A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier.
In 1825, an English aristocrat is captured by Native Americans. He lives with them and begins to understand their way of life. Eventually, he is accepted as part of the tribe and aspires to become their leader.
Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn. Written by
John Vogel <email@example.com>
During the credits at the beginning of the movie, young Jack comes out of hiding and looks at a man's body, with an arrow sticking up out of it. The top of the arrow moves slowly as the "dead" man breathes. See more »
I am, beyond a doubt, the last of the old-timers. My name is Jack Crabb. And I am the sole white survivor of the Battle of Little Big Horn, uh, uh, popularly known as Custer's Last Stand.
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One of the greatest American films of the 70's, a long but enjoyable western epic told with verve and insight. Dustin Hoffman excels in one of his early film roles, throwing himself into its physical demands with obvious enthusiasm and in the process creating one of his most endearing characters.
But he had to be on his toes in the face of much scene-stealing by a host of experts, including Richard Mulligan as the screwiest Custer you'll ever see, Martin Balsam as the eternally optimistic Mr. Merriweather, and Chief Dan George as Old Lodgeskins, a noble, wise and very funny Native American patriarch. This, along with "Bonnie and Clyde," represented the pinnacle of Arthur Penn's directing career: he handles the tonal shifts from comedy to tragedy with unerring control. Beautifully photographed and scored, with a wry, picaresque script by Calder Willingham from Thomas Berger's novel. Memorable images abound, from the rousing stagecoach chase, to an erotic bath delivered by the beauteous Faye Dunaway, to the horrific attack on a snowbound Indian village by the U.S. Cavalry, accompanied by a sprightly fife-and-drums march, to George's dignified ritual of death under threatening skies that doesn't quite turn out the way he planned. A funny, poignant tale, skillfully told, and a reminder of the fragility and randomness of life and love.
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