In the early 1800's, a group of fur trappers and Indian traders are returning with their goods to civilisation and are making a desperate attempt to beat the oncoming winter. When guide ... See full summary »
Richard C. Sarafian
After a cavalry group is massacred by the Cheyenne, only two survivors remain: Honus, a naive private devoted to his duty, and Cresta, a young woman who had lived with the Cheyenne two ... See full summary »
After Pardon Chato, a mestizo, kills a US marshal in self-defense, a posse pursues him, but as the white volunteers advance deep in Indian territory they become more prey than hunters, ... See full summary »
In 1864, due to frequent Apache raids from Mexico into the US, a Union officer decides to illegally cross the border and destroy the Apache, using a mixed army of Union troops, Confederate POWs, civilian mercenaries and scouts.
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A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier.
During the early 1800s, English Lord John Morgan is hunting in the Dakotas but he is captured by a group of Sioux warriors. Morgan's guides are killed but he is spared by Sioux chief Yellow Hand who marvels at Morgan's blond hair.Brought to Yellow Hand's tribal village, Morgan has to endure physical abuse and mockery at the hands of women and children who consider Morgan to be a wild horse.Restrained by a rope around his neck, Morgan is given as a gift to an old squaw, Buffalo Cow Head, to be her slave and help her with daily chores.In the village, Morgan meets Running Deer, the beautiful young sister of chief Yellow Hand.Morgan witnesses the traditional courtship process when Running Deer is asked in marriage by a tribe member who presents Yellow Hand with gifts in return for his sister's hand in marriage.Morgan starts to fall in love with her.Also in the village is half-breed, Batise, whose mother was Sioux and father was French.Batise becomes Morgan's friend and interpreter.Batise ... Written by
For his painful Vow to the Sun initiation ceremony scene, actor Richard Harris wore a prosthetic chest created by make-up artist John Chambers. See more »
Before John Morgan is captured in the lake, an Indian runs into the camp wearing Morgan's robe around his middle. When the Indians capture Morgan and drag him from the lake, his robe can be seen on the shoreline. See more »
[Explaining to John Morgan the need to undergo the painful Sun Vow ritual before he can consummate his marriage to an Indian maiden]
If no pain, nothing good is born. Even seed burst to make grass.
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This is the story of Lord John Morgan, an honest earthy person who is captured by the Sioux in 1825. Abused and treated as an animal he comes to adapt to his life in order to survive. Enduring torture and oppression he must earn their respect in order to be accepted as part of their tribe.
The white man as part of a Sioux tribe story was given a major shot in the arm with Kevin Costner's Oscar bagger, Dances With Wolves in 1990. This picture came out some twenty years before Costner's stylish picture but the two films couldn't be further apart in terms of story telling. Here in Elliot Silverstein's picture, the scenery and scope is certainly lush, but the niceties stop there for this is a harsh, at times painful, story with realism dripping from each frame. Silverstein wanted to get as close as he could to the facts of the Sioux way of life, even bringing in a Sioux historian to oversee the production.
The Sioux are painted on both sides of the canvas, on one side we are shown them to be violent, even sadistic, but Silverstein also portrays them as an intelligent race driven on by intense loyalty to their ways and culture. Richard Harris plays our main protagonist and has a clear license to act with immense verve and vigour, it's a memorable turn that lingers long after the credits roll. Hurting the film is a twee romance between Morgan and the Chiefs daughter (Judith Anderson) and Jean Gascon's fluctuating accents start to grate entering the film's last quarter. But really the plus points far outweigh the little irritants in the piece. The editing from Philip W. Anderson & Michael Kahn is like a whirling paean to hallucinations, and some scenes are from the top draw, most notably the Vow To The Sun ritual that literally is painful to watch. A Man Called Horse may well be of its time, but it's certainly a very interesting and highly intelligent film. 7/10
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