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IMDb > Appunti per un'Orestiade africana (1970)

Appunti per un'Orestiade africana (1970) More at IMDbPro »

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Overview

User Rating:
7.5/10   134 votes
MOVIEmeter: ?
Down 7% in popularity this week. See rank & trends on IMDbPro.
Writer:
Pier Paolo Pasolini (written by)
Contact:
View company contact information for Notes Towards an African Orestes on IMDbPro.
Release Date:
29 November 1975 (Italy) more
Genre:
Documentary more
Plot:
The director presents takes and scenes filmed on location in Africa for a film-that-never-was, a black Oresteia. | add synopsis
User Comments:
Alternately fascinating and dull more

Cast

  (Credited cast)
Gato Barbieri ... Himself - Musician: saxophone
Donald F. Moye ... Himself - Musican: drums
Marcello Melio ... Himself - Musician: contrabasse
Yvonne Murray ... Herself - singer
Archie Savage ... Himself - Singer
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Additional Details

Also Known As:
Notes Towards an African Orestes (International: English title)
Notes for an African Orestes
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Runtime:
Italy:65 min | West Germany:71 min (TV)
Country:
Italy
Language:
Italian
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Certification:
Argentina:16
Filming Locations:
Africa more

Fun Stuff

Movie Connections:
Referenced in Testament (1988) more

FAQ

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9 out of 14 people found the following comment useful:-
Alternately fascinating and dull, 25 October 1999
7/10
Author: liehtzu from Korea

It's always a little trying when pretentious film intellectuals make something like "Notes For an African Orestes." The film is about a film that was never made, Pasolini's retelling the Greek legend of Orestes in modern continental Africa. Basically, it's a film composed of beautiful black and white images with an American narrator (representative of Pasolini) narrating over about how the images will fit into his film. It's not a documentary or a feature film, the narrator states in the beginning, merely notes. He films a man and says "perhaps this will be Orestes." A woman: "perhaps this will be my Electra." It really is an odd little intellectual exercise and the viewer pretty much has to imagine what the film will look like himself based on Pasolini's sketches - that is, presuming that the viewer cares at all. If you're a Pasolini fan this would likely appeal more to you. It's a film of many ideas, the work of a real visionary, but whether or not you're willing to go along for the ride is the only real way to determine whether "Notes For an African Orestes" is genius or c**p.

Personally, I found it to be a little of both.

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