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The Only Game in Town (1970)

M  |   |  Comedy, Drama, Romance  |  21 January 1970 (USA)
5.8
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Ratings: 5.8/10 from 536 users  
Reviews: 20 user | 14 critic

Fran walks into a piano bar for pizza. She comes back home with Joe, the piano player. Joe plans on winning $5,000 and leave Las Vegas. Fran waits for something else. Meanwhile, he moves in with her.

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Cast

Complete credited cast:
...
Fran Walker
...
Joe Grady
Charles Braswell ...
Lockwood
Hank Henry ...
Tony
Olga Valéry ...
Hooker (as Olga Valery)
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Storyline

While waiting in vain for her married lover to get a divorce, Fran Walker, a lonely chorus girl approaching middle age, falls for Joe Grady, a frustrated musician and compulsive gambler who dreams of escaping Las Vegas for fame and fortune in New York City. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Dice was his vice. Men hers.

Genres:

Comedy | Drama | Romance

Certificate:

M | See all certifications »
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Details

Country:

Language:

Release Date:

21 January 1970 (USA)  »

Also Known As:

Das einzige Spiel in der Stadt  »

Box Office

Budget:

$11,000,000 (estimated)

Gross:

$1,500,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Frank Sinatra was originally cast as Joe Grady but dropped out due to concert commitments according to Kine Weekly 16/11/1968 He was replaced by Warren Beatty. See also Butch Cassidy and the Sundance Kid (1969). See more »

Goofs

When Fran gets off work at Desert Inn at beginning of film, her walk home makes no geographical sense. She is strolling past hotels, chapels and casinos miles apart and in completely opposite directions. See more »

Connections

Referenced in Z Channel: A Magnificent Obsession (2004) See more »

Soundtracks

My Blue Heaven
(uncredited)
Music by Walter Donaldson
Played by Joe at the piano
See more »

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User Reviews

Where's the rest of the story?
17 July 2001 | by See all my reviews

So full of holes in plot and characterization that you must wonder how this was considered a finished product - for stage or screen.

Taylor, who is neither built like a chorine nor moves like one, becomes involved with a boyish Beatty, who, according to the story, is two years older than she. (Even the makeup department had their problems with this one.) Afraid to commit herself emotionally because she's seen too much of the sordid sides of life and love, she nevertheless ends up committing herself totally to a compulsive gambler. That he has undergone some type of catharsis and will gamble no more is something she is ready to believe, but, I fear, the audience is not - especially since he has just gambled away his long-sought ticket out of Las Vegas. What she has to offer him (or any man) in the way of understanding, companionship, support and stability is very much open to question. Her own ticket out of Las Vegas, in the person of a married boyfriend who has-against all expectations-divorced his wife in order to marry her, is rejected for an uncertain future as a compulsive gambler's woman. Why? Unless you are prepared to blindly accept the catch-all "because she loves him," you won't find the answer in this picture. Speaking of fantasy, although she proudly insists that she has never taken money from any man, she lives in a beautifully-furnished apartment and has an extensive, very stylish wardrobe - notwithstanding her pointing out (for our benefit, I suppose) that her jewelry is not costly and her furs are not real. Is she lying about her source of income? If so, it is inconsistent with a character who is presented as being emotionally honest, however confused she might be. If her claim is to be taken literally, how can she manage such a lifestyle on a chorus girl's salary?

There is lots more that doesn't ring true in a picture that fails to build, fails to involve the viewer, and ultimately falls flat.


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