MOVIEmeter
SEE RANK
Up 2,210 this week

On a Clear Day You Can See Forever (1970)

 -  Comedy | Drama | Fantasy  -  17 June 1970 (USA)
6.7
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.7/10 from 2,422 users  
Reviews: 44 user | 25 critic

Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to ... See full summary »

Director:

Writers:

(play), (screenplay)
0Check in
0Share...

Watch Now

$0.00 with Prime Instant Video

Editors' Spotlight

Live Chat with Keanu Reeves

We conducted a Live Chat with Keanu about his upcoming film John Wick.


User Lists

Related lists from IMDb users

a list of 43 titles
created 09 Apr 2011
 
a list of 25 titles
created 20 May 2011
 
a list of 21 titles
created 30 May 2012
 
a list of 42 titles
created 5 months ago
 
a list of 29 titles
created 5 months ago
 

Related Items


Connect with IMDb


Share this Rating

Title: On a Clear Day You Can See Forever (1970)

On a Clear Day You Can See Forever (1970) on IMDb 6.7/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of On a Clear Day You Can See Forever.

Videos

Photos

Learn more

People who liked this also liked... 

Comedy | Romance | Sport
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

Hillary Kramer, successful Perfume magnate awakes one morning to find that her accountant has robbed her blind and left for South America. Going through all of her remaining assets she ... See full summary »

Director: Howard Zieff
Stars: Barbra Streisand, Ryan O'Neal, Paul Sand
Funny Lady (1975)
Musical | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Story of singer Fanny Brice's stormy relationship with showman Billy Rose.

Director: Herbert Ross
Stars: Barbra Streisand, James Caan, Omar Sharif
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6/10 X  

Executive George Dupler loses his temper and is demoted to the night manager at a 24 hour drugstore. After he suggests to his teenage son Freddie that he stop having an affair with suburban... See full summary »

Director: Jean-Claude Tramont
Stars: Gene Hackman, Barbra Streisand, Diane Ladd
Drama
    1 2 3 4 5 6 7 8 9 10 6.5/10 X  

'It's Monopoly out there'. Jason Staebler, The King of Marvin Gardens, has gone directly to jail, lives on the Boardwalk and fronts for the local mob in Atlantic City. He is also a dreamer ... See full summary »

Director: Bob Rafelson
Stars: Jack Nicholson, Bruce Dern, Ellen Burstyn
Nuts (1987)
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  

A high-class call girl accused of murder fights for the right to stand trial rather than be declared mentally incompetent.

Director: Martin Ritt
Stars: Barbra Streisand, Richard Dreyfuss, Maureen Stapleton
War | Drama
    1 2 3 4 5 6 7 8 9 10 5.3/10 X  

During WWII, a three-man commando team places its trust in the hands of a band of Filipino resistants, as they try to knock out a Japanese communication center.

Director: Monte Hellman
Stars: Jimmie Rodgers, Jack Nicholson, John Hackett
Hello, Dolly! (1969)
Comedy | Musical | Romance
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A matchmaker named Dolly Levi takes a trip to Yonkers, New York to see the "well-known unmarried half-a-millionaire," Horace Vandergelder. While there, she convinces him, his two stock ... See full summary »

Director: Gene Kelly
Stars: Barbra Streisand, Walter Matthau, Michael Crawford
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 6/10 X  
Director: Richard Rush
Stars: Jennifer West, Richard Evans, Warren Parker
Funny Girl (1968)
Biography | Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

The life of comedienne Fanny Brice, from her early days in the Jewish slums of the Lower East Side, to the height of her career with the Ziegfeld Follies, including her marriage to and ... See full summary »

Director: William Wyler
Stars: Barbra Streisand, Omar Sharif, Kay Medford
Drama
    1 2 3 4 5 6 7 8 9 10 7/10 X  

The concurrent sexual lives of best friends Jonathan and Sandy are presented, those lives which are affected by the sexual mores of the time and their own temperament, especially in ... See full summary »

Director: Mike Nichols
Stars: Jack Nicholson, Candice Bergen, Ann-Margret
Studs Lonigan (1960)
Drama
    1 2 3 4 5 6 7 8 9 10 5.3/10 X  

A young man tries to escape the South Side of 1920s Chicago.

Director: Irving Lerner
Stars: Christopher Knight, Frank Gorshin, Venetia Stevenson
Adventure
    1 2 3 4 5 6 7 8 9 10 5.3/10 X  

Stolen diamonds spark a deadly drama involving a group of strangers in the Philippine jungle.

Director: Monte Hellman
Stars: Dewey Martin, Fay Spain, Jack Nicholson
Edit

Cast

Cast overview, first billed only:
...
...
...
Larry Blyden ...
...
...
...
Pamela Brown ...
Irene Handl ...
...
Peter Crowcroft ...
Divorce Attorney
Byron Webster ...
Prosecuting Attorney
Mabel Albertson ...
Mrs. Hatch
Laurie Main ...
Lord Percy
Kermit Murdock ...
Hoyt III
Edit

Storyline

Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to do it. But once she's under, her doctor finds out that she can regress into past lives and different personalities, and he finds himself falling in love with one of them. Written by Kathy Li

Plot Summary | Add Synopsis

Plot Keywords:

doctor | flowers | past | love | hypnosis | See All (182) »

Taglines:

Look into my eyes.


Certificate:

G | See all certifications »
Edit

Details

Country:

Language:

Release Date:

17 June 1970 (USA)  »

Also Known As:

Melinda  »

Box Office

Budget:

$10,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

Paramount offered Yves Montand $200,000 for the role of Dr. Marc Chabot. Uneasy about playing another Latin lover, Montand made a counter-offer of $400,000, "just to see what they say". To his surprise, Paramount accepted. See more »

Goofs

An hour and twenty in Daisy (as Melinda), after Chabot speculates that she can see into the future, says "I can about certain things, but never, never about myself". But at about the two hour mark, Daisy says she and Marc were married in 2038. See more »

Quotes

Daisy Gamble: What is this? Extrasensory torture?
See more »

Connections

Referenced in Queer as Folk: Episode #4.2 (2004) See more »

Soundtracks

Love With All the Trimmings
Lyrics by Alan Jay Lerner
Music by Burton Lane
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Masterly coda to one of Hollywood's greatest careers.
12 June 2000 | by (dublin, ireland) – See all my reviews

ON A CLEAR DAY opens with two extraordinary sequences. Firstly, with Babs singing the title song, there is a montage of flowers growing at speed in front of our very eyes, a decisively Minnellian melange of colour and artifice to create a real eye-dazzlingly emotional explosion which reaches an ecstatic crescendo as Babs skips through a maze of floral abundance. This is followed by a chilling, antithetical credits sequence, a VERTIGOesque assembly-line of diminishing rectangles in cool, gorgeous colours, in which the familiar Broadway music feels distorted and distant.

These two sequences encapsulate the film's conflict - between heart and mind; emotion and intellect; freedom and order; dream and reality; self-expression and conformity. In 1970, the age of BONNIE AND CLYDE, M*A*S*H and WOODSTOCK, a Minnelli/Lerner/Streisand musical must have seemed amusingly quaint, but today, we can marvel at its audacity and flair, while many of its more acclaimed contemporaries seem tinny and shrill.

The narrative proper seems initially mundane after such abstract excess. Daisy Gamble (perfect name!) interrupts a lecture by famed psychologist, Marc Chabot, being accidentally hypnotised as he demonstrates on a pupil. She is a scatty, ditzy loudmouth who has come to Chabot in the hope that he will manipulate her out of a 5-packs a day smoking habit to please her ultra-conformist fiance, Warren, who has a career-crucial business dinner.

Chabot has little interest in this clumsy pest until he discovers that she has some psychic powers. Intrigued, he explores her through hypnosis and discovers her past-life as a supremely resourceful, sexually magnetic, orphaned Cockey golddigger of the Regency, who is standing trial for espionage and treason, her caddish husband having deserted her. Chabot begins to fall in love with this remarkable woman, and believing, against all his rationalist principles, in reincarnation.

Even by Minnelli's standards, this is a bravely open-ended picture, not only in its unexpected denouenment, but in refusing to simplify the bewildering, complicated emotions his characters become prey to. On a simple structural level, he contrasts conformity with the life of emotion and imagination. Chabot is a doctor whose devotion to science and facts is almost monkish in its celibate form. His office is the embodiment of conformity, a bland brown pervading walls, chairs, fittings, barred windows, books, even his own clothes. Despite being Yves Montand, he is no French lover.

Into his life comes this impossible woman whose striving for fiance-pleasing order results in further chaos. In her second incarnation, as Melinda, she brings bawdiness, vulgarity, romance, humour, daring, but, most of all, colour, sumptuous, ravishing, blinding colour. The effect she has on Chabot is reflected in the film's form, which moves from steady, mid-level, classical compositions, to outrageous fancy, dizzying camera movements, mercurial editing cutting across time and space. Chabot soon begins to have Daisy's dreams, while she becomes divided from herself in a remarkable visualisation of the split between duty and desire.

But it's not enough to suggest simplistic dichotomies - even the 'normal' Daisy has a rooftop garden which is simply magical (isn't that such a lovely idea, a woman who makes flowers grow quickly by talking to them?), while her fiance, like Darrin from BEWITCHED, is so desperate to conform that he becomes mad. 'Sciences', such as psychoanalysis are invoked in the spirit of the times, but the Pandora's Box they open in no way 'explain', but sets free, as Chabot ruefully recognises.

This is all significantly gendered as men try to control and explain a woman who darts gleefully through history, place, morality, while barely taking a break. As ever with Minnelli, the celebration of artifice only reveals how repressive real-life is, and his satire is cutting if you care to look. This is an undervalued, joyous, sad coda to one of Hollywood's greatest careers (Minnelli would go on to make only one more movie), as full of invention and love as his first film, CABIN IN THE SKY.

The music is fine, with little of the heartache as GIGI or fun of MY FAIR LADY. Montand is charming in a thankless role, but Barbara Streisand - and, God help me, I never thought I'd say this - is an absolute joy in a double (treble?) role, especially convincing in saucy period dress, yet, moving when she needs to be.


32 of 38 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
this movie bit!!!!!!! jpgonzo81-1
HELP: do the cut scenes still exist? kitttenwithawhip
Help MovieQuoteGal
Soundtrack Listing laura73
Pamela Brown...? nickrogers1969
Vincent Minnelli markvanal

Contribute to This Page

Create a character page for:
?