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Maybe I'll Come Home in the Spring (1971)

TV Movie  -   -  Drama  -  16 February 1971 (USA)
6.9
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Ratings: 6.9/10 from 326 users  
Reviews: 21 user | 1 critic

Dennie has returned from a year among the hippies to her superficial, image-conscious suburban family. She must face their disapproval of her actions. They refuse to even try to understand.... See full summary »

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Title: Maybe I'll Come Home in the Spring (TV Movie 1971)

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Edit

Cast

Complete credited cast:
...
Denise 'Dennie' Miller
...
Claire Miller
Lane Bradbury ...
Susie Miller
...
Flack
...
Ed Miller
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Storyline

Dennie has returned from a year among the hippies to her superficial, image-conscious suburban family. She must face their disapproval of her actions. They refuse to even try to understand. She must also deal with an ex-lover, and a beloved young sister who is following in her footsteps, wanting the idealistic hippie life but making some rash decisions in the process. Written by Molly Malloy

Plot Summary | Plot Synopsis

Genres:

Drama

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Release Date:

16 February 1971 (USA)  »

Also Known As:

Deadly Desire  »

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1.33 : 1
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Did You Know?

Quotes

[first lines]
Claire Miller: [in a split-second flashback] Denise!
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Soundtracks

Maybe I'll Come Home in the Spring
Written by Roger Atkins and Helen Miller
Performed by Linda Ronstadt
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Frequently Asked Questions

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User Reviews

 
A heartbreaker...
22 January 2001 | by (las vegas, nv) – See all my reviews

Sally Field plays an older teen who has run away from her suburban home to be with her hippie boyfriend. This no-holds-barred television movie begins with her returning home in the middle of the night, walking up her block, into the driveway, going into the house where her family is asleep and climbing into her old childhood bed. Why did she leave in the first place? Take a look at her family: her parents are a society-party dream, but completely dysfunctional after the guests have gone home. Sally's younger sister is no better, fighting her folks over every little thing and popping pills on the side. There's an odd sequence midway through that has Field running down the street drawing ribbons in the air, but it doesn't detract from the realistic nature of the relationships or the film's uncompromising ending. One of the first films (TV-made or otherwise) to rip the lid off of American suburbia and its false sense of comfort and security. Despite some facile overacting here and there, it is a sharply-edited and well-realized piece.


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