While driving one evening, Harold Pelham appears possessed and has a car accident. While on the operating table, there even appears to be two heartbeats on the monitor. When he awakes, Pelham finds his life has been turned upside-down: he learns that he now supports a merger that he once opposed, and that he apparently is having an affair. People claim they have seen him in places that he has never been. Does Pelham have a doppelganger - or is he going insane? Written by
Jack Yan <firstname.lastname@example.org>
Two stills from the film, one showing Harold Pelham reaching across for his seat-belt and the other showing a close-up of his hand fastening the seat-belt buckle, were used a part of a road safety campaign to persuade people always to wear their seat belts. See more »
Just before Pelham's car crashes near the beginning of the film, he forces a Mercedes to move aside from the outside lane to the middle lane, then within seconds he crashes into a barrier. No such barrier would exist on a British motorway and the sequence of events would have led to the Mercedes crashing anyway had this car not been forced to change lanes by Pelham. See more »
Espionage isn't all James Bond on Her Majesty's Secret Service. Industry goes in for it too, you know.
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I found this film to be a pleasant surprise, considering the low rating here. I enjoyed the plot (reminded me of the Mirror Image TZ episode) the acting was well done and I was never bored for a moment. This film could definitely be given a remake, maybe ending instead with the uptight Pellham watching his happy family with the liberated Pellham, and deciding it was best for him to start a new life somewhere else. The real ending to this film is okay, if it had ended 5 seconds earlier then it would be a pretty typical climax but that side-ache that the cooler Pellham feels for a moment could be a number of things (including the uptight one taking his body back.) It is fascinating that this was made before Moore's tenure as Bond, yet he mentions James Bond in one scene (the first film he mentions those two words) and it is funny how the cooler Pellham resembles a suburban James Bond. This is given new levels of meaning, since part of Bond's charm is that he is what other guys want to be, and in this film one man gets that wish. The part may be perfect for Moore, just separate the elements of his cool yet uptight secret agent and you have the two characters on screen. Very well done.
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