Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love ... See full summary »
Eva Marie Saint,
A bank security expert plots with a call girl to rob three safety deposit boxes containing $1.5 million in cash belonging to three very different criminals from a high-tech security bank in Hamburg, Germany.
Set in the Haiti of "Papa Doc" Duvalier, The Comedians tells the story of a sardonic Welsh hotel owner and his encroaching fatalism as he watches Haiti sink into barbarism and poverty. ... See full summary »
After incurring the wrath of the mob, a comic flees Detroit for Chicago taking the name "Mickey One." As he returns to the stage and becomes successful, he fears that the mob will track him... See full summary »
This is a delightful if peculiar story of a day in the life of a small, Welsh fishing village called "Llareggub" (read it backwards). We meet a host of curious characters (and ghosts) ... See full summary »
Fredrik Egerman is very happy in his marriage to a seventeen-year-old virgin, Anne. Only she's been a virgin for the whole eleven months of the marriage, and being a bit restless, Fredrik ... See full summary »
The story of the Allied landing at Normandy that began the end of World War II and the defeat of the Nazi empire. This documentary tells the story using the rare color footage director ... See full summary »
Omar N. Bradley,
Dwight D. Eisenhower,
Bernard L. Montgomery
While waiting in vain for her married lover to get a divorce, Fran Walker, a lonely chorus girl approaching middle age, falls for Joe Grady, a frustrated musician and compulsive gambler who dreams of escaping Las Vegas for fame and fortune in New York City. Written by
When Fran gets off work at Desert Inn at beginning of film, her walk home makes no geographical sense. She is strolling past hotels, chapels and casinos miles apart and in completely opposite directions. See more »
This is a pretty bad movie, but hard to look away from the pretty people inhabiting it. Warren Beatty was unbelievably gorgeous in his younger days. He also was a surprisingly effective and poignant actor. His performance elevates an otherwise pedestrian movie. It really is on par with a television movie, down to the cheesy soundtrack music. Elizabeth Taylor is incredibly miscast. She is lovely to look at, though rather old-looking, for some reason. She couldn't have been more than five years older than Beatty, but looks at least ten years his senior, in spite of being filmed in soft focus. She also is quite zaftig, though it's refreshing in light of the anorexic actresses one sees now. She's totally unbelievable as a showgirl. The average showgirl is tall and slender; the tiny, curvaceous Ms. Taylor would never have even gotten an audition. She also phones in her performance, which doesn't help her rather poorly-drawn character. The film is a series of relationship and situational cliches. You can predict the dialogue before it's spoken. You have to wonder, too, why a stalwart such as George Stevens would choose such a flaccid script as his final project. Someone must have waved a lot of money under these big names' noses to get this made. It's a shame to waste such directing and acting talent. But if you start watching, you probably won't be able to take your eyes off it. They don't make beauties like Beatty and Taylor in Hollywood anymore, at least with as much charisma to go with the looks.
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