A bank security expert plots with a call girl to rob three safety deposit boxes containing $1.5 million in cash belonging to three very different criminals from a high-tech security bank in Hamburg, Germany.
Barbara gets secret plastic surgery in Switzerland in an attempt to save her marriage to Mark, but he doesn't seem interested in meeting her. She checks in to a ski resort to wait for Mark,... See full summary »
The venomous and amoral wife of a wealthy architect tries, any way she can, to break up the blossoming romance between her husband and his new mistress; a good-natured young widow who holds a dark past.
Brian G. Hutton
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
Romantic comedy which has Barney Lincoln and Angel McGinnis as a pair of amorous adventurers in the gambling places of London and the Riviera. Barney Lincoln is a rambling gambling man who ... See full summary »
While waiting in vain for her married lover to get a divorce, Fran Walker, a lonely chorus girl approaching middle age, falls for Joe Grady, a frustrated musician and compulsive gambler who dreams of escaping Las Vegas for fame and fortune in New York City. Written by
Because Elizabeth Taylor wanted to be near husband Richard Burton, who was at the time filming Staircase (1969) in Europe, she demanded this film, with its Las Vegas setting, be filmed in Paris, France. The studio agreed, thereby increasing the budget considerably as detailed American streetscapes, casinos, apartments and supermarkets had to be recreated in Paris. In the end (after 86 days shooting in Paris) the company had to move to the real Las Vegas anyway for ten additional days of intensive shooting. See more »
When Fran gets off work at Desert Inn at beginning of film, her walk home makes no geographical sense. She is strolling past hotels, chapels and casinos miles apart and in completely opposite directions. See more »
So full of holes in plot and characterization that you must wonder how this was considered a finished product - for stage or screen.
Taylor, who is neither built like a chorine nor moves like one, becomes involved with a boyish Beatty, who, according to the story, is two years older than she. (Even the makeup department had their problems with this one.) Afraid to commit herself emotionally because she's seen too much of the sordid sides of life and love, she nevertheless ends up committing herself totally to a compulsive gambler. That he has undergone some type of catharsis and will gamble no more is something she is ready to believe, but, I fear, the audience is not - especially since he has just gambled away his long-sought ticket out of Las Vegas. What she has to offer him (or any man) in the way of understanding, companionship, support and stability is very much open to question. Her own ticket out of Las Vegas, in the person of a married boyfriend who has-against all expectations-divorced his wife in order to marry her, is rejected for an uncertain future as a compulsive gambler's woman. Why? Unless you are prepared to blindly accept the catch-all "because she loves him," you won't find the answer in this picture. Speaking of fantasy, although she proudly insists that she has never taken money from any man, she lives in a beautifully-furnished apartment and has an extensive, very stylish wardrobe - notwithstanding her pointing out (for our benefit, I suppose) that her jewelry is not costly and her furs are not real. Is she lying about her source of income? If so, it is inconsistent with a character who is presented as being emotionally honest, however confused she might be. If her claim is to be taken literally, how can she manage such a lifestyle on a chorus girl's salary?
There is lots more that doesn't ring true in a picture that fails to build, fails to involve the viewer, and ultimately falls flat.
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