MOVIEmeter
SEE RANK
Up 1,142 this week

On a Clear Day You Can See Forever (1970)

 -  Comedy | Drama | Fantasy  -  17 June 1970 (USA)
6.7
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.7/10 from 2,406 users  
Reviews: 44 user | 26 critic

Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to ... See full summary »

Director:

Writers:

(play), (screenplay)
0Check in
0Share...

Watch Now

with Prime Instant Video

User Lists

Related lists from IMDb users

a list of 25 titles
created 20 May 2011
 
a list of 44 titles
created 02 Apr 2013
 
a list of 38 titles
created 21 Apr 2013
 
a list of 27 titles
created 7 months ago
 
a list of 44 titles
created 3 months ago
 

Related Items


Connect with IMDb


Share this Rating

Title: On a Clear Day You Can See Forever (1970)

On a Clear Day You Can See Forever (1970) on IMDb 6.7/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of On a Clear Day You Can See Forever.

Videos

Photos

Learn more

People who liked this also liked... 

Comedy
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Can a bickering odd couple in Manhattan become friends and maybe more? Owlish Felix is an unpublished writer who vents his frustration by reporting to the super that the woman in a ... See full summary »

Director: Herbert Ross
Stars: Barbra Streisand, George Segal, Robert Klein
Comedy
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  

Henrietta Robins works out of her home and her husband Pete drives a cab to try to support her. When Pete gets a tip from one of his fellow drivers that a deal will be made by the Americans... See full summary »

Director: Peter Yates
Stars: Barbra Streisand, Michael Sarrazin, Estelle Parsons
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A young wife and mother, bored with day-to-day life in New York City and neglected by her husband, slips into increasingly outrageous fantasies: her mother breaking into the apartment, an ... See full summary »

Director: Irvin Kershner
Stars: Barbra Streisand, David Selby, Ariane Heller
Funny Lady (1975)
Musical | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Story of singer Fanny Brice's stormy relationship with showman Billy Rose.

Director: Herbert Ross
Stars: Barbra Streisand, James Caan, Omar Sharif
Psych-Out (1968)
Drama | Music | Thriller
    1 2 3 4 5 6 7 8 9 10 6/10 X  

A deaf runaway arrives in San Francisco's Haight-Ashbury hippie district looking for her missing brother.

Director: Richard Rush
Stars: Susan Strasberg, Dean Stockwell, Jack Nicholson
Comedy | Romance | Sport
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Hillary Kramer, successful Perfume magnate awakes one morning to find that her accountant has robbed her blind and left for South America. Going through all of her remaining assets she ... See full summary »

Director: Howard Zieff
Stars: Barbra Streisand, Ryan O'Neal, Paul Sand
The Fortune (1975)
Comedy | Crime | Romance
    1 2 3 4 5 6 7 8 9 10 5.8/10 X  

Two bumbling hustlers in the 1920s attempt to gain the fortune of an heiress. Nothing will stop them . not even murder.

Director: Mike Nichols
Stars: Stockard Channing, Jack Nicholson, Warren Beatty
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6/10 X  

Executive George Dupler loses his temper and is demoted to the night manager at a 24 hour drugstore. After he suggests to his teenage son Freddie that he stop having an affair with suburban... See full summary »

Director: Jean-Claude Tramont
Stars: Gene Hackman, Barbra Streisand, Diane Ladd
War | Drama
    1 2 3 4 5 6 7 8 9 10 5.3/10 X  

During WWII, a three-man commando team places its trust in the hands of a band of Filipino resistants, as they try to knock out a Japanese communication center.

Director: Monte Hellman
Stars: Jimmie Rodgers, Jack Nicholson, John Hackett
Nuts (1987)
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A high-class call girl accused of murder fights for the right to stand trial rather than be declared mentally incompetent.

Director: Martin Ritt
Stars: Barbra Streisand, Richard Dreyfuss, Maureen Stapleton
Funny Girl (1968)
Biography | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

The life of comedienne Fanny Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and ... See full summary »

Director: William Wyler
Stars: Barbra Streisand, Omar Sharif, Kay Medford
Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »

Director: Mike Nichols
Stars: Jack Nicholson, Candice Bergen, Ann-Margret
Edit

Cast

Cast overview, first billed only:
...
...
...
Larry Blyden ...
...
...
...
Pamela Brown ...
Irene Handl ...
...
Peter Crowcroft ...
Divorce Attorney
Byron Webster ...
Prosecuting Attorney
Mabel Albertson ...
Mrs. Hatch
Laurie Main ...
Lord Percy
Kermit Murdock ...
Hoyt III
Edit

Storyline

Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to do it. But once she's under, her doctor finds out that she can regress into past lives and different personalities, and he finds himself falling in love with one of them. Written by Kathy Li

Plot Summary | Add Synopsis

Plot Keywords:

doctor | flowers | past | love | hypnosis | See more »

Taglines:

Look into my eyes.


Certificate:

G | See all certifications »
Edit

Details

Country:

Language:

Release Date:

17 June 1970 (USA)  »

Also Known As:

Melinda  »

Box Office

Budget:

$10,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

Most of Jack Nicholson's role was left on the cutting room floor. See more »

Goofs

An hour and twenty in Daisy (as Melinda), after Chabot speculates that she can see into the future, says "I can about certain things, but never, never about myself". But at about the two hour mark, Daisy says she and Marc were married in 2038. See more »

Quotes

Robert Tentrees: [upon Melinda arriving at the table where he is playing roulette] Melinda... what a questionable surprise.
See more »

Connections

Referenced in Queer as Folk: Episode #4.2 (2004) See more »

Soundtracks

Go To Sleep
Lyrics by Alan Jay Lerner
Music by Burton Lane
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Masterly coda to one of Hollywood's greatest careers.
12 June 2000 | by (dublin, ireland) – See all my reviews

ON A CLEAR DAY opens with two extraordinary sequences. Firstly, with Babs singing the title song, there is a montage of flowers growing at speed in front of our very eyes, a decisively Minnellian melange of colour and artifice to create a real eye-dazzlingly emotional explosion which reaches an ecstatic crescendo as Babs skips through a maze of floral abundance. This is followed by a chilling, antithetical credits sequence, a VERTIGOesque assembly-line of diminishing rectangles in cool, gorgeous colours, in which the familiar Broadway music feels distorted and distant.

These two sequences encapsulate the film's conflict - between heart and mind; emotion and intellect; freedom and order; dream and reality; self-expression and conformity. In 1970, the age of BONNIE AND CLYDE, M*A*S*H and WOODSTOCK, a Minnelli/Lerner/Streisand musical must have seemed amusingly quaint, but today, we can marvel at its audacity and flair, while many of its more acclaimed contemporaries seem tinny and shrill.

The narrative proper seems initially mundane after such abstract excess. Daisy Gamble (perfect name!) interrupts a lecture by famed psychologist, Marc Chabot, being accidentally hypnotised as he demonstrates on a pupil. She is a scatty, ditzy loudmouth who has come to Chabot in the hope that he will manipulate her out of a 5-packs a day smoking habit to please her ultra-conformist fiance, Warren, who has a career-crucial business dinner.

Chabot has little interest in this clumsy pest until he discovers that she has some psychic powers. Intrigued, he explores her through hypnosis and discovers her past-life as a supremely resourceful, sexually magnetic, orphaned Cockey golddigger of the Regency, who is standing trial for espionage and treason, her caddish husband having deserted her. Chabot begins to fall in love with this remarkable woman, and believing, against all his rationalist principles, in reincarnation.

Even by Minnelli's standards, this is a bravely open-ended picture, not only in its unexpected denouenment, but in refusing to simplify the bewildering, complicated emotions his characters become prey to. On a simple structural level, he contrasts conformity with the life of emotion and imagination. Chabot is a doctor whose devotion to science and facts is almost monkish in its celibate form. His office is the embodiment of conformity, a bland brown pervading walls, chairs, fittings, barred windows, books, even his own clothes. Despite being Yves Montand, he is no French lover.

Into his life comes this impossible woman whose striving for fiance-pleasing order results in further chaos. In her second incarnation, as Melinda, she brings bawdiness, vulgarity, romance, humour, daring, but, most of all, colour, sumptuous, ravishing, blinding colour. The effect she has on Chabot is reflected in the film's form, which moves from steady, mid-level, classical compositions, to outrageous fancy, dizzying camera movements, mercurial editing cutting across time and space. Chabot soon begins to have Daisy's dreams, while she becomes divided from herself in a remarkable visualisation of the split between duty and desire.

But it's not enough to suggest simplistic dichotomies - even the 'normal' Daisy has a rooftop garden which is simply magical (isn't that such a lovely idea, a woman who makes flowers grow quickly by talking to them?), while her fiance, like Darrin from BEWITCHED, is so desperate to conform that he becomes mad. 'Sciences', such as psychoanalysis are invoked in the spirit of the times, but the Pandora's Box they open in no way 'explain', but sets free, as Chabot ruefully recognises.

This is all significantly gendered as men try to control and explain a woman who darts gleefully through history, place, morality, while barely taking a break. As ever with Minnelli, the celebration of artifice only reveals how repressive real-life is, and his satire is cutting if you care to look. This is an undervalued, joyous, sad coda to one of Hollywood's greatest careers (Minnelli would go on to make only one more movie), as full of invention and love as his first film, CABIN IN THE SKY.

The music is fine, with little of the heartache as GIGI or fun of MY FAIR LADY. Montand is charming in a thankless role, but Barbara Streisand - and, God help me, I never thought I'd say this - is an absolute joy in a double (treble?) role, especially convincing in saucy period dress, yet, moving when she needs to be.


32 of 38 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
this movie bit!!!!!!! jpgonzo81-1
HELP: do the cut scenes still exist? kitttenwithawhip
Help MovieQuoteGal
Soundtrack Listing laura73
Pamela Brown...? nickrogers1969
Vincent Minnelli markvanal

Contribute to This Page

Create a character page for:
?