Plastics salesman Oshima disappeared without a word to anyone, and has been missing for two years. Shohei Imamura and his crew follow Oshima's fiancé Yoshie and actor Shigeru Tsuyuguchi as they investigate the disappearance.
Near the turbulent end of the Edo era, a man returning to Japan after exile in America searches for his wife and becomes swept up in the current of revolution in this incisive period drama from the great Shohei Imamura.
Life of a pornographer who tries to stay under the radar of the mob. He has a mistress, a step-son, a step-daughter (whom he's attracted to) and a wife who believes her first husband was reincarnated as a restless carp.
Being a faithful 'company man', Yoshikawa moves steadily ahead within the Toho corporation. But Kaji, his old friend, makes his way through the dark side of the social world, working for a ... See full summary »
Documentary - (The interviewer is an Asian male director, Shohei Imamura.) Interview with Kikuyo Zendo, a 73 year-old, Japanese, trafficked-in-1921, prostitute (karayuki-san) who spent the ... See full summary »
On August 15, ten years after the Pacific War, five people meet at a station. Their purpose is to dig out a cache of morphine -- now worth sixty million yen -- that HASHIMOTO, an army ... See full summary »
History Of Postwar Japan As Told By A Bar Hostess (Shohei Imamura, 1970) **
I was looking forward to following up my small Imamura retrospective with the 3-hour long THE PROFOUND DESIRE OF THE GODS (1968), but I had to abort my VHS viewing after the first 10 minutes because the tape was mangled (which, had I been aware of it, I would certainly have rerecorded the film when it turned up again recently during the "After Hours" programme on Italian TV)! In this respect, I have to agree with Michael Elliott's preference of DVD to VHS as one need only turn over the disc to know if it's scratched or not, but with VHS you cannot know beforehand in what state the tape is going to be!!
So, I had to make do with the next entry in the Imamura canon that I had scheduled to watch. Well, it turned out to be as dreary and unappetizing as the film's very title would suggest, treating as it does events which would mostly only be familiar to Japanese people anyway. As a matter of fact, only the various scenes of military conflict and political turmoil held some measure of interest for me; indeed, the picture comes off as a very tedious whole, demonstrating that few film-makers can successfully make the leap into the field of documentary (and, frankly, only Werner Herzog comes to mind at the moment).
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