In 1836 General Santa Anna and the Mexican army is sweeping across Texas. To be able to stop him, General Sam Houston needs time to get his main force into shape. To buy that time he orders... See full summary »
Three centuries before Christus. Young Cabiria is kidnapped by some pirates during one eruption of the Etna. She is sold as a slave in Carthage, and as she is just going to be sacrificed to... See full summary »
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn. Written by
John Vogel <email@example.com>
In order to get the raspy voice of a man who is supposed to be over 120 years old, Dustin Hoffman sat in his dressing room and screamed at the top of his lungs for an hour. See more »
In the saloon scene where Wild Bill Hickok is killed (1876), there is a Miller beer "Girl on the Moon" picture on the wall. Although Miller beer started operations in 1855, the "Girl on the Moon" advertising was first used in 1907 and it wasn't the same picture as the one in the movie. See more »
I am, beyond a doubt, the last of the old-timers. My name is Jack Crabb. And I am the sole white survivor of the Battle of Little Big Horn, uh, uh, popularly known as Custer's Last Stand.
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One of the greatest American films of the 70's, a long but enjoyable western epic told with verve and insight. Dustin Hoffman excels in one of his early film roles, throwing himself into its physical demands with obvious enthusiasm and in the process creating one of his most endearing characters.
But he had to be on his toes in the face of much scene-stealing by a host of experts, including Richard Mulligan as the screwiest Custer you'll ever see, Martin Balsam as the eternally optimistic Mr. Merriweather, and Chief Dan George as Old Lodgeskins, a noble, wise and very funny Native American patriarch. This, along with "Bonnie and Clyde," represented the pinnacle of Arthur Penn's directing career: he handles the tonal shifts from comedy to tragedy with unerring control. Beautifully photographed and scored, with a wry, picaresque script by Calder Willingham from Thomas Berger's novel. Memorable images abound, from the rousing stagecoach chase, to an erotic bath delivered by the beauteous Faye Dunaway, to the horrific attack on a snowbound Indian village by the U.S. Cavalry, accompanied by a sprightly fife-and-drums march, to George's dignified ritual of death under threatening skies that doesn't quite turn out the way he planned. A funny, poignant tale, skillfully told, and a reminder of the fragility and randomness of life and love.
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