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The Only Game in Town (1970)

M  |   |  Comedy, Drama, Romance  |  21 January 1970 (USA)
5.8
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Ratings: 5.8/10 from 539 users  
Reviews: 20 user | 14 critic

Fran walks into a piano bar for pizza. She comes back home with Joe, the piano player. Joe plans on winning $5,000 and leave Las Vegas. Fran waits for something else. Meanwhile, he moves in with her.

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Cast

Complete credited cast:
...
Fran Walker
...
Joe Grady
Charles Braswell ...
Lockwood
Hank Henry ...
Tony
Olga Valéry ...
Hooker (as Olga Valery)
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Storyline

While waiting in vain for her married lover to get a divorce, Fran Walker, a lonely chorus girl approaching middle age, falls for Joe Grady, a frustrated musician and compulsive gambler who dreams of escaping Las Vegas for fame and fortune in New York City. Written by alfiehitchie

Plot Summary | Add Synopsis

Taglines:

Dice was his vice. Men hers.

Genres:

Comedy | Drama | Romance

Certificate:

M | See all certifications »
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Details

Country:

Language:

Release Date:

21 January 1970 (USA)  »

Also Known As:

Das einzige Spiel in der Stadt  »

Box Office

Budget:

$11,000,000 (estimated)

Gross:

$1,500,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Warren Beatty hates casinos and gambling, he did the film mainly as a favor to his mentor, director George Stevens. See more »

Goofs

When Fran gets off work at Desert Inn at beginning of film, her walk home makes no geographical sense. She is strolling past hotels, chapels and casinos miles apart and in completely opposite directions. See more »


Soundtracks

Blue Moon
(uncredited)
Music by Richard Rodgers
Played by Joe at the piano
See more »

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User Reviews

 
No dice.
28 April 2009 | by (United States) – See all my reviews

Dreary, poky, talky and practically non-existent as drama, The Only Game in Town features Liz Taylor, looking like a mature Millie Perkins(see Wild in the Streets), ridiculously cast as a Vegas showgirl. Taylor's pretty, but vacuous, and she and the boring, mumbling Beatty don't compel and they are an odd, uninteresting and unconvincing pairing. Neither one could be accused of acting, and their characters were intended for less stellar types. George Stevens who directed Taylor in A Place in the Sun and Giant brings only his name to this film, his last, and Frank Gilroy, who received a Pulitzer Prize for his play The Subject Was Roses, and whose film From Noon Till Three is a gem, hasn't written anything that seems worth putting on the screen. The audience, wisely, never showed.


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