Rod Slater is the newly appointed general manager of the Sonderditch gold mine, but he stumbles across an ingenious plot to flood the mine, by drilling into an underground lake, so the ... See full summary »
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »
Set against an appealingly sunny Sicilian backdrop, the film finds Simon Templar, an elegant thief and ethical busybody, outraged when a British banker is murdered after he recognizes an old colleague-turned-Mafia kingpin.
A European arms dealer (Roger Moore) meets a liberated woman journalist (Susannah York), who is writing a story about the ridiculous things men do with the armaments during a NATO war games... See full summary »
Chicago psychiatrist Judd Stevens is suspected of murdering one of his patients when the man turns up stabbed to death in the middle of the city. After repeated attempts to convince two ... See full summary »
A Mafia boss is enraged when he is suspected of smuggling a heroin shipment into San Francisco. He dispatches his nephew, a hotshot Anglo-Sicilian lawyer, to identify the real culprit. The ... See full summary »
While driving one evening, Harold Pelham appears possessed and has a car accident. While on the operating table, there even appears to be two heartbeats on the monitor. When he awakes, Pelham finds his life has been turned upside-down: he learns that he now supports a merger that he once opposed, and that he apparently is having an affair. People claim they have seen him in places that he has never been. Does Pelham have a doppelganger - or is he going insane? Written by
Jack Yan <email@example.com>
The central character of Harold Pelham (Roger Moore) in this film has a car accident. Just over a year from its initial release, the film's writer/director/producer Basil Dearden died in a car accident. See more »
While Pelham drives his Rover through London during the opening credits, in some shots the car has black numberplates and in others it has reflective white/yellow ones. See more »
Despite the extremely improbable premise, this 1970 film boasts one of Roger Moore's most accomplished performances.
The plot, which centres around a staid businessman who "dies" for a few seconds on the operating table following a car crash, recovers and eventually finds out that a doppelganger is intruding in his life, is bizarre, but it is executed with such conviction and believability that the audience is entertained from start to finish.
The suspense builds feverishly, as the doppelganger's intrusive actions increase to an alarming level, whilst Moore's performance is one of eye-popping, progressive hysteria. He steals all the scenes he is in, with the supporting cast being merely bystanders (with the possible exception of the ever-dependable Freddie Jones an an eccentric psychiatrist).
The feeling of helplessness is excellently conveyed and well-maintained right up until the end. The film's resolution is stark and hard-hitting and because it is one we might not have anticipated, the film's credibility is maintained despite the obvious far-fetched nature of the story. However, two car accidents at pivotal moments in the film is a little bit hard-to-stomach and accept!!
Obviously under-rated as a film spectacle by critics, this little gem of a thriller plays with your emotions and keeps you guessing all the way through. I doubt whether Roger Moore has performed a role better than this since.
22 of 26 people found this review helpful.
Was this review helpful to you?