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IMDb > Love Hate Love (1971) (TV)

Love Hate Love (1971) (TV) More at IMDbPro »


Overview

User Rating:
5.7/10   29 votes
MOVIEmeter: ?
Up 34% in popularity this week. See why on IMDbPro.
Director:
Writers:
Eric Ambler (screenplay)
Eric Ambler (story)
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Contact:
View company contact information for Love Hate Love on IMDbPro.
Release Date:
9 February 1971 (USA) more
Genre:
Plot:
Ryan O'Neal plays Russ Emery, a glib engineer who steals the heart of a fashion model named Sheila Blunden... more | add synopsis
Plot Keywords:
User Reviews:
Unpleasant material played for the sensational... more (6 total)

Cast

  (Credited cast)

Ryan O'Neal ... Russ Emery

Lesley Ann Warren ... Sheila Blunden
Peter Haskell ... Leo Price
Henry Jones ... Tom Blunden
Jeff Donnell ... Mary Blunden
Jack Mullaney ... Eddie
Stanley Adams ... Wally

Shannon Farnon ... Karen Roche
Ryan McDonald ... Lieutenant Hank Robins
Fred Holliday ... Patrolman
Mark Tapscott ... Deputy Sheriff
Charlene Polite ... Secretary
rest of cast listed alphabetically:

Carol Speed ... Secretary
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Additional Details

Also Known As:
The Love Hate Love Story (USA) (working title)
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Runtime:
74 min
Country:
Language:
Color:
Aspect Ratio:
1.33 : 1 more
Sound Mix:
Certification:

FAQ

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1 out of 1 people found the following review useful.
Unpleasant material played for the sensational..., 30 July 2009
4/10
Author: moonspinner55 from redlands, ca

Beautiful model in New York has to decide between two marriage-minded suitors--unfortunately, the one she decides on turns out to be a jealous psychotic, turning her back into the arms of the first boyfriend. They marry and move to California, but the jilted, delusional maniac is close on their trail. TV-made stalker-drama from producer Aaron Spelling was ahead of its time in terms of subject matter, however the story is creepy and pointless. Lesley Warren works herself into a real tizzy worrying that new hubby Ryan O'Neal won't be able to protect them from crazy Peter Haskell, though apparently Ryan has been working out at the gym behind her back (resulting in an evening street brawl which fails to raise any concern from the neighbors). The finale is directed for melodramatic chills, rendering the potentially gripping plot dynamics mute. One can easily see why up-and-coming star O'Neal signed on for this movie: he gets to be the sensitive good guy while also protecting his helpless wife from the scary villain. His performance isn't bad--and Haskell is careful not to overdo the wild-eyed bit--yet the picture takes mere surface-swipes at its own possibilities. It was designed to be a paranoia thriller for housewives, and as such is a callow, forgettable enterprise.

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