| George Segal | ... | Brooks Wilson | |
| Eva Marie Saint | ... | Selma Wilson | |
| Sterling Hayden | ... | Lepridon | |
| Keenan Wynn | ... | Edward | |
| Nancie Phillips | ... | Nelly | |
| Janis Young | ... | Grace | |
| David Doyle | ... | Will | |
| Paul Sparer | ... | Marve | |
| Andrew Duncan | ... | Willy | |
| Sherry Lansing | ... | Susan | |
| Roland Winters | ... | Plommie | |
| Edgar Stehli | ... | Mr. Kramm | |
| Calvin Holt | ... | Danny | |
| Mina Kolb | ... | Diane | |
| Diana Douglas | ... | Mrs. Shavelson | |
| David Ford | ... | Al | |
| James Manis | ... | Charles | |
| Mart Hulswit | ... | Ted (as Mart Hulswitt) | |
| John Fink | ... | Brad | |
| William Duffy | ... | Jay | |
| Irving Selbst | ... | Benny | |
| Martin Harvey Friedberg | ... | Roger (as Martin Friedberg) | |
| Lorraine Cullen | ... | Lizzie | |
| Cheryl Bucher | ... | Hannah | |
| Ed Crowley | ... | Mr. Shavelson | |
| Roy Scheider | ... | Skip | |
| Sab Shimono | ... | Byron | |
| Eileen O'Neill | ... | Cindy | |
| Diane Davies | ... | Barbie | |
| rest of cast listed alphabetically: | |||
| Jack Beers | ... | (uncredited) | |
| John Reidy | ... | Flower delivery man (uncredited) | |
Directed by | |||
| Irvin Kershner | |||
Writing credits(in alphabetical order) | ||
| Don Devlin | ||
| J.M. Ryan | novel | |
Produced by | |||
| Don Devlin | .... | producer | |
| Raymond Wagner | .... | executive producer | |
Original Music by | |||
| Bernardo Segall | |||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| Robert Lawrence | |||
Production Design by | |||
| Walter Scott Herndon | |||
Costume Design by | |||
| Albert Wolsky | |||
Makeup Department | |||
| Joseph Cranzano | .... | makeup artist (as Joe Cranzano) | |
Production Management | |||
| Stanley Neufeld | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Edward Folger | .... | assistant director | |
| Allan Wertheim | .... | second assistant director | |
| Ted Zachary | .... | assistant director | |
Art Department | |||
| John Godfrey | .... | set dresser | |
Sound Department | |||
| Newton Avrutis | .... | sound | |
| Nathan Boxer | .... | sound | |
Camera and Electrical Department | |||
| Michael Chapman | .... | camera operator | |
Music Department | |||
| Bernardo Segall | .... | conductor | |
| Billy Byers | .... | orchestrator (uncredited) | |
| Gus Levene | .... | orchestrator (uncredited) | |
Other crew | |||
| Matthew Robbins | .... | production assistant | |
| Lewis Teague | .... | production associate | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I caught this film on late night cable (maybe even the 'romance' movie channel) and it left a deep impression. There is a gap between this type of melodrama in European cinema at the time and the 'revolution' that was happening in American cinema, particularly the suspension of moral judgment outside of epiphany. The main character is having a typical middle age, middle class crisis and we are allowed to see it unfold unencumbered by a personal transformation, a complete crash. This type of screen writing is having a revival in shows like 6 feet under on HBO. I would recommend it to anyone interested in that dark, muddy 1970's American cinema that seems to put the middle class of the 1960's to rest but doesn't become another 'desert road trip' film.