Rod Slater is the newly appointed general manager of the Sonderditch gold mine, but he stumbles across an ingenious plot to flood the mine, by drilling into an underground lake, so the ... See full summary »
While the Nazis regime subjugates European Nations, in Belgian Congo the doctor Rachel Cade tries to cure those troubled people. The colonel Derode falls in love with her but a young ... See full summary »
Fur-trapper Shawn Garrett gets out of a horse-stealing charge in a small, frontier town by agreeing to buy the horse with a gold nugget. This nugget attracts the attention of a man named ... See full summary »
During World War One a British aristocrat, an American entrepreneur and the latter's attractive young daughter, set out to destroy a German battle-cruiser which is awaiting repairs in an inlet just off Zanzibar.
Three generations of women (Talia Shire, Nina Siemaszko, and Colleen Dewhurst) run a failing bed and breakfast in this gentle romantic comedy. Everything changes when a charming mysterious ... See full summary »
While driving one evening, Harold Pelham appears possessed and has a car accident. While on the operating table, there even appears to be two heartbeats on the monitor. When he awakes, Pelham finds his life has been turned upside-down: he learns that he now supports a merger that he once opposed, and that he apparently is having an affair. People claim they have seen him in places that he has never been. Does Pelham have a doppelganger - or is he going insane? Written by
Jack Yan <email@example.com>
This feature film is actually a remake of a television episode. It was made and released about fifteen years after its source story by Anthony Armstrong, "The Case of Mr. Pelham", which later became a novel from which this picture was based, the book then being called "The Strange Case of Mr Pelham" (1957), and also written by Armstrong. The TV show, "The Case of Mr. Pelham", had been first broadcast as an episode of Alfred Hitchcock Presents (1955) [See: Alfred Hitchcock Presents: The Case of Mr. Pelham (1955)]. See more »
Near the beginning of the film as Pelham is driving erratically in the Rover 3.0 Ltr saloon, the section of motorway is different depending on whether shots are taken at the rear of the car or the front of the car. This can be seen by the presence or absence of white lines (separating the lines of traffic) respectively. See more »
Espionage isn't all James Bond on Her Majesty's Secret Service. Industry goes in for it too, you know.
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With its 1970s chic cheese and swagger and Roger Moore's excellent performance, The Man Who Haunted Himself has a considerable cult fan base. Directed by British legend Basil Dearden, plot finds Moore as Harold Pelham, who after being involved in a serious car accident, comes around from the trauma to find that his life is being turned upside down. It seems that somebody is impersonating him, people he knows swear he was in places he hasn't been, that he has been making decisions at work that he knows nothing about, and that he has a sexy mistress that threatens to destroy his marriage. Is he going mad? A victim of a collective practical joke? Or is there really something more sinister going on?
Don't be a slave to convention!
So yeah! A cult gem waiting to be rediscovered is The Man Who Haunted Himself, it has a plot that positively bristles with intrigue. As the doppleganger motif is tightly wound by Dearden, who smartly sticks to understated scene constructions as opposed to supernatural excess, there's a realistic and human feel to the story. The makers are not going for jolt shocks, but taking a considered approach that has the pertinent mystery elements lurking in the background, waiting for their chance to reveal themselves for the utterly thrilling finale. A finale that is bold and special, obvious but not, and definitely tinged with cunning ambiguity.
With Moore drawing on talent from his acting pool that many thought he didn't have (two different characterisations smartly realised here), and Dearden pulling the technical strings (love those off-kilter angles and multi mirrored images), this is a film that has surprises in store all across the board. 8/10
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