Directed by | |||
| William A. Fraker | |||
Writing credits(in alphabetical order) | ||
| David Zelag Goodman | ||
| Lukas Heller | ||
| Jack Schaefer | novel | |
Produced by | |||
| Hal Landers | .... | producer | |
| Bobby Roberts | .... | producer | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| David M. Walsh | |||
Film Editing by | |||
| Richard K. Brockway | (as Dick Brockway) | ||
| Ray Daniels | |||
| Gene Fowler Jr. | |||
| Robert L. Wolfe | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Albert Brenner | (as Al Brenner) | ||
Art Direction by | |||
| Ward Preston | |||
Set Decoration by | |||
| Phil Abramson | |||
Costume Design by | |||
| Albert Brenner | (as Al Brenner) | ||
Makeup Department | |||
| Emile LaVigne | .... | makeup artist | |
Production Management | |||
| Bill Finnegan | .... | production manager (as William R. Finnegan) | |
| Christopher N. Seiter | .... | production manager (as Chris Seiter) | |
Second Unit Director or Assistant Director | |||
| Al Murphy | .... | assistant director | |
| Jack Roe | .... | assistant director | |
Special Effects by | |||
| Roy Bolton | .... | special effects | |
| George Peckham | .... | special effects | |
| Daniel Hays | .... | special effects (uncredited) | |
Stunts | |||
| Floyd Baze | .... | stunt double | |
| Henry A. Escalante | .... | stunts (uncredited) | |
| John Hudkins | .... | stunts (uncredited) | |
| Terry Leonard | .... | stunts (uncredited) | |
| Gerry Searle | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bobby Byrne | .... | camera operator | |
| Michael A. Jones | .... | gaffer: second unit | |
Casting Department | |||
| Frank Kennedy | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Alan Levine | .... | costumes: men | |
Music Department | |||
| John Barry | .... | conductor | |
|
|
|
|
|
| Monte Walsh | Riding Shotgun | Hang 'Em High | 3:10 to Yuma | Bend of the River |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Western section | IMDb USA section |
When "Monte Walsh" appeared in 1970, I avoided it like the plague. "Who wants to see a movie about the end of an era?" I asked myself, conveniently forgetting how much I loved "The Man Who Shot Liberty Valance." So, nearly 30 years later, Turner Classic Movies gave me the opportunity to correct what might have been a mistake. Had I erred in 1970? Well, yes and no. Yes, because "Monte Walsh" now joins my list of one of the five best westerns ever made; and, no, because at the tender age of 21, I would not have appreciated this masterpiece; which, in these especially troubled times, seems more relevant than ever.
According to TCM host, Robert Osborne, William Fraker directed only 4 films during his distinguished career, preferring his role as director of photography. If "Monte Walsh" is any example, then director Fraker missed his calling; as, "Monte Walsh" boasts outstanding ensemble acting, unusual unless the director is especially gifted. Many in this cast give the best performances of his or her career, particularly Jim Davis and Mitchell Ryan. "Monte Walsh" should be the role for which Marvin is remembered, as "Chet" should be the role to remember Jack Palance. It's a joy and a privilege to watch Marvin and Palance interact, even more enjoyable than Marvin and John Wayne in their frequent pairings. The first two thirds of "Monte Walsh" is largely upbeat, even in the hard times portrayed, while the final third left me both numb and aching.
"I won't p**s on 30 years of my life," is one of the many profound quotations in "Monte Walsh." It defines Monte's code of honor; a decent, loving and honorable man unwilling to compromise who he is. I give "Monte Walsh" a "10".