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Myra Breckinridge (1970)

R | | Comedy | 24 June 1970 (USA)
Myron Breckinridge is waiting for her sex-change operation while a stoned surgeon stumbles into the operating room. Before the drugged doctor begins Myron's operation, he counsels him. ... See full summary »

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Writers:

(novel), (screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
...
Leticia Van Allen
...
Buck Loner
...
Rex Reed ...
Myron
...
...
Dr. Randolph Spencer Montag
Roger Herren ...
...
Charlie Flager Jr.
...
Irving Amadeus
...
Doctor
...
Surgeon
...
Coyote Bill
...
Kid Barlow
Robert P. Lieb ...
Charlie Flager Sr. (as Robert Lieb)
Skip Ward ...
Chance
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Storyline

Myron Breckinridge is waiting for her sex-change operation while a stoned surgeon stumbles into the operating room. Before the drugged doctor begins Myron's operation, he counsels him. Myron persists and the doctor goes through with it. An enthusiastic audience observing the operation applauds the medical achievement and rises in a standing ovation. After the operation, Myron arrives in Hollywood as Myra while in the rest of the film Myron pops up from time to time as Myra's alter ego. Myra goes to an acting academy owned by her uncle, Buck Loner, a former cowboy star. The real reason for Myra's arrival is to claim her half of Uncle Buck's estate, which she says she's entitled to. Buck Loner stalls by giving her a job teaching the history of motion pictures. Buck Loner has several friends. One of them is Letitia Van Allen, an ancient Hollywood talent scout. The sex-starved septuagenarian runs an acting agency "for leading men only." Written by alfiehitchie, RavenGlamDVDCollector ElectricLadyLand

Plot Summary | Plot Synopsis

Taglines:

Weird. Wild. Sexy. Strange. See more »

Genres:

Comedy

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 June 1970 (USA)  »

Also Known As:

Gore Vidal's Myra Breckinridge  »

Box Office

Budget:

$5,000,000 (estimated)

Gross:

$3,000,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (alternate)

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Michael Sarne quickly went over budget due to his unorthodox techniques, which included spending up to seven hours at a time by himself, "thinking," leaving the cast to wait around on set for him to return so that filming could commence. See more »

Goofs

Apparently pieced together from different takes, Myra's blouse collar alternately appears fully outside, partially inside/outside and fully outside her jacket during the scene in which she "depantses" Rusty in her office. See more »

Quotes

[first lines]
Myron: [sings to himself] A secret place known to none but me. And in my secret place, you can beg and torture me. I wouldn't tell you where to go. 'Cause in my secret place, secret place, a secret you know. Secret place, a secret you know.
[Surgeon enters to applause]
Surgeon: You realize, once we cut it off, it won't grow back. I mean, it isn't like hair, or fingernails, or toenails, you know.
Myron: What do you think I am, some kind of idiot? I know that!
Surgeon: [shrugs] Eh - how about circumcision? It'd be ...
[...]
See more »

Connections

Edited from This Is Cinerama (1952) See more »

Soundtracks

On the Good Ship Lollipop
(uncredited)
Music by Richard A. Whiting
Lyrics by Sidney Clare
Sung by Shirley Temple
See more »

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User Reviews

Methinks they protest too much
27 December 2000 | by (USA) – See all my reviews

A man who wishes to become a woman wants to show the world that men are not the superior beings that they have been made out to be. To in fact do to men what men have been doing to women since the beginning of time. Is it surprising that this film is despised by so many people - especially men? The fact that this film is so threatening is a good sign that it is right on track. A handsome idiot "stud", an over-the-hill sexist cowboy wannabe and a whole stable of dumb gorgeous guys (including Tom Selleck!) show what all those fun, sexist sixties movies look like in the mirror image. For here it is the women (Myra and an elderly Mae West) who throw out the sexist innuendo and treat men like fresh meat that have little value other than what they can offer women with their bodies. The sight of an unattractive and elderly Mae West always gets the shaft by the film's critics, yet they rarely comment on the appearance of her male counterpart (played with great relish by John Huston) who also seduces (and I might add verbally abuses) women one-third his age. Hmmm. The fact that this film is so hated shows how far men still have to go before opening up their minds and really seeing the double standards that they adhere to when it comes to sex comedies. It's only when the tables are turned that one can truly perceive this - and this film does this beautifully. It is after all a satire and commentary on Hollywood (as well as on the cheesy camp classics from everyone from Roger Corman to Russ Meyer). The interspersing of classic Hollywood movies depicting this seems to have eluded many viewers since they're so used to taking such images for granted. They don't question them or even see what those classic images are really projecting.

Anyway, this is the most brilliant example of camp cinema to date. The hilarious sabotaging of scenes with reaction shots from various movie stars reflects the so-called innocence of the audience (no wonder so many people find that uncomfortable!), and the film is also choked full of famous faces parodying the very images that made them famous. It has all the camp and surreal qualities of Gore Vidal's book, and it retains most of his incredible dialogue. It is also one of the best movies about Hollywood and the jerks who work there. And last but not least, Raquel Welsh should be most proud of her performance. I cannot imagine anyone else in this role because she is not only wonderful, she completely turns the tables on the stereotypes she personified to men throughout her career. She was a wonderfully cheesy sex goddess, and here she finally has a chance to ahem, be in the driver's seat. It's all just in fun, and that's what the movie is saying. If treating women like they are just a pair of boobs is entertainment, then why can't treating men like they are just a pair of bullocks be the same?


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