| Jeanne Goupil | ... | Anne | |
| Catherine Wagener | ... | Lore | |
| Bernard Dhéran | ... | L'automobiliste / Motorist | |
| Gérard Darrieu | ... | Émile | |
| Marc Dudicourt | ... | L'aumônier | |
| Michel Robin | ... | Léon | |
| Véronique Silver | ... | La comtesse / The Countess | |
| Jean-Pierre Helbert | ... | Le comte / The Count | |
| Nicole Mérouze | ... | Mme Fournier / Mrs. Fournier | |
| Henri Poirier | ... | Monsieur Fournier (as Henry Poirier) | |
| Serge Frédéric | ... | Le curé / Priest | |
| René Berthier | ... | Gustave | |
| Frédéric Nort | ... | Le facteur | |
| Jean-Daniel Ehrmann | ... | Le commissaire (as Jean Daniel Ehrmann) | |
| Dominique Ney | |||
| Nicole Gueden | |||
| Francine Istel | |||
| rest of cast listed alphabetically: | |||
| Ann Lewis | |||
Directed by | |||
| Joël Séria | |||
Writing credits(in alphabetical order) | ||
| Joël Séria | dialogue | |
| Joël Séria | scenario | |
Produced by | |||
| Bernard Legargeant | .... | producer | |
| Ken Legargeant | .... | executive producer | |
| Romaine Legargeant | .... | executive producer | |
| Joël Séria | .... | co-producer | |
Original Music by | |||
| Claude Germain | |||
| Dominique Ney | |||
Cinematography by | |||
| Marcel Combes | |||
Film Editing by | |||
| Philippe Gosselet | |||
Costume Design by | |||
| Simone Vassort | |||
Sound Department | |||
| Philippe Gosselet | .... | sound | |
Costume and Wardrobe Department | |||
| Simone Vassort | .... | costumes | |
| Recent Posts (updated daily) | User |
|---|---|
| Mondo Macabro DVD Subtitle Problem? | larryclow |
| piano haTrack | littleb2005 |
| Wat is written in the letter? | m-vanthof |
| 'heaven;y creatures' link? | foosi-1 |
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| Carrie | Priest | December Boys | The Crime of Father Amaro | Saint Ralph |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section |
I recently made a binge of DVD purchases, and among these were 6 Mondo Macabro releases I had been eyeing for some time. This is the first one I checked out, and it's a stunner - for several reasons! I had never heard of the film before its DVD announcement - but now I feel that it's been seriously neglected and, hopefully, Mondo Macabro's wonderful "Special Edition" can give this title a new lease of life.
Inspired by the same events which were eventually treated directly in Peter Jackson's HEAVENLY CREATURES (1994), the film is a perverse little item with rampant anti-Catholicism at its fore and which, unsurprisingly, was banned when it emerged; with this in mind, I love the way Mondo Macabro ended their description of it on the back cover: "It's a film that should be viewed only by those with very open minds"! Concerning two teenage girls' rebellion against their repressed upbringing by making a Satanic pact, in which they dedicate their lives to committing evil, it reminded me of other notorious "Chick Flicks" from the same era such as ALUCARDA (1975) and TO BE TWENTY (1978). The film doesn't have much of a plot and is deliberately paced, but it's held firmly together by the deliciously malevolent performances of the two leads (and particularly the untrained Jeanne Goupil, from whose viewpoint the events are related, and who subsequently hitched up with first-time director and former actor Seria!).
It seems to me that the reason the film is so obscure is that, when new, it was ahead of its time but, even now, it would be almost impossible to make (despite the ostensibly graphic nature of French cinema today) - featuring any number of shocking and potentially offensive images, which I won't spoil here for the uninitiated! Still, I have to mention the disturbing double rape inflicted - or, rather, invited - upon Catherine Wagener (though playing under-aged, the actress was actually 19 at the time) and the incredible finale, set inside a crowded school auditorium, which is sparked {sic} by the two girls' recital on stage of a strange poem by Baudelaire. The simple yet haunting music - performed on the organ or as a cantata - is highly effective, and the DVD extras (featuring, among others, separate interviews with Seria and Goupil) complement the film very nicely indeed.