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The Man Who Haunted Himself (1970)

GP | | Thriller | 18 February 1970 (UK)
Harold Pelham encounters a duplicate of himself in the aftermath of a car crash. After that moment his life is upset.

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Cast

Cast overview, first billed only:
...
Hildegard Neil ...
Eve Pelham
Alastair Mackenzie ...
Michael Pelham
Hugh Mackenzie ...
James Pelham
...
Luigi
Thorley Walters ...
Frank Bellamy
...
Tony Alexander
Olga Georges-Picot ...
Julie Anderson
...
Dr. Harris - Psychiatrist
John Welsh ...
Sir Charles Freeman
Edward Chapman ...
Barton
Laurence Hardy ...
Mason
Charles Lloyd Pack ...
Jameson
Gerald Sim ...
Morrison
Ruth Trouncer ...
Miss Bird, Pelham's secretary
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Storyline

While driving one evening, Harold Pelham appears possessed and has a car accident. While on the operating table, there even appears to be two heartbeats on the monitor. When he awakes, Pelham finds his life has been turned upside-down: he learns that he now supports a merger that he once opposed, and that he apparently is having an affair. People claim they have seen him in places that he has never been. Does Pelham have a doppelganger - or is he going insane? Written by Jack Yan <jack.yan@jyanet.com>

Plot Summary | Add Synopsis

Taglines:

You will live every shattering moment of terror with... The Man Who Haunted Himself. See more »

Genres:

Thriller

Certificate:

GP | See all certifications »
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Details

Country:

Language:

Release Date:

18 February 1970 (UK)  »

Also Known As:

A Luta de Um Homem  »

Box Office

Budget:

£400,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

First of three feature film productions starring Roger Moore which have included the phrase "The Man..." in the title. They are The Man Who Haunted Himself (1970), The Man with the Golden Gun (1974) and The Man Who Wouldn't Die (1994) the latter being made-for-television. Moore also appeared much earlier in 1962 in an episode of The Saint (1962) (Season 6, Episode 18) which was entitled "The Man Who Gambled with Life" [See: The Saint: The Man Who Gambled with Life (1969)]. See more »

Goofs

Just before Pelham's car crashes near the beginning of the film, he forces a Mercedes to move aside from the outside lane to the middle lane, then within seconds he crashes into a barrier. No such barrier would exist on a British motorway and the sequence of events would have led to the Mercedes crashing anyway had this car not been forced to change lanes by Pelham. See more »

Quotes

Harold Pelham: Espionage isn't all James Bond on Her Majesty's Secret Service. Industry goes in for it too, you know.
See more »

Crazy Credits

"(By permission of the Royal Shakespeare Co.)" underneath Hildegard Neil's name in the end credits. See more »

Connections

Featured in Chuck Norris vs. Communism (2015) See more »

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User Reviews

Crackerjack suspense story
13 July 2003 | by (Port Talbot, South Wales,UK) – See all my reviews

Despite the extremely improbable premise, this 1970 film boasts one of Roger Moore's most accomplished performances.

The plot, which centres around a staid businessman who "dies" for a few seconds on the operating table following a car crash, recovers and eventually finds out that a doppelganger is intruding in his life, is bizarre, but it is executed with such conviction and believability that the audience is entertained from start to finish.

The suspense builds feverishly, as the doppelganger's intrusive actions increase to an alarming level, whilst Moore's performance is one of eye-popping, progressive hysteria. He steals all the scenes he is in, with the supporting cast being merely bystanders (with the possible exception of the ever-dependable Freddie Jones an an eccentric psychiatrist).

The feeling of helplessness is excellently conveyed and well-maintained right up until the end. The film's resolution is stark and hard-hitting and because it is one we might not have anticipated, the film's credibility is maintained despite the obvious far-fetched nature of the story. However, two car accidents at pivotal moments in the film is a little bit hard-to-stomach and accept!!

Obviously under-rated as a film spectacle by critics, this little gem of a thriller plays with your emotions and keeps you guessing all the way through. I doubt whether Roger Moore has performed a role better than this since.


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