Monte Walsh and Chet Rollins are long-time cowhands, working whatever ranch work comes their way, but "nothing they can't do from a horse." Their lives are divided between months on the ... See full summary »
A vicious Kansas City slaughterhouse owner and his hick family are having a bloody "beef" with the Chicago crime syndicate over profits from their joint illegal operations. Top enforcer Nick Devlin is sent to straighten things out.
The life of peaceful rancher John Benedict (William Holden) is torn apart when his family is massacred by a gang of marauding outlaws and his farm is destroyed. He assembles a team of mean,... See full summary »
Set in the early 1880s, this is the story of one of the last buffalo hunts in the Northwest. Sandy McKinzie is tired of hunting buffalo, and tired of killing-Charley on the other hand ... See full summary »
Monte Walsh is an aging cowboy facing the ending days of the Wild West era. As barbed wire and railways steadily eliminate the need for the cowboy, Monte and his friends are left with fewer and fewer options. New work opportunities are available to them, but the freedom of the open prairie is what they long for. Eventually, they all must say goodbye to the lives they knew, and try to make a new start. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
"Monte Walsh" is an astounding film, astounding in that so few people seem aware of it. Lee Marvin heads an outstanding cast including Jack Palance, Jeanne Moreau and Mitchell Ryan in this elegant adaptation of the Jack Schaefer ("Shane") novel. The movie may be thought of as one of those so-called "revisionist" films of the era which re-examined the concept of the western. "Monte Walsh" offers a vision of a dying cowboy lifestyle, of large cattle corporations and fewer jobs, of the growth of towns and the death of rowdy freedoms, of hard lives and few attractive options. Marvin encapsulates many of these aspects as the title character, forced daily to realize his entire way of life is over. Director William A. Fraker does a fine job of drawing fine performances from his cast, and of capturing the hard beauty and constant state of change in the American West.
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