The Music Lovers (1970)

User Rating:

7.0/10   

Director:

Ken Russell

Writers:

Melvyn Bragg (screenplay)
Catherine Drinker Bowen (book) ...

Release Date:

12 February 1971 (France)

Genre:

Biography | Drama | Music

Plot:

The compelling and bizarre story of Tchaikovsky's life and music. In Ken Russell's own words: "It's...

Plot Keywords:

Homosexual | Tragicomedy | Nudity | Insane Asylum | Incest

Cast

Richard Chamberlain	...	Tchaikovsky
Glenda Jackson	...	Nina (Antonina Milyukova)
Max Adrian	...	Nicholas Rubinstein
Christopher Gable	...	Count Anton Chiluvsky
Kenneth Colley	...	Modeste Tchaikovsky
Izabella Telezynska	...	Madame Nadedja von Meck
Maureen Pryor	...	Nina's Mother
Sabina Maydelle	...	Sasha Tchaikovsky
Andrew Faulds	...	Davidov
Bruce Robinson	...	Alexei
Ben Aris	...	Young Lieutenant
Xavier Russell	...	Koyola
Dennis Myers	...	Von Meck, twin
John Myers	...	Von Meck, twin
Joanne Brown	...	Olga Bredska

Also Known As:

Ken Russell's Film on Tchaikovsky and the Music Lovers
Opus 74 (UK) (working title)
The Lonely Heart (UK) (working title)

Runtime:

UK:123 min

Country:

UK

Language:

English

Color:

Color

Aspect Ratio:

2.20 : 1

Sound Mix:

Mono

Certification:

UK:18 (video rating) | UK:X (original rating) | Iceland:16 | Argentina:16 | Finland:K-16 | Sweden:15 | USA:R | West Germany:16

Company:

Russ-Arts

Trivia:

Gordon Jackson is wrongly credited by some books as being in this film.

Quotes:

[in insane asylum]
Antonina Milyukova: My husband's a most famous man. I'm Madame Tchaikovsky from Moscow. My husband, he really did love me! Oh, Peter, my love...
[pauses, expression changes]
Antonina Milyukova: He hated me. He hated me!

Movie Connections:

Referenced in Have I Got News for You: The Best of the Guest Presenters (2003) (V)

Soundtrack:

MINIATURE MARCH

The Music Lovers (1970)

Ken Russell's "The Music Lovers" might be the one of, if not the best film ever made on the subject of classical music. I emphasize this, because as a historical biography it is merely sensational, and borders on the ridiculous.

Russell portrays Russian composer Peter Tchaikovsky (Richard Chamberlain) as a closet homosexual who is haunted by the past and present. In order to obtain social acceptance, he marries a sexually ravenous young woman (Glenda Jackson). Their marriage, of course, proves to be disastrous, and Peter flees from his wife, isolating himself in the countryside to compose music for Madame Von Meck (Isabella Telezynska), a rich aristocrat and widow. But Tchaikovsky's past comes back to haunt him several times before the film's manic and grotesque conclusion.

Russell has constructed images that are beautiful and disgusting (often in the same scene) and the film is a perfect accompaniment to the inspiration and ambiance felt in the composer's music.

The best scenes involve the seamless meld between sound and image. A concert at the beginning of the film beautifully transposes images of audience members listening to Tchaikovsky's latest piece, with the fantasies that the music inspires in them. Numerous fantasy sequences throughout the film teeter on the edge of insanity, highlighting the composer's feelings and fears.

Which brings us to the film's astonishing and loony climax: an excessive montage set to the "War of 1812 Overture" that must rival any other sequence in the history of film for its inappropriateness. The piece is no doubt Tchaikovsky's most well known work, which brought him wealth and fame. But Russell presents his transition from composer to "star" entirely in fantasy. I could try to describe this sequence for you, but it would be futile. It must be seen to be believed. Let's just say that the climatic cannons from the "Overture" are put to violent and hilarious use.

The components of the film come together perfectly. Everyone seems to have been in their element while filming. The cinematography by Douglas Slocombe is absolutely beautiful, and proves to be the best feature of the film. This is possibly the best "looking" Russell film. Glenda Jackson's performance as the nymphomaniac wife is perfectly in tune with Russell's histrionic presentation. And though Richard Chamberlain does not fair as well, he shows some emotional depth that has hardly been seen in his other work.

Russell's pyrotechnic camera-work is so breathtaking that it is a wonder why the man cannot find work these days. "The Music Lovers" is an exercise in the pure joy of film-making and the emotions it can invoke within us. Perhaps Russell's career slipped through his fingers in the late 1970's (along with his budget), but this film; like Tchaikovsky's greatest compositions; is, dare I say it… a work of genius.