LA cops Gould and Blake get in over their heads when they don't heed orders from above and go after a big crime boss. While higher ups in the police department want the cop duo to just ... See full summary »
In 1974, flanked by such filmic monuments to paranoia and corruption as Chinatown and The Parallax View, Elliott Gould and Donald Sutherland tried to re-create the screwball nonchalance of ... See full summary »
Elliott Gould and Diane Keaton take out a lease on love with an option to buy in this glossy romantic comedy costarring Paul Sorvino, Victoria Principal and Candy Clark. Unhappily divorced ... See full summary »
When Harry Burck (Harmon), an American engineer on loan to Colombia, is taken hostage and held for ransom, his brother Corey (Schoeffling) and friend Jack (Busey) are among a group of men, ... See full summary »
Thomas F. Wilson,
A Harvard University student finds a strange letter that seems to be signed by George Washington. When trying to contact an expert (Prof. Chandler) to authenticate it, he is murdered but ... See full summary »
A girl brings home her latest boyfriend to meet her parents. This is done against the background of random shootings that had just begun in NYC at the time the play was written. How the ... See full summary »
Two hoplessly out of their class con-men attempt to pull off the largest bank heist of the l9th century. They gain the enmity of the most famous bank Robber in the world and the affection ... See full summary »
A young playwright who writes porno novels to overcome a writer's block, lives the fantasies of one of his books, while trying to move with his wife from one apartment into a larger one. Written by
Edgar Soberón Torchia <firstname.lastname@example.org>
Move is a treat. At the time of its release Elliot Gould was just reaching a his first cycle of over exposure and most people missed this movie completely. It is in the same tradition of self conscious movies as "You're a Big Boy Now" and others that came out during the late 60s. The difference is this movie is intelligently written and directed and it gets better as it progresses as opposed to falling apart and resorting to slapstick like most zany movies do at the three quarters mark. Gould perfectly captures the o.c.d. craziness of his character and Paula Prentiss as usual is terrific. The only flaw in this film is I would have loved to see at least one more scene with her. All the supporting characters are scarily great. I do not want to give the whole story away. See it!
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