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Loving (1970)

R  |   |  Comedy, Drama  |  27 April 1970 (Denmark)
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Ratings: 6.3/10 from 382 users  
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Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might... See full summary »



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Cast overview, first billed only:
Nancie Phillips ...
Janis Young ...
Paul Sparer ...
Andrew Duncan ...
Roland Winters ...
Edgar Stehli ...
Mr. Kramm
Calvin Holt ...
Mina Kolb ...
Mrs. Shavelson


Brooks Wilson is in crisis. He is torn between his wife Selma and two daughters and his mistress Grace, and also between his career as a successful illustrator and his feeling that he might still produce something worthwhile. Written by Gary Couzens <>

Plot Summary | Add Synopsis


Trust was something she took for granted


Comedy | Drama


R | See all certifications »




Release Date:

27 April 1970 (Denmark)  »

Also Known As:

L'Ehov  »

Filming Locations:

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Working title was "Brooks Wilson, Ltd." See more »


Brooks Wilson: Sel, how come all teenage girls are sex maniacs?
Selma Wilson: Ha-ha-ha, there's only ONE sex maniac around here.
Brooks Wilson: Oh, yeah? Then, how come a little kid like Marianne is just aching for me? A guy, twice her age.
Selma Wilson: Three times her age. She doesn't know you're alive.
Selma Wilson: You know what she called me in the car?
Selma Wilson: Grandpa.
Brooks Wilson: Mr. Wilson. Twice, she called me Mr. Wilson.
Selma Wilson: Oh, she's obsessed all right.
Brooks Wilson: Practically begging me to take her to the Gates of Ecstasy.
Selma Wilson: Oh, hmm, Mr. Wilson, take me to the Gates of Ecstasy, will you? ...
See more »


Referenced in The Ice Storm (1997) See more »


Music by Bernardo Segall
Lyrics by William B. Dorsey
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User Reviews

All that matters is my pleasure of the moment
22 September 2015 | by (United States) – See all my reviews

Who needs blood and guts when you can watch more interesting destructive behavior? George Segal embodies studied amorality perfectly. There is no God, no religion, no moral sensibility, only what I do and what I can get away with. But it's not just George. All the men in the film are just in it for themselves, down to the kvetching neighbor complaining about George's crab-grass. We are a long way from Puritan New England in this cold portrayal of suburban hustle set in Westport, CT. Some of the women, especially Eve Marie-Saint, still think the old rules - middle-class conventions - still have meaning, value, and valor, but not the men and certainly not two of the women (Mistress and Fling for discussion purposes herein). We get no inner life of George, he just communicates his superiority as an artist, his ability to hustle accounts (in a bizarre cameo by Sterling Hayden, who plays an embodiment of Lincoln), and his ability to have a wife, a mistress, and whatever Fling stirs him at the moment, which becomes the essential plot device of this otherwise aimless movie, aimless if you don't see the trainwreck coming at breakneck speed, despite the movie's studied languor. We would have no movie, however, if only George was amoral - and you know George is amoral, that the part was a cakewalk for him, because that is who he is. Yuk! I will certainly research any movie that stars George Segal before deciding how much degradation and loss of tradition I want to experience.

Of course, to him and his ilk, there is no other reality. Life is to be lived through their gimlet eyes, and my job is to identify these types early, and thence to avoid them. I am not even going to look up the name of the "party-host husband" who casually schtupes a drunken guest (that would be Fling #2 for George, but he doesn't get to her) while his wife vainly tries to keep the party upscale, only to have her husband tee up live-pornography for his guests. As my secretary says, you can't make this stuff up, and this movie perfectly illustrates what happens when you believe in nothing other than the primacy of your own sexual prowess.

Thoroughly distasteful but an essential watch for those who need to understand why we have a new religion in this land, one whose commandments consist of micro-aggression "Shalt-nots," identity politics, and a belief that government must make laws enforcing all this BS, and must take care of us from cradle-to-grave. For those rejecting the traditions of our ancestors, it is George jungle out there unless we abide by our new religion. It's an easy choice for me (the ol' time religion), but not for most, with their obsession with "truth," and hence our new religion. In this religion, all that matters is your posturing, and your obeisances to the identity politic gods (and police), even if the world is falling down around you. I'll take the old-time religion always.

Performances are excellent throughout. The children - the poor children: their suffering isn't shown, but it is forboded - are superb. The hard-bitten Mistress, angling for George to divorce, is perfect in her callous disregard for other's feelings. And the two Flings are the cynical embodiment of George - they are also just in it for the momentary pleasure George is living for. In fact, the only moral judgment ever passed in this movie is when Fling #1 (Fling #2 having passed out upstairs where the host gets her) accuses George of being middle-class for wanting his pants back before going back into the house to get food and drink for their outside tryst. Double yuk.

But powerful. After traditional religion but before our new Neo-Victorian secular religion enforced by the state (and its high priests), this movie is a must-see for American cultural history.

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