In New York, the newly-promoted in the Street Broker Howard Brubaker is invited by his boss Ted Gunther to come to his fancy apartment. However, there is a party and the clumsy Howard feels... See full summary »
A young surgeon becomes bored with his wife and family, he has a very successful career, but even with having so much in life, he feels empty and goes through a series of brief and meaningless relations with attractive women.
After an American scientist is severely injured and scarred in a car crash along the border with East Germany, he is captured by East German military. The scientists use metal implants to save him. Once he's back in the States, no one can tell if it's really him, so an intelligence specialist must determine who is under the "mask".
A private applies to be a test subject for the military's new chemical weapons program. After many tests he decides to use his knowledge on chemical warfare to rob banks. He will need a partner, though.
I read someone once say that "films like _Move_ destroyed Gould's career in 1 and a half years." Maybe, maybe not, but _Move_ is really not a bad film at all: a bit counter-culture, but not obnoxiously so.
Gould is an intellectual New Yorker whose fortunes have led him to walk dogs in central park, and to author pornographic literature to make a living--a self-described "scatological existence." Prentiss (in a straight role) is his long-suffering wife, who watches as he suffers a mental breakdown. This film is of interest to Prentiss fans as it was her first big role in 5 years of eschewing Hollywood. Genevive Waite is the ditzy model Gould meets in the park.
Perhaps the film's greatest drawback (to us men, at least), is Gould's penchant for dropping his trousers to reveal an inordinately hirsute physique.
When all is said, its a film with its own charms, and the ending sweetly closes the story.
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