Two convicts break out of Mississippi State Penitentiary in 1936 to join a third on a long spree of bank robbing, their special talent and claim to fame. The youngest of the three falls in ... See full summary »
A down on his luck gambler links up with free spirit Elliot Gould at first to have some fun on, but then gets into debt when Gould takes an unscheduled trip to Tijuana. As a final act of ... See full summary »
Pinky is an awkward adolescent who starts work at a spa in the California desert. She becomes overly attached to fellow spa attendant, Millie when she becomes Millie's room-mate. Millie is ... See full summary »
The personnel at the 4077 MASH unit deal with the horrors of the Korean War and the stresses faced in surgery by whatever means. The tone at the MASH is established by recent arrivals, surgeons Captains 'Hawkeye' Pierce, 'Duke' Forrest, and 'Trapper' John McIntyre - the latter who Hawkeye knows he's met somewhere, but Trapper who won't divulge where - whose antics can be best described as non-regulation, and in the negative words of one of their fellow MASH-ers: unmilitary. The unit's commanding officer, Colonel Henry Blake, doesn't care about this behavior as long as it doesn't affect him, and as long as they do their job and do it well, which they do. Their behavior does extremely bother fellow surgeon, Major Frank Burns, and recently arrived head nurse, Major Margaret Houlihan, who obtains the nickname 'Hot Lips' based on information they glean about her through underhanded means. Beyond their battles with Frank and Hot Lips, Hawkeye, Duke and/or Trapper help unit dentist Painless ... Written by
When Hot Lips confronts Lt. Col. Blake after she was exposed in the shower, she stands framed in the doorway of Lt. Col. Blake's tent. To her left, there is a mirror hanging on the tent wall that appears/disappears between shots. See more »
M*A*S*H made the reputation of its director Robert Altman, but although Altman's talents are considerable, I think he pulled off a fast one here. The plot careens from place to place, the story doesn't really go anywhere, the script is disjointed, and we don't get nearly the sense of the brutality of war that we see in other films of this period, even the ones that weren't nearly as entertaining. Heck, the TV series did a better job of looking into the utter futility of war. The surgical scenes are somewhat gruesome, but hardly shocking.
I think the sucess of the film and its obvious entertainment value (you will like watching this film) is due to a five star cast from top to bottom. The actors who deservedly made their reputation in this film and give fine performances throughout are Donald Sutherland, Elliott Gould, Robert Duvall, Sally Kellerman, Gary Burghoff and Bud Cort, and that's just the A-team. Heck, I could make a good movie today with just those people. From the stoic Trapper John to the bible thumping adulterer Frank Burns, the characters ring true and are fully fleshed out.
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