Chicago psychiatrist Judd Stevens (Roger Moore) is suspected of murdering one of his patients when the man turns up stabbed to death in the middle of the city. After repeated attempts to ... See full summary »
Three generations of women (Talia Shire, Nina Siemaszko, and Colleen Dewhurst) run a failing bed and breakfast in this gentle romantic comedy. Everything changes when a charming mysterious ... See full summary »
During World War One a British aristocrat, an American entrepreneur and the latter's attractive young daughter, set out to destroy a German battle-cruiser which is awaiting repairs in an inlet just off Zanzibar.
Fur-trapper Shawn Garrett gets out of a horse-stealing charge in a small, frontier town by agreeing to buy the horse with a gold nugget. This nugget attracts the attention of a man named ... See full summary »
This film concerns a writer of mystery stories who bases his villain on a criminal, played by Malcolm McDowell, who is incarcerated in prison. Escaping prison after his apparent death in a ... See full summary »
While driving one evening, Harold Pelham appears possessed and has a car accident. While on the operating table, there even appears to be two heartbeats on the monitor. When he awakes, Pelham finds his life has been turned upside-down: he learns that he now supports a merger that he once opposed, and that he apparently is having an affair. People claim they have seen him in places that he has never been. Does Pelham have a doppelganger - or is he going insane? Written by
Jack Yan <email@example.com>
The name of Harold Pelham (Roger Moore)'s company was "Freeman, Pelham & Dawson". The name on the sign outside his office building read: "Freeman, Pelham & Dawson Rugby Works Research Development". See more »
As Pelham drives at high speed along the M4 motorway, he passes the same light blue Sunbeam Alpine and a red car at least four times. See more »
I found this film to be a pleasant surprise, considering the low rating here. I enjoyed the plot (reminded me of the Mirror Image TZ episode) the acting was well done and I was never bored for a moment. This film could definitely be given a remake, maybe ending instead with the uptight Pellham watching his happy family with the liberated Pellham, and deciding it was best for him to start a new life somewhere else. The real ending to this film is okay, if it had ended 5 seconds earlier then it would be a pretty typical climax but that side-ache that the cooler Pellham feels for a moment could be a number of things (including the uptight one taking his body back.) It is fascinating that this was made before Moore's tenure as Bond, yet he mentions James Bond in one scene (the first film he mentions those two words) and it is funny how the cooler Pellham resembles a suburban James Bond. This is given new levels of meaning, since part of Bond's charm is that he is what other guys want to be, and in this film one man gets that wish. The part may be perfect for Moore, just separate the elements of his cool yet uptight secret agent and you have the two characters on screen. Very well done.
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