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Some bikers are hired by the CIA during the Vietnam War to rescue a captured agent from the clutches of the Red Chinese army. After a round of drinking, fighting, and whoring around, the cycle gang, led by Big Bill Smith, fix up their Yamahas with machine guns, grenades and armor plating, and storm the enemy camp. Written by
Marty McKee <email@example.com>
A portion of this movie is seen in the Quentin Tarantino film, "Pulp Fiction." It is showing on the TV in the hotel room the morning after Butch's boxing match. See more »
The Sgt. describes the submachine gun as a "Swedish 9 mm". It is in fact a Danish "Madsen M-50" smg. See more »
If only one of us wants to break out of his life you make a criminal out of him!
Come on, Link. Forget it! We will not get alive out of here!
No! They will kill us all and nobody will care!
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The biker film was a staple of American exploitation cinema in the late 1960's, culminating in the "generation defining" studio funded classic, Easy Rider (1969). What we have here is somewhat of a genre mash up, placing a bunch of Californian bikers in the midst of an "exotic" war zone. Five gang members, led by Link (William Smith), are employed by the CIA, sent into the heart of darkness in Vietnam, to rescue a captured agent, Chet Davis (played here by director Jack Starrett - who most will recognise as the vicious police officer, Galt, from First Blood (1982)).
The first hour of the film is spent with the gang as they integrate into a small village, basically brawling, f*****g, drinking and fomenting relationships with the all-too-easy ladies. It is a completely ludicrous premise; OK so perhaps this gang of low-life's were more expendable than the troops being sent out daily, but it is hard to believe. That being said, this is exploitation cinema at its most ridiculous.
The action accelerates in the last reel, as the bikers infiltrate a camp, their bikes armed to the teeth, but the action is repetitive, and with little merit: Bikes jump, huts blow up. Besides this though, some of the characters are likable enough, with their dialogue of clichéd, counter-cultural hyperbole, but it doesn't really save a pretty tedious affair - perhaps the trailer was exciting, so maybe you should just see that. Like all exploitation films of the time that were set in exotic climates, this was of course filmed in the Philippines (where filming is cheap!).
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