A strange visitor in a wealthy family. He seduces the maid, the son, the mother, the daughter and finally the father before leaving a few days after. After he's gone, none of them can ... See full summary »
To win the kingdom his uncle took from his father, Jason must steal the golden fleece from the land of barbarians, where Medea is royalty and a powerful sorceress, where human sacrifice ... See full summary »
Pier Paolo Pasolini
The South is losing the Civil War and the coffers are nearly empty. A group of Confederate spies steals a shipment of gold in San Francisco and attempts to deliver it to a Confederate ... See full summary »
Aeschylus's ancient play Orestes details the fabled founding of Athenian democracy - the old tribal chief Agamamnon returns home after his victory at Troy only to get slain by his adulterous wife and her lover; his children Elektra and Orestes take bloody revenge, but are subsequently forgiven by the gods who select Orestes as the founding father of a new societal order. Don't ask me why, but in the 60ies many Western Marxists believed that the African struggle for independence and the overcoming of colonial rule would somehow compare to the dawn of a new age detailed by Aeschylus. Pasolini feeds on this notion by taking cinematic notes while visiting Tanzania and Uganda, planning an all-African version of "Orestes". Taking into account that throughout Africa its peoples were ruled by cruel despots and Soviet puppets, this idea appears to be ridiculous. So the best part of this film essay is a discussion between Pasolini and a group of African students at Rome University who predominantly agree, that the western concept of Africa is generalist, fuzzy and most of all fundamentally flawed. This documentary seems to drag on for hours perpetuating a non-idea. Luckily, Pasolini never filmed "Orestes".
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