Myron Breckinridge is waiting for her sex-change operation while a stoned surgeon stumbles into the operating room. Before the drugged doctor begins Myron's operation, he counsels her. ... See full summary »
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Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
Myron Breckinridge is waiting for her sex-change operation while a stoned surgeon stumbles into the operating room. Before the drugged doctor begins Myron's operation, he counsels her. Myron persists and the doctor goes through with it. An enthusiastic audience observing the operation applauds the medical achievement and rises in a standing ovation. After the operation, Myron arrives in Hollywood as Myra while in the rest of the film Myron pops up from time to time as Myra's alter ego. Myra goes to an acting academy owned by her uncle, Buck Loner, a former cowboy star. The real reason for Myra's arrival is to claim her half of Uncle Buck's estate, which she says she's entitled to. Buck Loner stalls by giving her a job teaching the history of motion pictures. Buck Loner has several friends. One of them is Letitia Van Allen, an ancient Hollywood talent scout. The sex-starved septuagenarian runs an acting agency "for leading men only." Written by
Although Gore Vidal spent 40 years taking potshots at film, he still maintains that he has never even seen it - an allegation he makes at least twice in his 2009 photo memoir 'Snapshots in History's Glare'. See more »
Apparently pieced together from different takes, Myra's blouse collar alternately appears fully outside, partially inside/outside and fully outside her jacket during the scene in which she "depantses" Rusty in her office. See more »
[sings to himself]
A secret place known to none but me. And in my secret place, you can beg and torture me. I wouldn't tell you where to go. 'Cause in my secret place, secret place, a secret you know. Secret place, a secret you know.
[Surgeon enters to applause]
You realize, once we cut it off, it won't grow back. I mean, it isn't like hair, or fingernails, or toenails, you know.
What do you think I am, some kind of idiot? I know that!
Eh - how about circumcision? It'd be ...
[...] See more »
This movie (was) a slap in the face of America's sexual dysfunction!
I read "Myra Breckinridge" in 1969 when I was riding a bus from St. Louis to San Antonio, and I fell in love with everything about the book. I saw the movie when it first came out (even though I was not, legally, old enough) and had a blast. This film (I do NOT use that term loosely) had so much going on and not going on between pretty people and not so pretty people who were acting badly and beautifully while doing evil and funny and disgusting and sweet things to each other in the most vicious and caring ways possible, I was overwhelmed by it all. It had more to say in its heaving breast about the cruel and elevated ways in which man treats his fellow man than every Oscar-winning picture since...and all while telling its story in the most absurd and drug-inducing manner possible.
But what adds even more to the meaning of the film is how it destroyed the career of not just its director (who probably deserved it) but also ruined any chance of a career for Roger Herren solely because he played a character who was raped by a woman. Men can play rapists and women can be raped and gang raped and even play lesbians, and they receive Oscars for their performances and no one thinks the worst of them. But let a man get sodomized and suddenly everyone questions his masculinity and ability to relate to the opposite sex. And THAT is where MYRA BRECKINRIDGE stands tall.
Yes, the movie is a smash-up of styles and insane casting choices and baldly ludicrous dialogue and unintentionally funny acting, but so were more recent idiot movies like THE ROCK and TITANIC and SHAKESPEARE IN LOVE, and look how successful they became...and how quickly they will be forgotten. At least MYRA BRECKINRIDGE, the movie (maybe even moreso than the book), worked as a slap in the face of America's sexual dysfunction and hypocrisy...and I believe THAT is what bothers so many people about it. And that is why it remains a movie worth watching,
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