Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a ... See full summary »
Paul Naschy plays a hunchback with below average intelligence who works at the morgue. He is in love with a sickly girl who happens to be the only person who is kind to him. Each day he ... See full summary »
Period piece set during the Inquisition about a witch-finder general who falls in love with the village beauty, who has made a pact with the devil to seduce and condemn the man who is ... See full summary »
In Medieval France a warlock is be-headed and his wife tortured and executed. Hundreds of years later an isolated group of people discover his head buried on their property. Soon it comes ... See full summary »
Paul Naschy plays a supporting role as a deranged gravedigger in this zombie movie, set in a small highland village in 19th-century Scotland, where a stranger's arrival to claim an ... See full summary »
José Luis Merino
Maria Pia Conte,
Four women spend the night in an old deserted sanitarium on a mountain. They each in turn fall into the the evil hands of a doctor who forces them to suck each others blood and to whip ... See full summary »
A woman has dreams that she is a werewolf so she goes out and finds men. She proceeds to have sex with them and then rip their throats out with her teeth. She eventually falls in love but ... See full summary »
Pre-credit opening sequence consists of Countess Erzabeth Bathory, making a pact with the devil in exchange for eternal youth & beauty from sacrificing young, nubile virgin women. After ... See full summary »
Fred Olen Ray
Elvira is travelling through the French countryside with her friend Genevieve, searching for the lost tomb of a medieval murderess and possible vampire, Countess Wandessa. They find a likely site in the castle of Waldemar Daninsky, who invites the women to stay as long as they like. As Waldemar shows Elvira the tomb that supposedly houses the countess, she accidentally causes the vampire to come back to life, hungrier than ever. Daninsky has a hidden secret of his own, but will it be enough to save the two girls from becoming Wandessa's next victims? Written by
Jean-Marc Rocher <firstname.lastname@example.org>
"The Werewolf vs the Vampire Woman" wastes lots of great Gothic elements in plodding through it's (too long) running time. The ideas are there, but thoroughly unrealized by Director Leon Klimovsky, as one boring scene follows another, generating little or no tension or interest. Scenes from this flick look great as stills; when moving, they leave a lot to be desired.
Paul Naschy's acting talents never advanced beyond "high school play status" in any of his filmic endeavors. He reacts to most of the outlandish goings-on with his usual impassiveness, as though his scenes were for blocking purposes only. When his character, Waldemar Daninsky, transforms into the werewolf of the title, Naschy employs body slams, punches and arm-swipes as though he were on the undercard of a poorly rehearsed wrestling match. The climatic battle between Vampiress and Werewolf is underwhelming in its embarrassing lack of action. Naschy's slavering drool, however, provides one of the few highlights.
The soundtrack plays like one of those "Halloween Sounds" tapes offered every season, littered with ghostly wails, shrieks, and assorted bumps. That, along with some haunting (but oft-repeated) musical motifs, offer some pleasant diversion. Unfortunately, the werewolf's growls sound like a guy with serious indigestion and leave alot to be desired.
Definitely a reminiscense for those who fell in love with drive-in & grindhouse fodder in the 60's & 70's. Given the relatively short life span of homo sapiens, why waste valuable hours of your lifetime on this dreck?
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