In 1825 an English aristocrat is captured by Indians. He lives with them and begins to understand/accept their lifestyles. Eventually he is accepted as part of the tribe and becomes their ... See full summary »
In 1836 General Santa Anna and the Mexican army is sweeping across Texas. To be able to stop him, General Sam Houston needs time to get his main force into shape. To buy that time he orders... See full summary »
Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn. Written by
John Vogel <firstname.lastname@example.org>
The main tune played when the the 7th Cavalry were attacking on the Washita River and during the Battle of Little Big Horn is an Irish jig titled "Garry Owen". This song was the official song of the Seventh Cavalry of the U.S. Army - General Custer's cavalry. However, the music is actually a medley which consists of The Garry Owen and St. Patrick's Day See more »
When Jack and his bride are being photographed in front of their store the photographer removes the lens cap to expose the film and we see the image being taken reversed on camera glass. In reality the film holder would have blocked any view during the exposure. See more »
I am, beyond a doubt, the last of the old-timers. My name is Jack Crabb. And I am the sole white survivor of the Battle of Little Big Horn, uh, uh, popularly known as Custer's Last Stand.
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My parents purchased a VHS copy of Little Big Man for me when I was 14 and, because it was a western, I didn't touch it for two years, in spite of their belief in its greatness. When I finally watched the film, I was astounded to find a film that was funny, angry, violent, and moving simultaneously. It turned out that my parents were, in fact, correct. Little Big Man was great.
I've gone back to the movie several times since that first viewing and it continues to entertain and affect; for me, a film that has emotional resonance well after the first viewing is rare and, though it does not always point to greatness, it often does.
Every element of the film is fantastic. The acting, by Hoffman and Dan George in particular, is amazing, as is Penn's direction. The story picaresque and always fascinating. There simply is no weak component to this movie.
I must also commend the film as a literary adaptation. I am not the most supportive critic of the Thomas Berger novel upon which the film is based. I find its thematics confused; it cannot decide whether or not it wants to revise western mythology or further it and, in that way, it fails for me. Calder Willingham's adaptation removes the ambivalence inherent in the novel and thereby writes one of the first and greatest revisionist Hollywood Westerns.
Little Big Man is a great movie, as I have said, and it deserves much more notoriety than it receives. This is, I fear, a film that too few people of my generation know. If you haven't seen it, I highly recommend it as an excellent and entertaining way to spend a couple of hours.
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