Bosnia and Herzegovina during 1993 at the time of the heaviest fighting between the two warring sides. Two soldiers from opposing sides in the conflict, Nino and Ciki, become trapped in no man's land, whilst a third soldier becomes a living booby trap.
Greek Sea, World War II. An Italian ship leaves a handful of soldiers in a little island; their mission is to spot enemy ships and to hold the island in case of attack. The village of the ... See full summary »
A bad Polish actor is just trying to make a living when what should intrude but World War II in the form of an invasion. His wife has the habit of entertaining young Polish officers while ... See full summary »
The story follows an underground weapons manufacturer in Belgrade during WWII and evolves into fairly surreal situations. A black marketeer who smuggles the weapons to partisans doesn't ... See full summary »
Semi-autobiographical tale from the early life of director Franco Zeffirelli looks at the illegitimate son of an Italian businessman. The boy's mother has died, and he is raised by an ... See full summary »
A pragmatic U.S. Marine observes the dehumanizing effects the Vietnam War has on his fellow Marine recruits from their brutal boot camp training to the bloody street fighting set in 1968 in Hue, Vietnam.
Mobile Army Surgical Hospital. That's where two young surgeons, Duke and Hawkeye end up during the Korean War. There is no plot as such, but instead a series of episodes during which they put their stamp on the camp including a football game against a larger unit with thousands riding on it, a trip to Tokyo to operate on a congressman's son and play a little golf, and finding out if the head nurse is a natural blonde. Written by
John Vogel <email@example.com>
When the movie was released, the military wanted not to run the movie in their theaters because of its anti-war message. The case went to the Supreme Court which ruled the military could not withdraw the film for this reason. Instead, the military chose to run Patton in the following week feeling that film was more complimentary to the military. See more »
When O'Houlihan has a discussion with Hawkeye in the mess tent shortly after her arrival, there is a shot over Hawkeye's shoulder where you can see that his glasses have appeared back on his face even though they were off in the previous shot. See more »
M*A*S*H is a groundbreaking film. Along with Catch 22, M*A*S*H had the audacity to ridicule two of the pillars of American society: war and religion. Whether you find this appalling, subversive, treasonous, outrageous or funny depends on your political and religious orientation. Surely the religious right will find the film blasphemous and the political right will find it treasonous. No matter what your point of view, M*A*S*H is certainly an in-your-face film.
The irony of the film is that for the time it was considered gruesomely bloody. Yet there are no battlefield scenes; all the blood is in the surgical unit. The CSI TV series shows more carnage than M*A*S*H, but M*A*S*H was filmed over 30 years ago.
M*A*S*H is loaded with bizarro characters. Donald Sutherland, Elliot Gould, Robert Duvall, Tom Skerrit, Loretta Swit, Radar are all insane in their own way. In "M*A*S*H," everyone is cruel, playing mean practical jokes and the anti-heroes Donald Sutherland and Elliott Gould are just plain heartless. They absolutely torment Major "Hot Lips" Hoolihan and Robert Duvall. None of the characters in the film tries to be funny. There are no jokes. The humor just grows from the situation which is the grim reality of a mobile surgical unit whose doctors and nurses try their best to repair the horribly mutilated bodies from an insane war. Having worked in a hospital setting, outrageous and black humor is commonplace, especially in the ER, but in M*A*S*H it's taken to a new level.
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