6.7/10
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45 user 28 critic

On a Clear Day You Can See Forever (1970)

A troubled young woman who visits a psychotherapist to help her quit smoking undergoes hypnosis and finds herself reliving a tragic Victorian romance from a past life.

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Cast

Cast overview, first billed only:
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Larry Blyden ...
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Pamela Brown ...
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Peter Crowcroft ...
Divorce Attorney
Byron Webster ...
Prosecuting Attorney
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Mrs. Hatch
Laurie Main ...
Lord Percy
Kermit Murdock ...
Hoyt III
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Storyline

Daisy Gamble, an unusual woman who hears phones before they ring, and does wonders with her flowers, wants to quit smoking to please her fiancé, Warren. She goes to a doctor of hypnosis to do it. But once she's under, her doctor finds out that she can regress into past lives and different personalities, and he finds himself falling in love with one of them. Written by Kathy Li

Plot Summary | Add Synopsis

Plot Keywords:

doctor | flowers | past | love | hypnosis | See All (182) »

Taglines:

Look into my eyes.


Certificate:

G | See all certifications »
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Details

Country:

Language:

Release Date:

17 June 1970 (USA)  »

Also Known As:

Melinda  »

Box Office

Budget:

$10,000,000 (estimated)
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Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The original Broadway production of "On A Clear Day You Can See Forever" opened at the Mark Hellinger Theater on October 17, 1965, ran for 280 performances and received Tony Award nominations for Best Score, Best Actor (John Cullum) and Best Actress (Barbara Harris). See more »

Goofs

The telephone ring in Chabot's office is not a typical Bell company ring, even though the story is supposedly set in New York. See more »

Quotes

Dr. Marc Chabot: I opened the window, but you fell out.
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Connections

Referenced in Saturday Night Live: Ruth Gordon/Chuck Berry (1977) See more »

Soundtracks

Go To Sleep
Lyrics by Alan Jay Lerner
Music by Burton Lane
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User Reviews

Great, w/ a few qualifications
11 December 2008 | by (Taichung, Taiwan) – See all my reviews

Just saw it, and I loved it! What struck me was the beauty of the writing; truly intelligent and exciting dialog, solidly worldly and then suddenly transcendent. There was this one moment near the end where Montand is giving Daisy his impassioned pep talk, leading to a capstone pronouncement. He pauses.... And I knew exactly what he was going to say before he said it; and not because it was melodramatically predictable, but rather because it was magnificently true.

My only qualification is a "drat it" regret that not all the songs were great. Half were well crafted, and the other half are poor-to-middling, with one having truly cringe-inducing lyrics. That's too bad; dropped the ball there. But the blockbuster songs are excellent. I'd always wanted to hear more Montand, and there he was giving the songs the timing and smooth delivery one expects from a great entertainer.

I can see why some folks think of this as a lesser period piece. But, like I said, I feel the writing lifts this out of the period and invites us to listen and watch with everything we have. And isn't that what art is supposed to do? Watch it.


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