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Move (1970)

R  |   |  Comedy, Fantasy  |  1970 (West Germany)
5.5
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Ratings: 5.5/10 from 97 users  
Reviews: 6 user | 5 critic

A young playwright who writes porno novels to overcome a writer's block, lives the fantasies of one of his books, while trying to move with his wife from one apartment into a larger one.

Director:

Writers:

(novel), (screenplay), 1 more credit »
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Title: Move (1970)

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Cast

Cast overview, first billed only:
...
Hiram Jaffe
...
Dolly
Geneviève Waïte ...
Girl (as Genevieve Waite)
John Larch ...
Mounted Patrolman
Joe Silver ...
Oscar
Graham Jarvis ...
Dr. Picker
...
Peter
Garrie Bean ...
Andrea
David Burns ...
Doorman
...
Keith
Richard Benedict ...
Prescott
...
Mrs. Katz
Aly Wassil ...
Gupta
John Wheeler ...
Brown Package
Rudy Bond ...
Detective Sawyer
Edit

Storyline

A young playwright who writes porno novels to overcome a writer's block, lives the fantasies of one of his books, while trying to move with his wife from one apartment into a larger one. Written by Edgar Soberón Torchia <cimas@sinfo.net>

Plot Summary | Add Synopsis

Taglines:

Move has got a lot to give... it's kinky.

Genres:

Comedy | Fantasy

Certificate:

R | See all certifications »
Edit

Details

Country:

Language:

Release Date:

1970 (West Germany)  »

Also Known As:

A Mudança  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(DeLuxe)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The last film from the legendary producer, Pandro S. Berman. See more »

Soundtracks

Move
Sung by Larry Marks
Lyrics by Alan Bergman and Marilyn Bergman
Music by Marvin Hamlisch
See more »

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User Reviews

 
One of the best for Elliot and Paula
12 December 2006 | by (United States) – See all my reviews

Move is a treat. At the time of its release Elliot Gould was just reaching a his first cycle of over exposure and most people missed this movie completely. It is in the same tradition of self conscious movies as "You're a Big Boy Now" and others that came out during the late 60s. The difference is this movie is intelligently written and directed and it gets better as it progresses as opposed to falling apart and resorting to slapstick like most zany movies do at the three quarters mark. Gould perfectly captures the o.c.d. craziness of his character and Paula Prentiss as usual is terrific. The only flaw in this film is I would have loved to see at least one more scene with her. All the supporting characters are scarily great. I do not want to give the whole story away. See it!


11 of 12 people found this review helpful.  Was this review helpful to you?

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