The journalist Alan Foster makes a bet than he can spend one night at the haunted Blackwood Castle. As he learns, the rumors of ghosts at the castle are indeed true. On All Soul's Eve the ...
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A writer accepts a bet that he cannot spend the night alone in a haunted castle on All Soul's Eve. Once night falls at the castle, several who had been murdered therein return to life, ... See full summary »
At the end of the 19th century, in a little Italian village by a lake an old statue is recovered. Soon a series of crimes start and the superstitious people of the village believe that the ... See full summary »
In this allegory on capitalism, director of a known car corporation invites one of his employees to his country villa to give him the good news. He just got promoted. However, the old man is not what he seems and promotion has a price.
The year is 1885, and necrophiliac Dr. Hitchcock likes to drug his wife for sexual funeral games. One day he accidentally administers an overdose and kills her. He leaves his home shattered... See full summary »
An attorney arrives at a castle to settle the estate of its recently deceased owner. The owner's wife and daughter reveal that he was someone who was able to summon the souls of ancient ... See full summary »
Paul Naschy plays a supporting role as a deranged gravedigger in this zombie movie, set in a small highland village in 19th-century Scotland, where a stranger's arrival to claim an ... See full summary »
José Luis Merino
Maria Pia Conte,
Robert Miles is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidentally is black). He uses the cat to take vengeance upon his ... See full summary »
The journalist Alan Foster makes a bet than he can spend one night at the haunted Blackwood Castle. As he learns, the rumors of ghosts at the castle are indeed true. On All Soul's Eve the ghosts of the castle search for blood to tide them over for another year. In the castle Foster meet and fall in love with Elizabeth Blackwood. Written by
The opening of this film treats us to Klaus Kinski in twice his usual state of delirium - thrashing about in a shadowy, cobweb-laden crypt. He's playing Edgar Allan Poe, and he looks the very embodiment of an absinthe-soaked poete maudit. His role, alas, turns out to be little more than a glorified cameo! Still, he sets the tone admirably for the next 90 minutes of flickering candelabra, ethereal vampire beauties and white muslin curtains billowing softly by moonlight.
It would be easy to dismiss this movie as a compendium of Gothic horror cliches. Easy but unfair, I feel. Like any other highly stylised art form (Romantic ballet, bel canto opera...) a Gothic tale rests on a set of unreal and perhaps arbitrary conventions. Much of a fan's pleasure depends on how faithfully, how stylishly, these conventions are played out. In truest Gothic horror tradition, Nella Stretta Morsa del Ragno does very little that's new - but does it in grand style!
In a nutshell, the fiendishly deranged Poe inveigles a young journalist (Anthony Franciosa) into spending a night in a creepy old mansion. The family who inhabit this mansion seem to spend all their time dying and coming back to life. The rest of the 'plot' is predictable enough, but Michele Mercier (as the most glamorous ghoul) looks stunning whether dead or undead. Her romantic agonies are offset by Ottavio Scotti's splendid Gothic art direction. If the editing and camerawork look a little choppy at times, I blame the ghastly pan-and-scan job on my video copy.
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