/100
Reviews: 233 user | 106 critic | 9 from Metacritic.com

The World War II phase of the career of the controversial American general, George S. Patton.

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(screen story and screenplay), (screen story and screenplay), 2 more credits »
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Won 7 Oscars. Another 18 wins & 7 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
...
Carey Loftin ...
General Bradley's Driver (as Cary Loftin)
Albert Dumortier ...
Frank Latimore ...
...
Karl Michael Vogler ...
...
Pat Zurica ...
First Lieutenant Alexander Stiller (as Patrick J. Zurica)
James Edwards ...
Sergeant William George Meeks
Lawrence Dobkin ...
Colonel Gaston Bell
David Bauer ...
Lieutenant General Harry Buford
John Barrie ...
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Storyline

"Patton" tells the tale of General George S. Patton, famous tank commander of World War II. The film begins with Patton's career in North Africa and progresses through the invasion of Europe and the fall of the Third Reich. Side plots also speak of Patton's numerous faults such his temper and tendency toward insubordination, faults that would prevent him from becoming the lead American general in the Normandy Invasion as well as to his being relieved as Occupation Commander of Germany. Written by Anthony Hughes <husnock31@hotmail.com>

Plot Summary | Plot Synopsis

Genres:

Biography | Drama | War

Certificate:

GP | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | | | |

Release Date:

2 April 1970 (USA)  »

Also Known As:

Patton: Lust for Glory  »

Filming Locations:

 »

Box Office

Budget:

$12,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints) (Westrex Recording System)| (35 mm prints)| (70 mm re-release)

Color:

Aspect Ratio:

2.20 : 1
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Did You Know?

Trivia

Patton's famous opening speech is subtly implied to take place after the main body of the film. At the time of his speech, he was a 4-star general, as evidenced by his helmet. When Patton first arrives in North Africa at the beginning of the film, he is just receiving his promotion to 3-star general, which he remains until the celebration of Germany's surrender. Both Patton's promotion to 4-star general and opening speech must have taken place between his relief of Bastogne and the celebration (the speech is motivational, and wouldn't be given after the war was already over). See more »

Goofs

In Walter Bedell Smith's office, after the Knutsford speech controversy, George S. Patton's left shoulder has no patch on it. When he goes into the hallway to meet his orderly, Meeks, the Seventh Army patch of his last command is there. See more »

Quotes

[first lines]
Patton: Now I want you to remember that no bastard ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country.
See more »

Crazy Credits

One of the very, very few Twentieth Century-Fox films in which that company's logo is not shown at all, beginning or end. The film simply begins with the opening speech, and the opening Fox logo is replaced with an in-credit text-only notice after the speech. However, recent television showings have added the logo (not on DVD prints), and the addition is obviously spliced in from another piece of film. See more »

Connections

Referenced in Stick It (2006) See more »

Soundtracks

The Stars and Stripes Forever
(uncredited)
Music by John Philip Sousa
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Epic hagiography
12 February 2005 | by (Deming, New Mexico, USA) – See all my reviews

It's a splendidly done movie. Scott's performance is powerful. He does everything but reach out, grab you by the shirt, and shout in your face. Karl Malden is likable and full of common sense, but he is the only person in the movie whom we can grasp as a character -- except for Scott himself. Scott is as good at his job as Patton was, and in fact the quality of his performance is less volatile than Patton's own, with virtually no weak spots.

That's part of the problem. Patton himself. I suppose that like most people he had a "good" side -- loving family, played with his dog, collected stamps and whatnot. But as good and aggressive a general as he was, he wasn't a particularly likable guy. It's easy to demand that everyone in your command have shoes as shiny as yours -- especially when you've got some black PFC doing your shining for you.

The movie is noticeably slanted. Patton's weakness, like Coriolanus's, is ambition. Sometimes it's played for laughs. He carried the stars of a Lieutenant General around with him until word of his promotion comes down, then immediately has them pinned on. But only three times is his meanness illustrated without tongue in cheek. (1) During a conversation with Bradley he reveals that he's disobeyed orders by sending his army on a mission to beat Montgomery in taking Sicily. He calls the attack "a reconnaissance in force". He receives an order to get his troops back where they belong and tells his aide to send the message back because it's garbled. "A simple old soldier," Bradly comments disapprovingly. (2) He orders General Truscott to stage some amphibious landings which will help him take Messina before Montgomery. Truscott complains that they're not prepared to do that without heavy casualties. Patton lies down and threatens to fire Truscott and get someone else to do the job. (3) While visiting a hospital and presenting the wounded with decorations he comes across a soldier whose nerves are shot and who is weeping, and Patton slaps him twice and sends him back to the front.

His mean streak went beyond those incidents. He used to practice his arrogant, threatening scowl in front of the mirror. Whether or not it improved the GI's morale to wear neckties in combat is, at best, arguable. (What would Patton make of the Israeli army?) But the simple historical fact is that the movie pitches even these "mean" incidents at the audience like softballs. He didn't just slap a soldier who was feeling sorry for himself, which is the picture the film presents. He slapped two soldiers on separate occasions, one suffering from combat fatigue (which is no joke) and the other from malaria and other illnesses. Patton also enjoyed an intimate relationship with his niece, a Red Cross donut girl, who accompanied him in England and France, much to his wife's displeasure.

Those slapping incidents cost Patton a bit in the way of professional esteem but it didn't cost any lives. And it didn't cause him any remorse. Even in his "apology," he claims he was trying to "shame a coward." What DID cost lives was Patton's cobbling together a small task force to liberate a POW camp in Germany shortly before the war's end, when such a dangerous move was no longer necessary. "Task Force Baum" was recognized by its leaders for the lost cause it was, a plunge deep into enemy territory without any backup. There were 53 vehicles and 294 men. All the vehicles were destroyed or captured. Twenty-five of the men were killed, 32 wounded, and almost all the rest captured. The purpose of the mission, it was tacitly agreed, was to rescue Patton's son-in-law.

His fitful harshness towards his troops is usually justified in the movie, even if it looks excessive. The soldier-slapping scene is preceded by one in which Patton kneels in the hospital, whispers something to a soldier whose face is covered by bandages, and lovingly places a medal on his chest. Next thing he encounters: Tim Considine, fully dressed, sitting up, and sobbing with self pity. Earlier, when Patton asks a cook why he's not wearing sidearms, the cook laughs genially and replies, "Sidearms? Why, hell, General, I'm a cook!" I missed the part where cooks learn to laugh in the face of orders from a general, but it gives Patton a chance to tear everybody a new one.

Everyone paid for Patton's ambition and vanity, even those not under his command. The gasoline and other supplies he diverted to his own forces during the run through France helped him alright, but they were also needed elsewhere.

I don't know why it's been said that George C. Scott himself didn't like Patton. Scott complained that Patton was being treated too harshly in the film and he tried to undermine the message in small ways -- lying down while ordering Truscott to conduct amphibious operations. Patton would never have done that, Scott claimed.

The movie's subtitle is "Salute to a Rebel." Very stylish for 1970 audiences, but the material is presented in such a way as to leave us with a lingering admiration for Patton's genius and bullheadedness. What kind of "rebel" was he? He was more of an authoritarian Arschloch than anybody else in his greater vicinity.

I gave the movie high marks because it's as well done as it is -- disregarding its relationship to Patton himself. I didn't mind so much that the wrong tanks were used and that the production could only find two Heinkel 111s in flying condition. The location shooting is great, the cinematography crisp and unimpeachable, the score one of Goldsmith's best, and Scott's performance deserved whatever awards it got.


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