A young surgeon becomes bored with his wife and family, he has a very successful career, but even with having so much in life, he feels empty and goes through a series of brief and meaningless relations with attractive women.
In New York, the newly-promoted in the Street Broker Howard Brubaker is invited by his boss Ted Gunther to come to his fancy apartment. However, there is a party and the clumsy Howard feels... See full summary »
After American scientist is severely injured and scarred in a car crash along the border with East Germany, he is captured by East German military. The scientists use metal implants to save him. Once back in the States no one can tell if it's really him so an intelligence specialist must determine who is under the "mask".
A private applies to be a test subject for the military's new chemical weapons program. After many tests he decides to use his knowledge on chemical warfare to rob banks. He will need a partner, though.
A middle aged restaurateur begins to feel the desire to roam and realizes that one day each week, his mother's apartment will be empty all afternoon. He makes several attempts at seduction,... See full summary »
Comedy about how New Yorkers are coping with pervasive urban violence, obscene phone calls, rusty water pipes, electrical blackouts, paranoia and ethnic-racial conflict during a typical summer of the 1970s.
Elliott Gould and Diane Keaton take out a lease on love with an option to buy in this glossy romantic comedy costarring Paul Sorvino, Victoria Principal and Candy Clark. Unhappily divorced ... See full summary »
This little-known 1970 film (the year Gould cranked out about six) actually has some interesting social comments to make, but NOBODY ever saw this flick. I saw when it was released, mainly because of the lovely and talented Paula Prentiss, and Gould I liked from B&C&T&A and M.A.S.H. (same year) and the strangely beautiful Genevieve Waite was in it. Gould basically plays a plodding scumbag who doesn't deserve the life he has (which he is clueless about), but he's really too old (even then) to be trying to find himself in that turbulent time period.
A 4 out of 10. Best performance = Paula Prentiss (wonderful). This is better than I LOVE MY WIFE (another unknown Elliott movie from that year), but it doesn't follow through with the Gould angst of his character. 1970 was a great year for films (especially the unknown ones), but this condescending and fake-brooding, but if you're interested in that time period (especially film wise), check it out for curiosity's sake.
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