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MASH (1970)

 -  Comedy | War | Drama  -  March 1970 (USA)
7.7
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Ratings: 7.7/10 from 47,958 users   Metascore: 79/100
Reviews: 213 user | 111 critic | 7 from Metacritic.com

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war.

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(from the novel by), (screenplay)
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Won 1 Oscar. Another 19 wins & 19 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Roger Bowen ...
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'Me Lai' Marston
Indus Arthur ...
Lt. Leslie
Ken Prymus ...
PFC. Seidman
...
Sgt. Gorman
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Storyline

The personnel at the 4077 MASH unit deal with the horrors of the Korean War and the stresses faced in surgery by whatever means. The tone at the MASH is established by recent arrivals, surgeons Captains 'Hawkeye' Pierce, 'Duke' Forrest, and 'Trapper' John McIntyre - the latter who Hawkeye knows he's met somewhere, but Trapper who won't divulge where - whose antics can be best described as non-regulation, and in the negative words of one of their fellow MASH-ers: unmilitary. The unit's commanding officer, Colonel Henry Blake, doesn't care about this behavior as long as it doesn't affect him, and as long as they do their job and do it well, which they do. Their behavior does extremely bother fellow surgeon, Major Frank Burns, and recently arrived head nurse, Major Margaret Houlihan, who obtains the nickname 'Hot Lips' based on information they glean about her through underhanded means. Beyond their battles with Frank and Hot Lips, Hawkeye, Duke and/or Trapper help unit dentist Painless ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

M*A*S*H Gives A D*A*M*N. See more »

Genres:

Comedy | War | Drama

Motion Picture Rating (MPAA)

Rated R for sexual content | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| |

Release Date:

March 1970 (USA)  »

Also Known As:

M*A*S*H  »

Box Office

Budget:

$3,500,000 (estimated)

Gross:

$81,600,000 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (PG)

Sound Mix:

(Westrex Recording System)

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Robert Altman didn't want Sally Kellerman initially because "she was too attractive" and he wanted unattractive actors. See more »

Goofs

When Hawkeye first appears and is waiting for his driver, it is raining and there are puddles on the ground. When he and Duke drive off with the jeep, the sun is out and the ground is dry. See more »

Quotes

[first lines]
Lt. Col. Henry Braymore Blake: Radar.
Cpl. Walter 'Radar' O'Reilly: Yes, sir. I'll get ahold of Major Burns...
Lt. Col. Henry Braymore Blake: I want you to get a hold of Major Burns...
Cpl. Walter 'Radar' O'Reilly: ...Tell him to hold a couple day surgeons over into the night shift.
Lt. Col. Henry Braymore Blake: Tell him we're going to have hold a couple of surgeons over from the day shift out of the night shift.
Cpl. Walter 'Radar' O'Reilly: I'll put in a call to General Hammond in Seoul...
Lt. Col. Henry Braymore Blake: Get General Hammond down there in Seoul, tell him to send us those new surgeons right away.
Cpl. Walter 'Radar' O'Reilly: ...I hope he sends us those two new surgeons. We're sure gonna need'em.
[Leaves]
[...]
See more »

Crazy Credits

The end cast credits are read over the PA system, without titles. See more »

Connections

Referenced in Farscape: A Bug's Life (1999) See more »

Soundtracks

When the Lights Go On Again (All Over the World)
(1942) (uncredited)
Written by Eddie Seiler, Sol Marcus and Bennie Benjamin
Sung by the doctors and nurses when the lights go out in the operating tent
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

A classic war-is-hell movie
31 January 1999 | by (New Hope, Alabama USA) – See all my reviews

No, not the very wonderful TV series. The Robert Altman film with Donald Sutherland as Hawkeye, Elliott Gould as Trapper John, and Radar as Radar. This is a dark comedy, but it's a delight from beginning to end. And even more effectively than the TV show, the movie illustrates the complete insanity of war. (But even the movie doesn't depict Jesus on the cross hanging from a helicopter. For that you'll need to read the book.) Like most Altman films, this one is episodic. It's also gritty, grim, bloody, offensive, and charming. And Frank Burns (Robert Duvall) is not a character watered down and humanized for television. This is an example of a film so rich in detail (like Altman's "Popeye," come to think of it) that it demands multiple viewings.


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