In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just ... See full summary »
A Harvard University student finds a strange letter that seems to be signed by George Washington. When trying to contact an expert (Prof. Chandler) to authenticate it, he is murdered but ... See full summary »
Elliott Gould and Diane Keaton take out a lease on love with an option to buy in this glossy romantic comedy costarring Paul Sorvino, Victoria Principal and Candy Clark. Unhappily divorced ... See full summary »
A girl brings home her latest boyfriend to meet her parents. This is done against the background of random shootings that had just begun in NYC at the time the play was written. How the ... See full summary »
A seemingly happy Swedish housewife and mother begins an adulterous affair with a foreign archaeologist who is working near her home. But he is an emotionally scarred man, a Jewish survivor... See full summary »
Max von Sydow
A young playwright who writes porno novels to overcome a writer's block, lives the fantasies of one of his books, while trying to move with his wife from one apartment into a larger one. Written by
Edgar Soberón Torchia <firstname.lastname@example.org>
This little-known 1970 film (the year Gould cranked out about six) actually has some interesting social comments to make, but NOBODY ever saw this flick. I saw when it was released, mainly because of the lovely and talented Paula Prentiss, and Gould I liked from B&C&T&A and M.A.S.H. (same year) and the strangely beautiful Genevieve Waite was in it. Gould basically plays a plodding scumbag who doesn't deserve the life he has (which he is clueless about), but he's really too old (even then) to be trying to find himself in that turbulent time period.
A 4 out of 10. Best performance = Paula Prentiss (wonderful). This is better than I LOVE MY WIFE (another unknown Elliott movie from that year), but it doesn't follow through with the Gould angst of his character. 1970 was a great year for films (especially the unknown ones), but this condescending and fake-brooding, but if you're interested in that time period (especially film wise), check it out for curiosity's sake.
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