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Lucifer Rising (1972)

 -  Short | Fantasy  -  10 April 1974 (USA)
7.1
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Ratings: 7.1/10 from 1,341 users  
Reviews: 9 user | 13 critic

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Title: Lucifer Rising (1972)

Lucifer Rising (1972) on IMDb 7.1/10

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Cast

Uncredited cast:
Kenneth Anger ...
The Magus (uncredited)
Bobby Beausoleil ...
Himself (uncredited)
Donald Cammell ...
Osiris (uncredited)
Haydn Couts ...
Adept (uncredited)
...
Lilith (uncredited)
Myriam Gibril ...
Isis (uncredited)
Leslie Huggins ...
Lucifer (uncredited)
Chris Jagger ...
Man in Yellow Tunic (uncredited)
...
Man Holding Stella of Revelation (uncredited)
Francis Rose ...
Chaos (uncredited)
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Genres:

Short | Fantasy

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Release Date:

10 April 1974 (USA)  »

Also Known As:

Lucifer Rising  »

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Aspect Ratio:

1.37 : 1
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Trivia

The score for the movie was composed by the incarcerated killer Bobby Beausoleil, one of the infamous Charles Manson family killers. He was in jail when he made the score. See more »

Connections

Featured in Anger Me (2006) See more »

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User Reviews

 
Flower-power on steroids performing forbidden rites
30 June 2012 | by (United Kingdom) – See all my reviews

Among the 1960's counterculture philosophy of moral liberation, free-love, and flower-power utopianism were dark stirrings which came to a malignant fruition with the Rolling Stones' disastrous Altamont festival and the Tate/LaBianca slayings courtesy of Charles Manson's "family", thus bringing the fledgling Aquarian age to an abrupt end. And what, you may ask, has any of this to do with 'Lucifer Rising'? And well, the answer, is everything(!) as the 1960s were essentially an unconscious mass evocation of English Occultist Aleister Crowley's oft misunderstood maxim "Do what thou wilt shall be the whole of the law"...and no other figure has done more to promote the name and work of Crowley in the arena of popular culture than Kenneth Anger.

Fascinated by fame (especially its darker aspects) from an early age, Anger had long been a fringe figure in Hollywood making and independently distributing obscure, homo-erotic, and occult inspired works that eventually attracted Their Satanic Majesties themselves the Rolling Stones. Anger was attracted to the power and pop-culture shamanic potency wielded by rock stars, and none more so than Mick Jagger who, hard as it is to believe these days, was back then viewed by parents and moral guardians as an androgynous, drug-addled threat to society. Perfect casting then, Anger reasoned, to play the part of Lucifer in his Magnum Opus 'Lucifer Rising'.

In the end Jagger chickened out, eventually leaving the role to be played by unknown Leslie Huggins. However, despite the lead role being played by an unknown, the film still boasts Donald Cammell (writer/director of 'Performance') as Osiris and Marianne Faithful as Lilith who play out a bizarre archetypal psychodrama against stunning backdrops of giant statues in Egypt, including, most evocatively, the Sphinx. Originally, the soundtrack was to be composed by Led Zeppelin guitarist, and fellow Crowley devotee, Jimmy Page (who puts in a blink-and-you'll-miss-him cameo) but owing to contractual obligations with Led Zeppelin he was only able to complete 22 minutes worth of material and was subsequently fired from the project following a bitter fallout with Anger. Eventually the soundtrack was composed by Manson "family" member Bobby Beausoleil (Anger's original choice for the role of Lucifer but who had a disagreement with Anger and buried the original print of the movie in the Death Valley desert forcing Anger to reshoot the film) whilst serving a prison sentence for his part in the murders performed under the orders of the counterculture anti-messiah Charles Manson. The soundtrack itself is part chilling, haunting soundscape and part dynamic quasi-classical rock opus which has a magnetic and spellbinding quality which complements the film in a way impossible to imagine from any other composition.

So, all told, 'Lucifer Rising' is more than a short film, and more than a work of art…even though the film is an exemplary example of both. However, more than these, it is the tortured result of a labour of love more than a decade long (filming began in 1966 yet was only finally released in 1980) which serves as a curious post-script to an era of fervent creativity in music, film, and art as well as being a curious admonition to those that seek unadulterated spiritual and moral exploration in the name of "Do what thou wilt" that with such potent virtues come all-encompassing costs.


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