When a deported gangster dies in Italy, the U.S. treasury dept. is very interested in the $1,000,000.00 Madigan owed the government, but managed to take to Italy with him. They send agent ... See full summary »
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the early frontier.
Private detective and former football player Harry Moseby gets hired on to what seems a standard missing person case, as a former Hollywood actress whose only major roles came thanks to ... See full summary »
After being released on parole, a burglar attempts to go straight, get a regular job, and just go by the rules. He soon finds himself back in jail at the hands of a power-hungry parole ... See full summary »
A fictional account of the real life, eleven day, never explained 1926 disappearance of famed murder mystery writer Agatha Christie is presented. On a cold winter day, her damaged car with ... See full summary »
Jack Crabb is 121 years old as the film begins. A collector of oral histories asks him about his past. He recounts being captured and raised by indians, becoming a gunslinger, marrying an indian, watching her killed by General George Armstrong Custer, and becoming a scout for him at Little Big Horn. Written by
John Vogel <email@example.com>
Paul Scofield was considered for the role of Old Lodge Skins. Curiously, it was not until shortly before filming began that director Arthur Penn thought about using an actual Native American for this role - even though an important point made in Thomas Berger's original novel was that Caucasian actors are hardly ever convincing in such parts. See more »
When Jack Crabb is shown drunk during a heavy rainstorm shots alternate back and forth from being on an overcast day to being ones in bright sunshine. See more »
I am, beyond a doubt, the last of the old-timers. My name is Jack Crabb. And I am the sole white survivor of the Battle of Little Big Horn, uh, uh, popularly known as Custer's Last Stand.
See more »
Little Big Man represents the highest point in Arthur Penn's career. The film was made soon after his masterpiece Bonnie and Clyde and stands, in my opinion, right beside it as one of the most significant achievements not only of Arthur Penn's work, but also of the world cinema in general. Unfortunately the chain of remarkable movies began with this two wasn't destined to continue, with director's following films proving to be quite disappointing. But nevertheless Bonnie and Clyde and Little Big Man remain as the two fine notables for which Arthur Penn will always be fondly remembered.
Also mustn't be discarded the role of the time when the Little Big Man was made, the turbulent era of the Vietnam War, which most certainly found its reflection on the film, critically paralleled in portrayal of the ruthless and mindless slaughter of the Indians by the American troops.
The film's story is told by Jack Crabb, a very old man of more than 100 years old, the only remaining witness of the events he is telling to an oral histories collector.
We follow his life story as he is kidnapped and raised by the Indians, after a few years escaping from them only to return back again to witness the brutal death of his friends and loved ones from the hands of the American soldiers under the command of vicious and eccentric General George Armstrong Custer who finally has to pay for his inhuman deeds in the battle of the Little Big Horn that is shown in the end of the film and which might be considered as the natural consequence of the brutal tactics employed by the American troops in conquering the Indian territories, and finally represents a significant lightening of the karmic burden for them, achieved by the purificatory and relieving death in the fight with the Indians whose victory symbolize only a temporarily successful culmination of destined-not-to-last-long struggle.
Though in Jack Crabb's life story we basically revisit a number of very familiar for a Western genre fan fields, one of them being the battlefield of the Little Big Horn, the masterful way in which revisiting is done turn it into an unforgettable viewing experience during which you'll most certainly find yourself moved from laughing at the perfect comic moments of parody on some of the most used Western clichés to shedding tears when tragic happenings unveil on the screen, always remaining absorbed by it, mesmerized by the superb acting delivered by all of the actors involved and the film's visually vast beauty. 10/10
27 of 47 people found this review helpful.
Was this review helpful to you?