Egyptian gods summons the angel Lucifer - in order to usher in a new occult age.

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Cast

Uncredited cast:
Kenneth Anger ...
The Magus (uncredited)
Bobby Beausoleil ...
Himself (uncredited)
Donald Cammell ...
Osiris (uncredited)
Haydn Couts ...
Adept (uncredited)
...
Lilith (uncredited)
Myriam Gibril ...
Isis (uncredited)
Leslie Huggins ...
Lucifer (uncredited)
Chris Jagger ...
Man in Yellow Tunic (uncredited)
...
Man Holding Stella of Revelation (uncredited)
Francis Rose ...
Chaos (uncredited)
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Storyline

Egyptian gods summons the angel Lucifer - in order to usher in a new occult age.

Plot Summary | Add Synopsis

Genres:

Short | Fantasy

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Details

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Release Date:

10 April 1974 (USA)  »

Also Known As:

Im Zeichen Luzifers  »

Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film's score was composed by Kenneth Anger's original choice to play Lucifer, Bobby Beausoleil who was in prison at the time, serving a life sentence for his involvement with the Manson murders. It is the only film score to be written and recorded wholly in a prison. See more »

Connections

Featured in Donald Cammell: The Ultimate Performance (1998) See more »

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User Reviews

 
A mystical, mythological, religious journey of rebirth
25 December 2008 | by (Greece) – See all my reviews

Far removed from the 'satanic panic' of 1969's Invocation of My Demon Brother, and closer to the imagery, motifs and ideas of his earlier short Inauguration of the Pleasure Dome, Lucifer Rising finds the infant terrible of the hippie counterculture once again dabbling in the occult, the mystical and the mythological, only this time, with a clear, focused and assured approach. Gone are the frantic superimpositions and chaotic editing. Lucifer Rising is for the most part cleanly edited, more refined in the selection of images and more carefully constructed than its predecessors. It sees Anger harnessing his delirious side in the service of a certain film-making finesse, without losing any of his symbolic potency. What other proof is there that this is Anger at his most professional when he even uses tracking shots in some instances! What next, professional actors? A Crowley-esquire view of ancient Egypt then, with Lucifer as the bringer of Light, touching themes of death and rebirth, Lucifer Rising may lack the visceral, hypnotic madness of its predecessor but makes up for it with an air of spellbinding psychedelia.


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