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The Only Game in Town (1970)

M  -  Comedy | Drama | Romance  -  21 January 1970 (USA)
5.8
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Ratings: 5.8/10 from 514 users  
Reviews: 20 user | 15 critic

Fran walks into a piano bar for pizza. She comes back home with Joe, the piano player. Joe plans on winning $5,000 and leave Las Vegas. Fran waits for something else. Meanwhile, he moves in with her.

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Cast

Complete credited cast:
...
Fran Walker
...
Joe Grady
Charles Braswell ...
Lockwood
Hank Henry ...
Tony
Olga Valéry ...
Hooker (as Olga Valery)
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Storyline

While waiting in vain for her married lover to get a divorce, Fran Walker, a lonely chorus girl approaching middle age, falls for Joe Grady, a frustrated musician and compulsive gambler who dreams of escaping Las Vegas for fame and fortune in New York City. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Dice was his vice. Men hers.

Genres:

Comedy | Drama | Romance

Certificate:

M | See all certifications »
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Details

Country:

Language:

Release Date:

21 January 1970 (USA)  »

Also Known As:

Das einzige Spiel in der Stadt  »

Box Office

Budget:

$11,000,000 (estimated)

Gross:

$1,500,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

The last film of George Stevens. See more »

Goofs

When Fran gets off work at Desert Inn at beginning of film, her walk home makes no geographical sense. She is strolling past hotels, chapels and casinos miles apart and in completely opposite directions. See more »

Connections

Referenced in Z Channel: A Magnificent Obsession (2004) See more »

Soundtracks

Blue Moon
(uncredited)
Music by Richard Rodgers
Played by Joe at the piano
See more »

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User Reviews

Taylor and Beatty miscast in a "one-act" love story, bogged down by it's sixties-style, leaden melodramatics.
3 June 2003 | by (Colorado Springs) – See all my reviews

Frank Gilroy's play brought to the screen by the great George Stevens; sadly, his last film. The maudlin characterizations by Liz and Warren just don't cut it, simply because they seem far too old and worldly to be victimized by the circumstances set forth for them. Old-fashioned in the worse way. Maurice Jarre provides one of his best scores, though.


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