Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a ...
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Enrique López Eguiluz
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Amando de Ossorio
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n the 16th Century, the lycanthrope Waldemar Daninsky goes from his native Europe to Japan, seeking a way to cure himself of being a werewolf. Only a Japanese sorcerer named Kian and a magic silver sword can save him.
Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a likely site in the castle of Waldemar Daninsky, who invites the women to stay as long as they like. As Waldemar shows Elvira the tomb that supposedly houses the countess, she accidentally causes the vampire to come back to life, hungrier than ever. Daninsky has a hidden secret of his own, but will it be enough to save the two girls from becoming Wandessa's next victims? Written by
Jean-Marc Rocher <firstname.lastname@example.org>
"The Werewolf vs the Vampire Woman" wastes lots of great Gothic elements in plodding through it's (too long) running time. The ideas are there, but thoroughly unrealized by Director Leon Klimovsky, as one boring scene follows another, generating little or no tension or interest. Scenes from this flick look great as stills; when moving, they leave a lot to be desired.
Paul Naschy's acting talents never advanced beyond "high school play status" in any of his filmic endeavors. He reacts to most of the outlandish goings-on with his usual impassiveness, as though his scenes were for blocking purposes only. When his character, Waldemar Daninsky, transforms into the werewolf of the title, Naschy employs body slams, punches and arm-swipes as though he were on the undercard of a poorly rehearsed wrestling match. The climatic battle between Vampiress and Werewolf is underwhelming in its embarrassing lack of action. Naschy's slavering drool, however, provides one of the few highlights.
The soundtrack plays like one of those "Halloween Sounds" tapes offered every season, littered with ghostly wails, shrieks, and assorted bumps. That, along with some haunting (but oft-repeated) musical motifs, offer some pleasant diversion. Unfortunately, the werewolf's growls sound like a guy with serious indigestion and leave alot to be desired.
Definitely a reminiscense for those who fell in love with drive-in & grindhouse fodder in the 60's & 70's. Given the relatively short life span of homo sapiens, why waste valuable hours of your lifetime on this dreck?
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