Rome, 1850. In prison, two young men, Bernardino and Mamonne, condemned for murder wait their own death penalty to be executed, and pass their last hours telling each other lust and ... See full summary »
To win the kingdom his uncle took from his father, Jason must steal the golden fleece from the land of barbarians, where Medea is royalty and a powerful sorceress, where human sacrifice ... See full summary »
Pier Paolo Pasolini
Four directors tell tales of Eros fit for a 1970s Decameron. Working-class lovers, Renzo and Luciana, marry but must hide it from her employer; plus, they need a room of their own. A ... See full summary »
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from, young and old women if they are men's equals, men and women if a woman's ... See full summary »
Pier Paolo Pasolini
Pier Paolo Pasolini,
In Miami Beach, the mute bellboy Stanley works at the luxurious Fontainebleau Hotel. In spite of being a serviceable and friendly employee, the clumsy Stanley gets successively into trouble with his mistakes.
Aeschylus's ancient play Orestes details the fabled founding of Athenian democracy - the old tribal chief Agamamnon returns home after his victory at Troy only to get slain by his adulterous wife and her lover; his children Elektra and Orestes take bloody revenge, but are subsequently forgiven by the gods who select Orestes as the founding father of a new societal order. Don't ask me why, but in the 60ies many Western Marxists believed that the African struggle for independence and the overcoming of colonial rule would somehow compare to the dawn of a new age detailed by Aeschylus. Pasolini feeds on this notion by taking cinematic notes while visiting Tanzania and Uganda, planning an all-African version of "Orestes". Taking into account that throughout Africa its peoples were ruled by cruel despots and Soviet puppets, this idea appears to be ridiculous. So the best part of this film essay is a discussion between Pasolini and a group of African students at Rome University who predominantly agree, that the western concept of Africa is generalist, fuzzy and most of all fundamentally flawed. This documentary seems to drag on for hours perpetuating a non-idea. Luckily, Pasolini never filmed "Orestes".
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