Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a ... See full summary »
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Violent and dramatic events dog the life of hot headed rebel Chris Townes. Drifting from one menial job to another, where he finds resentment and eventually arrest, he finaly loses his ... See full summary »
A young girl's arrival at a convent after the death of her parents marks the beginning of a series of events that unleash an evil presence on the girl and her mysterious new friend, an ... See full summary »
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The story a rescue, the rescue of a bad brat's life in the post-WWII period. In 1947, Roger reaches 11 years old. He's a kid badly loved, mischievous and specializes in silly things to do. ... See full summary »
Philippe de Valmont, an important Banyuls wine producer, asks his friend Patrick, an attractive adventurer, to take care of Desirella, a cover girl very much in demand, who has an affair ... See full summary »
Anne and Lore, neighbors and best friends, barely into their teens, board at a convent school where they have taken a vow to sin and to serve Satan. Anne keeps a secret diary, they read a salacious novel, they get a classmate in trouble, they spy on the nuns, they set aside their communion wafers; they make a pact of devotion. Summer vacation starts: Anne's parents leave her alone with the servants for two months at the family château. She and Lore are free to make mischief. They are cruel as well and play games of seduction. As summer ends and fall term begins, things come to a head. Written by
During the Satanic Mass and the following Lake Scene, the two girls wear see-through dresses. During the Mass, one can easily notice that Lore is wearing black panties, but, during the Lake Scene, she evidently wears nothing under her dress. See more »
Regarding that "Mais ne nous delivréz pas du mal" aka. "Don't Deliver Us From Evil" (1971) is a highly controversial exploitation film and cult-favorite, one might expect something somewhat different before seeing this dark gem. My hopes, however, were surpassed, and I seriously don't know why I didn't watch this gem until recently. While its controversial reputation might suggest that Joël Séria's film is a sleazy, gory and explicit slice of Exploitation, this disturbing gem of European shock cinema has a lot more to offer than mere sleaze and violence. "Don't Deliver Us From Evil" is actually a lot lower on explicit violence and sexuality than I had expected - but a masterwork of macabre atmosphere and ingenious, highly disturbing and genuinely shocking plotting.
Teenage girls Anne (Jeanne Goupil) and Lore (Catherine Wagener) are neighbours, best friends, and roommates in a strict Catholic boarding school for girls. The two have also committed themselves to sin and taken a vow to serve Satan. After beginning with playful rituals and black masses the two soon turn to more grave sins and unspeakable cruelty The manner how these two girls carry out calculated acts of extreme cruelty is very disturbing. However, none of the other characters in the film are likable. Séria denounces the hypocrisy of the bourgeois society and the Catholic church, the men in the film are either hypocrites or potential rapists who are unable to control themselves once a young girl gets slightly flirtatious with them. Leading actresses Jeanne Goupil and Catherine Wagener are near-brilliant in their roles. Both actresses were adults when the film was made, but they look extremely young. Especially Wagener looks like fourteen, which makes the film as a whole, and the sexual scenes in particular, a lot more disturbing. Satanism always is a welcome Horror topic, and it has seldom been presented in a manner as disturbing as it is the case here. This may due to the fact that this film does not rely on typical clichés and that cruel deeds are presented with shocking sobriety, or because it's young girls who commit devilish acts here. The atmosphere is somewhat eerie and yet seems disturbingly real, the beautiful French settings and the film's haunting score increase this impression. Overall, this film is not as graphic as one might expect from what once apparently was the only film ever banned in France. This film delivers a lot more than cheap shock or graphic sleaze, it is genuinely shocking and a great viewing experience as such. Not for the faint-hearted, but a definite must for lovers of European Exploitation/Underground cinema, "Don't Deliver Us From Evil" is a viewing-experience one will certainly not forget. 8.5/10
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